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“I know who I am as an artist and I know what my sound is, but I wanted to know what I could do in order to take it to that next level. So the experiences I had last year of moving to California and traveling to places like Rome and Nicaragua where I met a lot of people just had a really big impact in my life.”

“When the word began to get out, the idea of tying imitations of aquatic worms was not met with universal approval in the fly-fishing community. It seems that worms had somehow gotten a bad name. I think a fishing pal of mine hit it on the head when he said, It just pisses them off that you can catch trout, I mean really big trout, on a fly that a five-year old can tie in twenty seconds!”

“When I moved to L. A. with this little wimpy garage band, the first people we met were the Doors. Then we met Jimi Hendrix, Janis Joplin. All of the people who died of excess were our big brothers and sisters. So I said to myself: How do you become a legend and enjoy it? The answer is to create a character as legendary as those guys and leave that character on the stage.”

“The flat tax I got on my first meeting with Margaret Thatcher, who I admired very much and who was a great admirer of Milton Friedman. I met her first when I had been prime minister I think for some months and so on, and when I told her what I am planning to do, she looked at me with these big eyes and said: "You are one brave young man." And then a little bit introduced me on the realities of the Western world on which I was not very well informed. But I didn't stop.”

“The world is a big place. There are lots of smart people in it. Entrepreneurs are kidding themselves if they think they have any kind of monopoly on knowledge. And, sure as I'm a Macintosh user, on the same day that an entrepreneur tells this lie, the venture capitalist will have met with another company that's doing the same thing.”

“You always want to be the person who doesn't need to be included, but it feels damn good to be among you people. My first Broadway show was Master Class, and I saw Audra McDonald. The one that sealed the deal was Ragtime, with Marin Mazzie. My first big role was with John Lithgow, and he taught me the ropes. Norm Lewis sang the night I met my husband. It makes me feel like I have a family.”

“When I first arrived (in New York), it seemed to me the most terrifying city in the world... all those big buildings. I remember walking on Broadway, looking up at this huge, mountainous place-and being so lonely. But things started to clear up when I met a few people on the street whom I'd met before-all of a sudden there got to be a certain familiarity about the place, and the terror kind of evaporated. There was a lot of playing going on, and the New Yorkers, of course, were a completely different crowd from what I'd known.”

“I went on tours with [Bob] Dylan - the big one was in 1975 and called Roaring Thunder Review. I knew him well because I met him around the time he did his second album, in 1963. He recorded one of my songs called Shadows. In the 1970s, it was suggested that we do a duet, because we had the same manager, Albert Grossman, who also managed Odetta and Peter, Paul and Mary. Dylan and I respected what each other did, but I just decided not to do it.”

“This is many, many years ago. It was shortly after "Starman" I think. I don't know how close I was to getting the part. I met with [director] Penny Marshall and that's one that I knew would be a hit. It just felt hit-ish. But it's like you go to a store and you see a jacket and you go "I love that jacket" and you try it on and it's too big or too small for you and it's the only one they have. For some reason that part just didn't fit me.”

“My first ones were The Young Rascals. I made out with Dino Danelli, the drummer, in the alley behind the City Auditorium. Then I met Crosby, Stills, Nash & Young. Mitch Ryder & The Detroit Wheels. This is all way, way back in the day. Later I got in the big leagues, like chasing around The Rolling Stones. And I hid in the bus for Paul Revere & The Raiders. And The Zombies.”

“We [with John Logan] started talking about The Searchers, and then he went on to tell me a story about when he first met John Wayne, and he said, "Hey, you be me and I'll be Wayne," and I said, "No, let me be Wayne!" Anyway, it was a very pleasant conversation, it was clear to him that I was a big movie fan, and by the time I got home, there was a phone call, asking if I'd mind doing one scene in the movie [The Aviator].”

“When I turned 50, I threw myself a big birthday party, and I looked seriously at what my life has been about. I recommend this to everybody. Ask yourself, "What have I done? How did I do it? Where'd I mess up? Where did I do well?" When I did this assessment of my life, I said to myself, "It was really good." I made a lot of people laugh, made a lot of people cry in a good way, brought a lot of joy to people, picked up a lot of garbage. And in all those years, I saw a lot. I went to foreign lands. I met interesting people. And I got it!”

“I was eleven when my father left, so neither of us really knew our fathers. I’d met mine of course, but then I only knew my dad as a child knows a parent, as a sort of crude outline filled in with one or two colors. I’d never seen my father scared or cry. I’d never heard him admit to any wrongdoing. I have no idea what he dreamed of. And once I’d seen a smile pinned to one cheek and darkness to the other when my mum had yelled at him. Now he was gone, and I was left with just an impression—one of male warmth, big arms, and loud laughter.”