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“The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does -- or even should -- contribute to the story in hand being any better than it would have been without it.”

“All I know is it’s silly to chase fun when all you need is the ground underneath you to be solid. And I don’t expect to be one of those people that does cartwheels in yogurt commercials. I wanna be the cartoon character in that antidepressant ad who has, like, little lines under her eyes, and the divot in the middle of the pill is the pill’s mouth... have you seen this ad? It’s very good. It’s for Abilify, which is not a word.”

“I don't care if you hate me or if you like me, as long as somebody gives me a character that is really a character to play. It's fun to be able to have a character and have a director that can direct you into a character. I'm just so happy that I got a good role. I don't care if it's bad or if it's good, and I don't care if it's drama or comedy. They are just so rare to come across.”

“Hearing him speak is so fun, reassuring I dare say. You can say all you like about Sihanouk: that he's an atrocious liar, a madman, a fraud, a swashbuckler, an international blot. You may think that, but you cannot deny how in this age in which the political arena seems to generate only dull, obtuse and boring characters with no imagination, he's a kind of miracle.”

“Most of actor's work is done at home, in your hotel room, in the wee hours of the morning thinking and reading and feeling, walking around and listening to music. It really just because an internal exercise, whatever skills. It's great if you have to learn something new for a gig and designing a character physically is always fun but it does become an internal exercise in separating the wheat from the chaff.”

“There's probably some buried conservative inside of me, coming out like a little gremlin in my belly that I've suppressed. This is a sort of character I've done before: He's kind of dumb and he's kind of arrogant, and a little seedy. A little coke-y. He's gotten into the cocaine or he's had too much coffee. It's been pretty fun. Not all the songs are like that but it sort of creeps in there.”

“I've been lucky enough to work with the amazing Golden Globe Award winning Chris Colfer and that is fantastic. I get to work with him on a day-to-day basis and he is such a generous talent. Chris and I like to play. He always throws me things and I ping them back to him and it's really fun. We definitely have a very lovely rapport personally - I think on screen too - and I hope you can see that in the characters.”

“My character on 'I'm In the Band,' Derek Jupiter of Iron Weasel, is definitely one of the crazier ones. That's completely on the other end of the spectrum. There's absolutely nothing like Derek any shape or form. I'm having so much fun playing this egotistical, '80s-era rockstar - everything he does is from the point-of-view of a rockstar.”

“It was a pleasure to have somebody else be the boss. It wouldn't have been nearly as much fun any other way. He's been around and made a lot of movies and he's a great straightforward person to work for. And it was a pleasure to see other people to pick up characters that you've sketched out loosely on paper and make them into something fascinating.”

“Well,the fun part of being a writer is that it's like making a wonderful film, with no limit on my budget. I can design the sets, the costume, the lightings, I write the script, and then I get to perform all the roles as I step into each character's skin, zip up, and adopt that point of view. So, to me, they are all compelling and fascinating.”