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Masks Quotes

Browse 124 quotes about Masks.

Masks Quotes

“If the family is where we first learn about ourselves and others, it is also often the cradle of misidentity and isolation. Our false fronts, the insincere roles we adopt to survive, the ways the "victims" of loss endure and recover, combined with our interpretations (affecting both the images that appear to us and how we ourselves are perceived), the early influences that give shape to sexuality--these are the shards that each of sorts and reassembles and, finally, must pour our lives from.”

“The sun tried to shine through the clouds but its light was dimmed even in us; high noon approached. I looked outside through the tinted windows at the people promenading down Madison. Couples held hands, bankers squeezed through crowds of window shoppers late for their daily thieving but all of them, even the poor, seemed content with existence, some even seemed happy. Nearly everyone’s outer shell was delicate and gracious that at the end of it all, on the border of nonexistence, each and everyone was happy to be alive. Everyone carried their heads with a radiance past the space they occupied and glided through time like flamenco dancers in a studio as big as the planet. Everyone wore masks that hid their sorrow (either that or they were sincerely happy) or wore armor that lightened the burden on their shoulders. Worst of all, I could not detect ever a flicker of thought; brains mired behind viral images and videos of people making even greater fools of themselves than they already were. And as the greatest fool of them all, I walked among them, never having learned to don the mask of happiness.”

“On Saturday afternoons I used to go for a walk with my mother. From the dusk of the hallway, we stepped at once into the brightness of the day. The passerby, bathed in melting gold, had their eyes half-closed against the glare, as if they were drenched with honey, upper lips were drawn back, exposing the teeth. Everyone in this golden day wore that grimace of heat–as if the sun had forced his worshippers to wear identical masks of gold. The old and the young, women and children, greeted each other with these masks, painted on their faces with thick gold paint; they smiled at each other's pagan faces–the barbaric smiles of Bacchus.”

“Do you act the same in society as you do in private? Do you speak to everyone the same way?" "No, no quite," I replied, wincing. "Of course. No one does. You put on one disguise for society. You put on another for your sister. For your parents. Your customer the other night." I felt my face warm. "But what about in private? Anyone can be themselves then without--ah! Ow!-- without putting on an act." “We do not remain the same each minute to the next. Every word you hear, every sight you see, every smell, every thought you have, every moment—it all changes you. We keep putting on mask after mask, layers over layers. That’s how one grows.”

“One sip of this wine and you will go mad with drunkenness. You will drop your masks and tear your clothes — destroying everything that separates you from the Lover. Once you taste the fruit of this vine, you will be kicked out of the city of yourself. You will forget the world. You will forget yourself. I tell you: you will become a madman who wanders the streets looking for the Lover once you drink this Wine of Love.”

“Then, however, Mayer thought it fitting to remind her of the most important thing: 'Between the heart and the tongue lies an abyss,' he said. "Remember that. Thoughts must be concealed, particularly since you were born, to your great misfortune, a woman. Think so that they think you are not thinking. Behave in such a way that you mislead others. We all must do this, but women more so. Talmudists know about the strength of women, but they fear it .... But we don't ... because we ourselves are like women. We survive by hiding. We play the fools, pretending to be people we are not. We come home, and then we take off our masks. But we bear the burden of silence: masa duma.”

“I wonder. If I had you wear that mask today, Anne, would you find the courage to tell me what is troubling you?" Anne would very much have liked to confide in her father, but where in the world would she begin? He leaned over and whispered in her ear. "I will tell you a secret, my dear. All of my children are shy. They have simply learned the art of wearing masks.”

