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Mouths Quotes

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Mouths Quotes

“[Sylvester] Stallone and I were in a meeting for Rocky Balboa. We were laughing about something, and he looks at my mouth and says to the casting director, "Wow, your lip even hooks down like mine does." Then he looked at the casting director and nodded, and I guess that was the nod of saying, "Hire this kid." So yeah, I have a really crooked mouth. They don't work, but I can feel everything.”

“Bend down, bend down. Excess is the only ease, so bend. The sun is in the tree. Put your mouth on mine. Bend down beam & slash, for Dread is dreamed-up-scenes of what comes after death. Is being fled from what bends down in pain. The elbow bends in the brain, lifts the cup. The worst is yet to dream you up, so bend down the intrigue you dreamed. Flee the hayneedle in the brain's tree. Excess allures by leaps. Stars burn clean. Oriole bitches and gleams. Dread is the fear of being less forever. So bend. Bend down and kiss what you see.”

“On the evenings when my parents held parties, the drawing-room mirrors multiplied to infinity the scintillations of a crystal chandelier. Mama would take her seat at the grand piano to accompany a lady dressed in a cloud of tulle who played the violin and a cousin who performed on a cello. I would crack between my teeth the candied shell of an artificial fruit, and a burst of light would illuminate my palate with a taste of blackcurrant or pineapple: all the colours, all the lights were mine, the gauzy scarves, the diamonds, the laces; I held the whole party in my mouth.”

“When most people looked at Josie Tyrell, they only saw a certain collection of bones, a selection of forms filling space. But Michael saw past the mouth and the eyes, the architecture of the body, her fleshly masquerade. Other boys were happy enough to enjoy the show, they just wanted to be entertained in the body's shadow theater. But Michael had to come backstage. He went down into the mines, into the dark, and brought up the gold, your new self, a better self. But what good was it if he was just going to leave her behind?”

“I stood on my toes and stole a soft kiss from his lips. "Surprise attack," I said. Sam leaned down and kissed me back, his mouth lingering on mine, teeth grazing my lower lip, making me shiver. "Surprise attack back." "Sneaky," I said, my voice breathier than I intended.”

“Oh, Callie-mine," Anne said, her voice taking on a tone she'd used when Callie was a little girl and crying over some injustice, "your white knight, he will come." One side of Callie's mouth kicked up in a wry smile. Anne had said those words countless times over the last two decades. "Forgive me, Anne, but I'm not so certain that he will." Oh, he will," Anne said firmly. "And when you least expect." I find I'm rather tired of waiting." Callie laughed half-heartedly. "Which is probably why I've turned my attentions to such a dark knight.”

“He grinned when I didn't protest, and lowered his mouth toward mine. The first touch was just that - a touch. A teasing, tempting softness. I licked my lips and Patch's grin deepened. "More?" he asked. I curled my hands into his hair, pulling him closer. "More.”

“If you were close enough to her ruby-red lips you would hear her say, 'I will rise now and go about the city in the streets, and in the broad ways I will seek the one I love.' She is whispering that, and she whispers, 'By night on my bed I sought him whom my soul loveth. Let him kiss me with the kisses of his mouth. My beloved is mine and I am his.”

“I haven’t had the chance to look at too many men’s faces up close. And I noticed how his skin was thicker than mine, and a gorgeous shade of toast. The stiff blond hairs on his cheeks and chin seemed to be growing before my eyes. He smelled like starch. Like pine. His nose wasn’t so pointy afterall. …And out of the blue, he kissed me. Right in the middle of the Robert E. Lee Hotel Restaurant, he kissed me so slowly with an open mouth and every single thing in my body-my skin, my collarbone, the hollow backs of my knees, everything inside of me filled up with light.”

“My captivity with Dimitri. The way his mouth—so, so warm, despite his cold skin—had kissed mine. The feel of his fangs pressing into my neck and the sweet bliss that followed... He looked exactly the same too, with that chalky white pallor and red-ringed eyes that so conflicted with the soft, chin-length brown hair and otherwise gorgeous lines of his face. He even had a leather duster on.”

“He made a small sigh, as he swallowed the first blood, then his mouth closed over my earlobe, mouth working at the wound, tongue coaxing blood from the wound. He pressed his body the length of mine, one hand cupping my turned head, the other playing down the line of my body. Maybe it was just blood, but I never stroked my steak while eating it.”

“She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward first the scepter of my passion.”

“[W]hen Ben was kissing me, the whole world retreated. I felt things I'd never felt before, in places I never knew were connected. But I was pretty sure that whatever was buzzing against my thigh was not normal. For one thing, it was ringing. Ben dragged his mouth away from mine and mumbled a curse that was a little shocking and kind of hot. "Ignore it," he said. That was easy for him to say when his cell phone was rounding third base. If anyone got a home run tonight, I didn't want it to be Verizon Wireless.”

“First,” he said, coming behind me and placing his hands on the counter, just outside of mine, “choose your tomato.” He dipped his head so his mouth was at my ear. His breath was warm, tickling my skin. “Good. Now pick up the knife.” “Does the chef always stand this close?” I asked, not sure if I liked or feared the flutter his closeness caused inside me. “When he’s revealing culinary secrets, yes.”

“SHE is neither pink nor pale, And she never will be all mine; She learned her hands in a fairy-tale, And her mouth on a valentine. She has more hair than she needs; In the sun ’tis a woe to me! And her voice is a string of colored beads, Or steps leading into the sea. She loves me all that she can, And her ways to my ways resign; But she was not made for any man, And she never will be all mine.”

“Raphael turned me over and looked at me, his face close to mine. "You and I will never be done.You're my mate." He kissed the corner of my mouth. I almost cried. "I stopped sleeping since you left," he said "I'll sleep for a couple of hours, wake up, you're not there." I closed my eyes. "I need an answer, Andrea," he said. "An answer?" "Mate. Yes or no." "Do you need to ask?" I whispered. "You're my mate.”