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“Then you learn about composition, you learn about old masters, you form certain ideas about structure. But the inhuman activity of trying to make some kind of jump or leap, where , the painting is always saying, 'What do you want from me? I can only be a painting.' You have to go from part to part, but you shouldn't see yourself go from part to part, that's the whole point.”

“The red library is Sui's tribute to fashion maven Diana Vreeland, who served as editor for Harper's Bazaar (1939-1962) and Vogue (1963-1961). My most precious collection is my bound Vogue magazines, .. and they're kind of like my Bible. I look at them all the time when I'm trying to inspire myself for a collection.”

“September 11 definitely opened our eyes, but when I was 19 or whatever on the last record, we just didn't care about anything. We were too young to care about anything. And then as you get older, you don't really have any excuse to be stupid anymore, to be in the dark. That just kind of opened everyone's eyes (which I probably wish it did to more people) that there's obviously something wrong, to try and figure out what it is and what's going on in the world.”

“That's what Hanukkah is about: trying to survive the darkness on the far-fetched hope there's still some life and light left in the universe. It's more than just a religious story. The days have been growing shorter, imperceptibly but inescapably darker.... Heading into the night of the winter solstice, every spiritual tradition has some kind of festival of light. We're all just whistling in the dark, hoping against hope that someone up there will see these little Hanukkah candles and get the hint.”

“My grandfather once told me that there were two kinds of people: those who do the work and those who take the credit. He told me to try to be in the first group; there was much less competition.”

“Unkindness to anything means an injustice to that thing. If I am unkind to you I do you an injustice, or wrong you in some way. On the other hand, if I try to assist you in every way that I can to make a better citizen and in every way to do my very best for you, I am kind to you. The above principles apply with equal force to the soil. The farmer whose soil produces less every year, is unkind to it in some way; that is, he is not doing by it what he should; he is robbing it of some substance it must have, and he becomes, therefore, a soil robber rather than a progressive farmer.”

“I usually make up stories for my kids.I like to tell them stories and make up any kind of crazy to involve them in characters. The kind of fairytales I don't like are the ones with happy endings, where there's just good and evil and things are perfect. I think when there's a good story for children it has a moral tale, so that's what I try to teach my kids.”

“I've done roles before where I've wanted to be buff and sort of fit or whatever. And I like to try and be a little bit fit because there's usually one scene in a movie where you've got to run, which means you've got to run for about five hours nonstop. So, for me, it's just worthwhile being fit because doing a movie can be kind of grueling for six, seven, eight weeks. Or 12 weeks.”

“I thought of all the different kinds of love in the world. I could think of ten without even trying. The way parents love their kids, the way you love a puppy or chocolate ice cream or home or your favorite book or your sister. Or your uncle. There's those kinds of love and then there's the other kind. The falling kind.”

“What's required of me in the field is to feel,' Stirton says with emphasis. 'And trying to take that feeling and put it in a form that communicates a particular set of emotions or circumstances - whether that involves depicting masculine pride, or a particular kind of suffering, or love, or closeness - my primary job is to feel and to try to put that feeling into some kind of visual form. My goal is to get to the heart of each story, you know? I’m trying to evolve in my work.”

“It is all, as usual, paradox. I have to use what intellect I have in order to write books, but I write the kind of books I do in order that I may try to set down glimpses of things that are on the other side of the intellect. We do not go around and discard the intellect, but we must go through and beyond it.”

“The idea is to keep reinventing yourself. Once you attain a certain status as an actor, your fans start expecting from you and you should be able to fulfill them. That's why I try to choose as many different kind of roles as I can so that my fans are not disappointed with me. It would also get boring for me as an actor to keep repeating myself.”

“There are two kinds of love: we love wise and kind and beautiful people because we need them, but we love (or try to love) stupid and disagreeable people because they need us. This second kind is the more divine because that is how God loves us: not because we are lovable but because He is love, not because He needs to receive but He delights to give.”

“I do kind of aspire to do comedy that appeals to a wide range of audiences and doesn't divide people. I never want to do material that makes people laugh at the expense of making other people feel bad - not to say I'm not guilty of that at times. ... I try and make humor out of the really important issues of the day, like Hot Pockets and elevators and not wanting to get out of bed.”

“I've kind of fallen out of love with politics. ...Whatever experience and talents I've gained over the years -- I think it may well be that the highest and best use of that is to try to bring enough awareness of the solutions to the climate crisis and enough of a sense of urgency that we come together across party lines on behalf of our children.”

“Total experiences, of which there are many kinds, tend again and again to be apprehended only as revivals or translations of the religious imagination. To try to make a fresh way of talking at the most serious, ardent, and enthusiastic level, heading off the religious encapsulation, is one of the primary intellectual tasks of future thought.”

“Days when you just don't have it, you don't mail it in, you don't pack it in, you give it everything you've got. You grind it out, I don't care what kind of game you have, you somehow try and find a way to get it done ... That's part of my attitude and belief, that you should always have the switch on. You can't turn it on and off.”

“I would then say that there are two kinds of feeling. The first is to feel in the sense of concentrating your emotions on something immediately available for your understanding: you make your understanding out of the emotions you have about it. The second is to feel in the sense of being affected without trying to understand: something is felt, you do not know what, and it is more important to feel it than to try to understand it, since once you try to understand it you no longer feel it.”

“I think my interest in risk is pretty high, a lot higher than I think a lot of other people who are just looking for something to kind of define themselves, give them a set of fingerprints, and certainly is better for the pocketbook. For me it's always about trying new things and wanting to explore something else and something new of myself and of actors I really like.”

“I think that we all at some point are in search of something - a higher power, whatever you want to call it, the meaning of life. I know I was, especially at even my son's age in my 20s, and dabbling in Eastern philosophies and yoga and Buddhism and Christianity and Islam. I kind of touched them all, you know, just trying to figure out the meaning of life or if nothing else, figure myself out.”

“As an educator, I try to get people to be fundamentally curious and to question ideas that they might have or that are shared by others. In that state of mind, they have earned a kind of inoculation against the fuzzy thinking of these weird ideas floating around out there. So rather than correct the weird ideas, I would rather them to know how to think in the first place. Then they can correct the weird idea themselves.”

“I think to the degree writers are serious, there is a greater tendency for them to write to themselves, because they're trying to compose their own thoughts. They are trying to find out what is in their minds, which is the great mystery. Finding out who you are, what is in your head, and what kind of companion you are to yourself in the course of life. I do think people have very profound lives of which they say virtually nothing.”

“The only way to have real success in science, the field I'm familiar with, is to describe the evidence very carefully without regard to the way you feel it should be. If you have a theory , you must try to explain what's good and what's bad about it equally. In science, you learn a kind of standard integrity and honesty .”

“As long as a white man does it, it's alright, a black man is supposed to have no feelings. But when a black man strikes back he's an extremist, he's supposed to sit passively and have no feelings, be nonviolent, and love his enemy no matter what kind of attack, verbal or otherwise, he's supposed to take it. But if he stands up in any way and tries to defend himself, then he's an extremist.”

“Sometimes a god comes.... He brings a new way to do a thing, or a new thing to be done. A new kind of singing, or a new kind of death. He brings this across the bridge between the dream-time and the world-time. When he has done this, it is done. You cannot take things that exist in the world and try to drive them back into the dream, to hold them inside the dream with walls and pretenses. That is insanity. What is, is. There is no use pretending, now, that we do not know how to kill one another.”