“Since his back was to her front Chloe had to practically plaster herself against his wide back in order to unbutton his crisp dress shirt, but somehow she didn’t mind. From his low, masculine groan that her action had elicited, she assumed Mark didn’t mind either. His spicy, dangerous scent filled her head as she spread the shirt to find a smooth, muscular chest leading down to powerfully sculpted abs. She wondered what line of work Mark was in. Whatever it was, he certainly kept himself in shape. “Are you enjoying yourself, Mistress?” His smart-ass tone threw her, breaking her concentration on his muscled chest. “I’ll ask the questions,” Chloe snapped, deciding abruptly that it was time to move on. She still felt a definite lack of control in this situation and it made her nervous, shattering the fragile self-confidence she’d managed to build. But she couldn’t stop searching him now or he’d be the winner of this little confrontation. She let her hands slide lower, past the waistband of his pants to the bulging crotch. Oh my God, is he for real? She hadn’t been with very many men—okay, two. She’d only been with two other men. But Mark more than measured up to any other guy in her experience. In fact, she could barely believe what she was feeling was real. It was a damn good thing rule number two was “never have sex with the client”. She was pretty sure she wouldn’t have been able to handle what Mark was packing. “Uh, Mistress, that’s all me, not a toy.” Mark’s deep voice still held a hint of amusement though it was sounding rather strained now. “And you might want to think of it less as a ‘toy’ than a loaded gun. One that’s going to go off if you’re not careful.”

“A successful actor is praised for never giving up his dreams to become someone else for a living but to dream to be an unmasked artist is a mortal sin in a consumerist society. Artists don't consume; they create things that can’t be consumed with riches. You consume art by seeing, by listening, by feeling, never by buying.”

“It appears that as we show up here on Earth, we promptly start wearing the masks that have been deeply ingrained within our social psyche. And while attacking the mask from the outside may grant us a fleeting glimpse of what lies beneath, the window of seeing beyond the mask is inevitably short-lived. In our natural response of wanting to feel safe, a mask or some type of personality or facade quickly emerges and assists us in interactions with ourselves and others. But what happens if we didn’t need to attack the mask or facade in order to discover what lies beneath? What if we could simply claim and be with and be as that space and intelligence underneath? This simple shift in perspective releases the need to fight or battle with the masks we play with. It removes the power from them and ultimately honors the choices of how we wish to show up. We can then perceive the mask as a part of the joy of this life. For how could we live this life without bodies, ideas, social constructs, and things? We are here actively engaged in a play. And within this play, a part of the joy of it all is us walking through it and deciding which masks we choose to wear.”

“Art is the conscious making of numinous phenomena. Many objects are just objects - inert, merely utilitarian. Many events are inconsequential, too banal to add anything to our experience of life. This is unfortunate, as one cannot grow except by having one’s spirit greatly stirred; and the spirit cannot be greatly stirred by spiritless things. Much of our very life is dead. For primitive man, this was not so. He made his own possessions, and shaped and decorated them with the aim of making them not merely useful, but powerful. He tried to infuse his weapons with the nature of the tiger, his cooking pots with the life of growing things; and he succeeded. Appearance, material, history, context, rarity - perhaps rarity most of all - combine to create, magically, the quality of soul. But we modern demiurges are prolific copyists; we give few things souls of their own. Locomotives, with their close resemblance to beasts, may be the great exception; but in nearly all else with which today’s poor humans are filling the world, I see a quelling of the numinous, an ashening of the fire of life. We are making an inert world; we are building a cemetery. And on the tombs, to remind us of life, we lay wreaths of poetry and bouquets of painting. You expressed this very condition, when you said that art beautifies life. No longer integral, the numinous has become optional, a luxury - one of which you, my dear friend, are fond, however unconsciously. You adorn yourself with the same instincts as the primitive who puts a frightening mask of clay and feathers on his head, and you comport yourself in an uncommonly calculated way - as do I. We thus make numinous phenomena of ourselves. No mean trick - to make oneself a rarity, in this overpopulated age.”

“There is... a sickness in these lands. Across Prythian. There has been for almost fifty years now. It is why this house and these lands are so empty: most have left. The blight spreads slowly, but it has made magic act... strangely. My own powers are diminished due to it. These masks'- he tapped on his- 'are the result of a surge of it that occurred during a masquerade forty-nine years ago. Even now, we can't remove them.' Stuck in masks- for nearly fifty years. I would have gone made, would have peeled my skin off my face. 'You didn't have a mask on as a beast- and neither did your friend.' 'The blight is cruel like that.' Either live as a beast, or live with the mask.”

