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London Quotes

“I propose that an area of no more than 300 square miles, centered roughly upon Henley-on-Thames, has made this quintessentially British town Britain's 'small town and village murder capital'.”

“I resolutely refuse to believe that the state of Edward's health had anything to do with this, and I don't say this only because I was once later accused of attacking him 'on his deathbed.' He was entirely lucid to the end, and the positions he took were easily recognizable by me as extensions or outgrowths of views he had expressed (and also declined to express) in the past. Alas, it is true that he was closer to the end than anybody knew when the thirtieth anniversary reissue of his Orientalism was published, but his long-precarious condition would hardly argue for giving him a lenient review, let alone denying him one altogether, which would have been the only alternatives. In the introduction he wrote for the new edition, he generally declined the opportunity to answer his scholarly critics, and instead gave the recent American arrival in Baghdad as a grand example of 'Orientalism' in action. The looting and destruction of the exhibits in the Iraq National Museum had, he wrote, been a deliberate piece of United States vandalism, perpetrated in order to shear the Iraqi people of their cultural patrimony and demonstrate to them their new servitude. Even at a time when anything at all could be said and believed so long as it was sufficiently and hysterically anti-Bush, this could be described as exceptionally mendacious. So when the Atlantic invited me to review Edward's revised edition, I decided I'd suspect myself more if I declined than if I agreed, and I wrote what I felt I had to. Not long afterward, an Iraqi comrade sent me without comment an article Edward had contributed to a magazine in London that was published by a princeling of the Saudi royal family. In it, Edward quoted some sentences about the Iraq war that he off-handedly described as 'racist.' The sentences in question had been written by me. I felt myself assailed by a reaction that was at once hot-eyed and frigidly cold. He had cited the words without naming their author, and this I briefly thought could be construed as a friendly hesitance. Or as cowardice... I can never quite act the stern role of Mr. Darcy with any conviction, but privately I sometimes resolve that that's 'it' as it were. I didn't say anything to Edward but then, I never said anything to him again, either. I believe that one or two charges simply must retain their face value and not become debauched or devalued. 'Racist' is one such. It is an accusation that must either be made good upon, or fully retracted. I would not have as a friend somebody whom I suspected of that prejudice, and I decided to presume that Edward was honest and serious enough to feel the same way. I feel misery stealing over me again as I set this down: I wrote the best tribute I could manage when he died not long afterward (and there was no strain in that, as I was relieved to find), but I didn't go to, and wasn't invited to, his funeral.”

“On the surface, my novel The Vorbing is about vampires terrorising the village of Nocturne every night. The German Blitz on London in World War II. I was the real inspiration. I was fascinated by the idea of normality by day and then this evil, destructive power coming by night, and then the cycle repeating. I wanted to explore the kind of siege mentality that would create in a fantasy setting.”

“It was easy for complacent centuries like the Nineteenth, which knew no overwhelming disasters, to say that the Great Fire was a blessing because it swept out of existence a vast conglomeration of insanitary streets and made way for the cleaner brick-and-stone London of Stuart and later times; but we of to-day, who have seen so much that we loved go up in flames, are probably in a better position to feel sympathy for those of our forebears who suffered the tragedy of the Great Fire.”

“...carrying water to flush toilets and whoever could taking the prints and negs home to do at night if they happened to have the sacred combination of gas, electricity, and water, in fact we slept on the floor of the kitchen corridor and sometimes had ten or more friends, either bombed out of their own flats--or isolated by the presence of a time bomb--or just thinking that Hampstead [was safer].”

“In the 19th century, many European countries sought colonies. Leopold II long cherished the ambition to give a colony to Belgium. He came into contact with British explorer Stanley, who found no interest in Central Africa in London. Later, the British would regret it. They discredited the Congo Free State to get their hands on Katanga and its mining resources. In 1908 London tried to sabotage Belgium’s takeover of the Congo Free State by formulating conditions. But other countries did not follow that line. In 1911, the British signed a secret agreement with Germany on a reallocation of Africa; the Germans would not follow through. In 1937 British Prime Minister Neville Chamberlain offered Hitler ‘half of the Belgian Congo’ in exchange for peace in Europe; but the Fuhrer refused.”

“McChrystal never should have been hired for this job given the outrageous cover-up he participated in after the friendly fire death of Pat Tillman. He was lucky to keep the job after his 'Seven Days in May' stunt in London last year when he openly lobbied and undercut the president on the surge. But with the latest sassing, and the continued Sisyphean nature of the surge he urged, McChrystal should offer his resignation. He should try subordination for a change.”

“You read and write and sing and experience, thinking that one day these things will build the character you admire to live as. You love and lose and bleed best you can, to the extreme, hoping that one day the world will read you like the poem you want to be.”

