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“Where two or three are met together, the prayer of one strikes fire from the soul of another; and the latter in his turn leads the way to nobler heights of devotion. And lo! as their joy increases, there is One in their midst whom they all recognize and cling to. He was there before, but it is only when their hearts begin to burn that they recognize Him; and in a true sense they may be said to bring Him there.”

“Late one afternoon when returning from town we were met by a few women and children who told us that Mexican troops from some other town had attacked our camp, killed all the warriors of the guard, captured all our ponies, secured our arms, destroyed our supplies, and killed many of our women and children.. when all were counted, I found that my aged mother, my young wife, and my three small children were among the slain.”

“I met my wife [Sukhinder Kaur Gill] in Bombay at an official function. And then we courted for three years. That's a great old term, 'courting’. And we had to do it quietly, of course, because you would know the difficulties one might have with Indian parents. She was advised by her father that people in the West don't take marriage seriously.”

“I met this amazing person, and we realized we had very similar views on how we wanted to live our lives. It’s happened quickly, with so many children. Yesterday, picking up the kids from school, Brad turned around in the car, and there were three of them. He couldn’t stop laughing. We love them and are having a great time.”

“I made a very bad mistake; I miscounted these scraps of information on the record as 92, and in continual homage to this man who had been so influential to me, I began creating or constructing my own films on this so-called "magic" number of 92 ... but when I eventually made a film about John Cage and met him, I explained this to him, and he found it very amusing because there are only 90 stories on the two sides of the record, and I'd based three years of my filmic career on this mathematical error!”

“I had written three books [Games of Throne], at that point, and each one of them was better than the other. At a certain point, as the books were doing well, I started getting interest from Hollywood, from various producers and studios who were initially interested in doing a feature film. I met with some of those people and I had phone conversations with some of those people, but I didn't see it being done as a feature film.”

“I've been very lucky with the people I've met over the years. Way back in the early '70s I went to [Phil] Seuling's conventions for something like three years in a row from '70 to '72 and I remember at the '72 luncheon with the Academy of Comic Book Artists and talking with John Romita about the kind of brushes he used. Pros ask pros the same questions that fans do. "What kind of pens do you use? What kind of brushes do you use?" I was so amazed that the wonderful work John Romita was doing was accomplished with a Windsor-Newton series 7 Number 4. Not a 2 or a 3, but a 4.”

“There are three things you need to do as a CEO-founder. Think strategically, drive design, and drive technology. Some people who are really good at one can build a pretty foundational company. Most people who are very successful are good at two. But Jack is the only person in the Valley I've met who's all three. He's a first-rate strategist, a first-rate designer, and a first-rate technologist.”

“I met the pianist Barry Harris when I was about fifteen. He would show me changes, which I had no idea existed. I knew about scales, but I didn't think about chords. I was fortunate in that he lived right around the corner so I'd be at his house almost every day and he showed me about playing melodies over chords. After about three years, I could play some gigs. I worked with drummer Roy Brooks and other guys my age at that time, like trumpeter Lonnie Hillyer. Some of the older guys were Paul Chambers, Doug Watkins and Louis Hayes”

“Well, I've heard a lot of people, but I think I would say a Brazilian musician named Hermeto Pascoal was one of my biggest influences. Through the years he mastered the keyboards. He use to play the organ Hammond B3, flute, saxophone, percussion and guitar. He is one of the most complete musicians that I ever met. Not too long after we came to the United States, Airto Moreira introduced him to Miles Davis, who recorded three of Hermeto's compositions on his album "Live Evil.”

“The best that can be said for those like Senators Nelson and Landrieu is that they held out until Obama and Reid met their price. By now, I can't even recall what it took to make Joe Lieberman say 'Uncle!' But it just goes to prove that when politicians like these three refer to themselves as moderate Democrats, we should recognize that it's similar to the distinction made in a related field when call girls insist they're not streetwalkers. It's the same profession; only the prices differ.”

“So we [with Kate DiCamillo] decided to give the friends an object and see what they did with it. The object was a sock and it went from there. Once we got going, once we got on a roll, it became very easy to work together and to figure out how to do it. We would meet for two-hour segments, usually from 10-12, two or three times a week. We met all one summer, and I think into the fall.”

“It's hard for me to believe sometimes that my three kids never met my dad. Because one of the things - one of the real blessings to me is that while my dad left this Earth when I was in my 20s, he's just as much a part of, of my life now than he was then, in terms of I often think of my dad. I think of what my dad might do in a certain situation. And so he continues to be, you know, my hero, my role model.”

“The two teachers that I had in the Art Institute who affected me the most were Kathleen Blackshear and Robert von Neumann; Kathleen Blackshear because she taught a class called design - I can't remember, design something, and in this class - it met once a week - we would do work centered around some theme, word or subject or technique or whatever, and bring it in for a three-hour discussion. And Kathleen was able, in watching and looking at our work, to direct us to all kinds of things which might relate to what we were trying to do, but she never attempted to tell us what to do.”