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“Paranoia imposes its own vision on the external world; it differs from other kinds of visionary experience in that the paranoid wants others to share his view—even insists on it. Paranoia is very like poetic creativity. This accounts for my fascination with certain people in whom this state of mind was evident: ‘characters’ met by chance, whose words and gestures would haunt me for years until, finally, in a poem I was able to dispel them.”

“If I never explore my limits, my bodymind will gradually tighten and become unconscious. If I regularly explore my limits in a caring and adventuresome fashion, I will expand and grow in a vital fashion. But if I try to push myself past where I am honestly able to go, I will no longer be practicing yoga but instead will be practicing greed, and I will probably be met by pain and disease. Stated simply, it is the difference between ignoring your self, making love to yourself, and raping yourself.”

“When you meet anyone in the flesh you realize immediately that he is a human being and not a sort of caricature embodying certain ideas. It is partly for this reason that I don't mix much in literary circles, because I know from experience that once I have met and spoken to anyone I shall never again be able to feel any intellectual brutality towards him, even when I feel I ought to - like the Labour M.P.s who get patted on the back by dukes and are lost forever more.”

“Writing for UrbanMoms has awarded me a multitude of amazing opportunities. I have traveled to new places; alone and with my family. I have discovered new products, new books, new trends and new restaurants, and been able to share them with my readers. I've met other wonderful writers and many incredible celebrities.”

“I can tell when I've met a bad journalist when they say, "I've met Madonna," or "I know Marilyn Manson." Because I haven't met anyone I've ever interviewed. I've sat down in the position of an interviewer, and they've sat down in the position of an artist trying to promote a product. We have no relationship. I'm able to ask them questions I'd never be allowed to ask them if we were casual friends. It's a completely constructed kind of situation.”

“I had known David Ham and Marco Santiago from having met and worked with them on The Cross and the Switchblade which we worked on together at Times Square Church. We joined together as Trace Life Media to be a directing/producing team to be able to assist churches in the production of a play in their own community or to bring a fully-produced productions - something that will be ministering to the Body of Christ.”

“I met Jason Mraz when he had a concert in Korea as a cover contest winner of his songs! He was super nice to even tune the guitar that I also won from the contest for me and we decided to jam to one of his hit songs, ”Lucky”. I actually don’t remember how I was able to sing because I was so nervous at the time but it would also be a dream come true if i can have the honor to share the stage with Jason Mraz one day!”

“Through that organization [Community Service Organization], I met Cesar Chavez. We had this common interest about farm workers. We ultimately left CSO to start the National Farm Workers Organization, which became the United Farm Workers. I was very blessed to have learned some of the skills of basic grassroots organizing from Mr. Ross and then be able to put that into practice in both CSO and the United Farm Workers.”

“I remember [Patrick J. Adams] being in a particularly disillusioned place and really wanting your ambitions to be met with opportunity and not feeling like they were. It's all the more reason that I feel grateful to be able to stay connected and be in each other's lives. Obviously now you're in a very different place, and it's really nice to be able to look back on that and be reminded of how far we've come, at least in the opportunity aspect. The mental state aspect of it is a different story, I'm sure, but I always knew you would work.”

“I met Glenn [ Greenwald] briefly in 2009. We were both guests on Real Time With Bill Maher. I was the show's guest and he was on the panel. But this was before the Snowden stuff happened. I didn't have the opportunity to meet him in preparation for the movie, unfortunately, for various reasons. But I was able to dive into the main articles he's written, and interviews with him, and just the function that the character serves in the movie, that was enough for me.”

“When I got on that plane, it was loaded with white people going to Africa for the Peace Corps. I got there and met a lot of them, and actually they had more peace there in Guinea than I have here. I talked to some of them. I told them before they would be able to clean up somebody else's house you would have to clean up yours; before they can tell somebody else how to run their country, why don't they do something here.”

“I have to always, always pay homage to a woman I never met but she touched me like she touched so many others with that amazing voice, Whitney Houston. The very first time I heard her voice, I knew I wanted to make people feel that way. Even if I couldn't do all of that that she did, the way she was able to tell my story without even knowing me, the way she could feel what I didn't know how to express, it was spiritual almost.”

“We're full of electricity, and the walls and floor of a building contain carbon - the same makeup as a video tape - and I think we give off a huge amount of energy. Some people are able to see that and pick that up. I think almost every person I've met in my life has had some sort of experience that they can't explain, and those fascinate me.”

“The two teachers that I had in the Art Institute who affected me the most were Kathleen Blackshear and Robert von Neumann; Kathleen Blackshear because she taught a class called design - I can't remember, design something, and in this class - it met once a week - we would do work centered around some theme, word or subject or technique or whatever, and bring it in for a three-hour discussion. And Kathleen was able, in watching and looking at our work, to direct us to all kinds of things which might relate to what we were trying to do, but she never attempted to tell us what to do.”