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“The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does -- or even should -- contribute to the story in hand being any better than it would have been without it.”

“Working with Jean-Claude is a lot of fun. Because he's a great actor who also happens to be a fighter. That combination doesn't usually come together anymore. Usually, you have to fight the stunt double and then act against the actor. In his case, you are fighting with a real guy. It takes a minute to get used to that. Because it doesn't happen any more.”

“I don't like doing action movies. They're not that interesting... it's fun to do the physical element but the really fun stuff, like running into exploding buildings, they won't let you do. There's too much money riding on you not getting hurt. But yes, there's something exhilarating in just sitting on a beach with somebody having a real conversation. There's something exhilarating about being open and honest.”

“It's really a lot of fun to see that this music can actually survive, that it can be concert music. My solo shows are already going along that path. You have the freedom to basically push to party, or you can tell a story from nothing with soundscapes, moving images, to a real party mood. At some concerts, people get out of their seats and start dancing after a while.”

“I get cast gay a fair amount throughout my life. It's not the first time. Matt [Letscher] was kind of like, 'Jeff, um, I'm gonna pretend this is real easy and not a problem, but I've never done this at all.' And so you know, we were awkward for a while. And then he said, 'Let's go for it. Come on. I'm gonna pretend you're my girlfriend, my wife. Here we go.' And we had a lot of fun.”

“I love photo shoots where I can be like a pinup, not myself. Where I can be feminine, glamorous, dark not like in real life. I hate it when you go in and they want you to be 'natural,' to be yourself. I just hate it. I love having fun. When they ask you to smile, I hate it. Of course I smile in my real life, but to do it on cue, that's not spontaneous. I'd rather do something that's like a little movie, like a little story, rather than just me, I feel naked.”

“Does it really matter if I choose the bus over a BMW, and generic over Gucci? Because the car, the wardrobe, the zip code-those are just nouns, things that are fun to have around, sure, but in the end, they have nothing to do with the real me. Nothing to do with who I really am.”

“I like to service the full audience of America, so I try to do things that are just real artistic, like when they don't have the most money, but it's a great piece of work. Then, there are big, fun comedies and big animated movies for kids. I want to do things for my nieces and nephews. Ultimately, we're trying to deliver something entertaining to an audience. As long as it can entertain the audience, and it makes me or my niece and nephew laugh or cry, then I think it's good.”

“No, it's that fun we have. It's real. I'm so thankful they cast good, funny, interesting, warm, kind people in “Castle”, because we blend very well together. At this point it's like a family. We help each other. I constantly ask them: “What's funnier: if I do this or I do that?” And I don't think we care anymore about looking weak or unprofessional. We all just want the best for each other and for the show.”

“If you purposefully look to shock people, it isn't funny. That's what 50 million dollar Hollywood comedies do; try to be shocking and dirty. They aren't really. It isn't enough to shock. It's easy to shock. Real surprise is what I'm after. Those early movies, we had drugs, which you weren't supposed to show. You weren't supposed to shoot up. We would make fun of hippies. I think that we were punk before there was punk.”

“It has been a long time since I believed in Reality. I prefer the loveliness and the terror of my subjective experiences to those coldly scientific explanations which in the long run turn out to be no more real, and far less fun, than my own fantasies and musings.”

“You just work day and night if the cause in your heart is justified. You just go out and drive yourself to get the money. And you have fun doing it. It's a real rush. The people I particularly dislike are those who say 'I'm going to leave it in my will.' What they're really saying is 'If I could live forever, I wouldn't give any of it away.”