“And so the mask becomes the man,” he sighed with a hint of philosophical melancholy. “I shall miss the face of Palpatine, I think; but for our purpose, the face of Sidious will serve. Yes, it will serve.”

“It is quite natural to think of the self as something concrete, but it is, in fact, nothing of the sort. Rather, it is an abstract product of our minds, a convenient concept or schema that enables us to relate our present self with our past, future, and conditional selves, and thereby to create an illusion of coherence and continuity from a big jumble of disparate experiences. Indeed, one could go so far as to argue that the self is nothing but the sum total of our ego defences, and that it is therefore tantamount to one gigantic ego defence, namely, the ego itself. The self is like a cracked mask that is in constant need of being pieced together. But behind the mask there is nobody at home.”

“She did not know yet how sometimes people keep parts of themselves hidden and secret, sometimes wicked and unkind parts, but often brave or wild or colorful parts, cunning or powerful or even marvelous, beautiful parts, just locked up away at the bottom of their hearts. They do this because they are afraid of the world and of being stared at, or relied upon to do feats of bravery or boldness. And all of those brave and wild and cunning and marvelous and beautiful parts they hid away and left in the dark to grow strange mushrooms—and yes, sometimes those wicked and unkind parts, too—end up in their shadow.”

“I began a new project: a photo-essay about the Occupy Wall Street movement that was overtaking Manhattan. Inspired, I snapped hundreds of photographs, wanting to document this singular moment in New York’s pulsing body, watching people flooding the sidewalks like human rivers, converging at the green park as one ocean. I took shots of the sharpest signs and strangest masks; the angry bankers in their crisp blue button-downs; the lines of bored-faced cops, slouching with thick arms crossed. And peering through my viewfinder, I learned the skill of noticing more deeply; I felt a thrill—a new civil affinity budding in my dreams and in the brick-and-mortar city, simultaneously: that we, the people, were awakening to the truth that a bundle of twigs is inconceivably strong.”

“A well-known skin specialist patronized by many famous beauties charges seventy-five dollars for a twenty-minute consultation and eight dollars for a cake of sea-mud soap. I get more satisfaction and just as much benefit out of applying a purée of apples and sour cream! [...] Of course, all masques should COVER THE NECK too. [...] Masques should only be used ones or twice a week. [...] While the masque is working, place pads soaked in witch hazel or boric acid over your eyelids and put on your favorite music. [...] A masque really works only when you're lying down. Twenty minutes is the right length of time. Then wash the masque off gently with warm water and follow with a brisk splash of cold water to close the pores. [...] For a luxurious once-a-week treatment give your face a herbal steaming first by putting parsley, dill, or any other favorite herb into a pan of boiling water. (Mint is refreshing too.) Hold a towel over your head to keep the steam rising onto your face. The pores will open so that the masque can do a better job. [...] Here are a few "kitchen masques" that work: MAYONNAISE. [...] Since I'm never sure what they put into those jars at the supermarket, I make my own with whole eggs, olive or peanut oil, and lemon juice (Omit the salt and pepper!). Stir this until it's well blended, or whip up a batch in an electric blender. PUREED VEGETABLES - cucumbers, lemons, or lettuce thickened with a little baby powder. PUREED FRUITS - cantaloupe, bananas, or strawberries mixed to a paste with milk or sour cream or honey. A FAMOUS OLD-FASHIONED MIXTURE of oatmeal, warm water, and a little honey blended to a paste.”

“Let's burn our masks at midnight and as flickering flames ascend, under the witness of star-clouds, let us vow to reclaim our true selves. Done with hiding and weary of lying, we'll reconcile without and within. Then, like naked squint-eyed newborns, we'll greet the glorious birth of dawn; blinking at the blazing, wondrous colors we somehow failed to notice before.”