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Minimalism Quotes

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Minimalism Quotes

“If you are already solving your problem with the equipment you have - a pencil, say- why solve it with something more expensive and more damaging? If you don't have a problem, why pay for a solution? If you love the freedom and elegance of simple toons, why encumber yourself with something complicated? And yet, if we are ever again going to have a world fit and pleasant for little children, we are surely going to have to draw the line where it is not easily drawn. We are going to have to learn to give up things that we have learned (in only a few years, after all) to 'need'.”

“Embarking on our path as a courageous soul will remind us that ultimately it does not matter how well we live, or the best way to avoid errors in our lifestyle decisions. Beginning will positively change our daily routines and habits, but the surface level changes are only a meager reward compared to the spiritual lessons along the way.”

“Reduction is the least observed of the three R’s of environmentalism (‘reduce, reuse, recycle’) but it’s probably the most important. Reuse and recycling are sensible measures in an over-productive society, but why not neutralise the problem of overproduction at the source? Instead of choosing to act efficiently at the end of a product’s life cycle by reusing or recycling it, we should stop said product from being made in the first place by eliminating consumer demand for it. If the rainforests must be burned and the oceans poisoned to cater for the essentials of human life, then so be it and we’ll call it an inevitable pity; but for that to happen in the name of games consoles, cell phones and chocolate fountains is a wanton and avoidable shame.”

“The 5 Principles of JOMO: 1. JOMO is the opposite of FOMO (the Fear Of Missing Out). 2. JOMO is intentionally choosing what to keep and what to give. 3. JOMO is choosing to ignore the Joneses (NOT just NOT keep up). 4. JOMO is framing the moment to keep the big picture dream in focus. 5. JOMO is the art of improved results with minimalism over maximalism.”

“This [sand-dollar hunting] had become one of our rituals together, and though she would search for other varieties of shells when I was out of town or unable to see her, she would wait until I appeared on her front porch before setting off to extract these mute delicate coins from their settings in the sand. At first, we had collected only the larger specimens, but gradually as we learned what was rare and to be truly prized, we began to gather only the smallest sand dollars for our collection. Our trophies were sometimes as small as thumbnails and as fragile as contact lenses. Annie Kate collected the tiniest relics, round and cruciform and white as bone china when dried of sea water, and placed them in a glass-and-copper cricket box in her bedroom. Often we would sit together and admire the modest splendor of our accumulation. At times it looked like the coinage of a shy, diminutive species of angel. Our quest to find the smallest sand dollar became a competition between us, and as the months passed and Annie Kate grew larger with the child, the brittle, desiccated animals we unearthed from the sand became smaller and smaller. It was all a matter of training the eye to expect less.”

“Consumption isn’t just about taking—it’s also about sharing, repurposing, and honoring the life cycle of the things we use.”

“Per quanti oggetti possediate, la loro quantità è pur sempre limitata. Se riuscite a scoprire quali oggetti vi danno gioia e a decidere dove riporli, il riordino finirà, prima o poi. Più andate avanti, più vi avvicinate all'obiettivo di avere una casa piena di felicità.”

“Secondo dei dati statistici, trascorriamo in media trenta minuti al giorno a cercare le cose, e chi è particolarmente disordinato dedica alla ricerca degli oggetti smarriti addirittura due ore al giorno. Se una persona lavora venti giorni al mese, significa che spreca fino a quaranta ore al mese a cercare cose che non sono al loro posto. Se riuscite a risolvere questo problema in sole sei ore, il ritorno dell’investimento di tempo sarà enorme e immediato. Con una scrivania ordinata che vi dà gioia, la vostra efficienza al lavoro è destinata a crescere.”

“Of course one’s sense of identification with the nation is inflected by all kinds of particulars, including one’s class, race, gender, and sexual identification. … But [regarding] national character …, aside from references to a national aesthetic — literary, musical, and choreographic, there are two poles I reference: minimalist and maximalist. I love them both — the cryptic poems of Emily Dickinson folded up in tiny packets and hidden away in a box, the sparse, understated choreographies of Merce; but also the “trashy, profane and obscene” poems of Whitman and Ginsberg, [and] Martha Graham’s expressionism. I am, myself, a minimalist. But I love distortion guitar and the wild exhibitionism of so many American artists. Also, these divisions are false. Emily Dickinson, in fact, can be as trashy and obscene as the best of them! Anyway, Dickinson and Whitman are at the heart of this narrative. They are the Dancing Queen and the Guitar Hero.”