“Handel's yearning for independence from the traditional chains of patronage and his persistence in monitoring his productions resulted with unique developments concerning Baroque 'opera seria'; however, paradoxically his personal obsession to obtain complete artistic freedom generated disastrous side-effects that eventually impeded the progress of opera in London.”

“It was a bad night to be about with such a feeling in one's heart. The rain was cold, pitiless and increasing. A damp, keen wind blew down the cross streets leading from the river. The fumes of the gas works seemed to fall with the rain. The roadway was muddy; the pavement greasy; the lamps burned dimly; and that dreary district of London looked its very gloomiest and worst. ("The Old House In Vauxhall Road")”

“LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.”

“Day 72 I remember oranges and you don’t mind me leaving the queue momentarily to find some. When you say, Of course, you reach for my arm in sympathy and recognition. This may be the thing that breaks me today, that stops me in my tracks before driving me forward, turning a corner, making something work, letting everything happen. When I return, you’re touching my yoghurts, reading the ingredients, as though you are making them yours, protecting them in my absence and amusing yourself with the cherry-ness of them. On days like this, I want to take my strangers home with me.”

“MILTON! thou shouldst be living at this hour: England hath need of thee: she is a fen Of stagnant waters: altar, sword, and pen, Fireside, the heroic wealth of hall and bower, Have forfeited their ancient English dower Of inward happiness. We are selfish men; Oh! Raise us up, return to us again, And give us manners, virtue, freedom, power!”

“She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black. After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two. Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way. Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core. "If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil. But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home. "My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really." In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart. "I do wish I had done this before," she breathed. Maybe if she had, then things wouldn't have come to this...”

“I hope whomever Miss Trent is sending arrives soon.” Mr Maxwell shivered and wrapped his arms about himself. “Who does she usually send to these initial client meetings?” “I really couldn’t say,” [Miss Dexter] replied, honestly. “Miss Trent sends whomever she feels would be most appropriate.”

“It is possible that the city of London was initially named for ravens or a raven-deity. According to the Oxford Companion to the English Language, the designation comes from “Londinium,” a Romanized version of an earlier Celtic name. But the word closely resembles “Lugdunum,” the Roman name for both the city of Lyon in France and Leiden in the Netherlands. That Roman name, in turn, was derived from the Celtic “Lugdon,” which meant, literally, “hill, or town, of the god Lugh” or, alternatively, “…of ravens.” The site of Lyon was initially chosen for a town when a flock of ravens, avatars of the god, settled there. Whether or not “Lugdunum” was the origin of “London,” ravens were important for inhabitants of Britain for both practical and religious reasons.”

“If she lived, doubtless we must have been sometimes in search of each other, at the very same moment, through the mighty labyrinths of London; perhaps, even within a few feet of each other - a barrier no wider in a London street, often amounting in the end to a separation for eternity!”

“It was a Sunday evening in London, gloomy, close and stale. Maddening church bells of all degrees of dissonance, sharp and flat, cracked and clear, fast and slow, made the brick and mortar echoes hideous. Melancholy streets in a penitential garb of soot, steeped the souls of the people who were condemned to look at them out of windows, in a dire despondency. In every thoroughfare, up almost every alley, and down almost every turning, some doleful bell was throbbing, jerking, tolling, as if the Plague were in the city and the dead-carts were going round. Everything was bolted and barred that could by possibility furnish relief to an overworked people. No pictures, no unfamiliar animal, no rare plants or flowers, no natural or artificial wonders of the ancient world - all taboo with that enlightened strictness, that the ugly South sea gods in the British Museum might have supposed themselves at home again. Nothing to see but streets, streets, streets. Nothing to breathe but streets, streets, streets. Nothing to change the brooding mind, or raise it up. Nothing for the spent toiler to do, but to compare the monotony of his seventh day with the monotony of his six days, think what a weary life he led, and make the best of it - or the worst, according to the probabilities.”

“[Soho] is all things to all men, catering comprehensively for those needs which money can buy. You see it as you wish. An agreeable place to dine; a cosmopolitan village tucked away behind Piccadilly with its own mysterious village life, one of the best shopping centres for food in London, the nastiest and most sordid nursery of crime in Europe. Even the travel journalists, obsessed by its ambiguities, can't make up their minds.”

“As the jackpot got seriously going, after the first wave of pandemics, without EU membership to buffer anything, England started looking a lot like a competitive control area. Lowbeer did what she knew how to do, which by then was run a CCA. But as she kept building it back up, every time another change driver impacted, she found herself using Russians. They knew how to work a CCA. They’d been there before the jackpot hit the fan.”