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Movement Quotes

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Movement Quotes

“I was from my little perch in a prep school I saw the civil rights movement and it was defining the moral dimensions of the time and I was drawn to it and I read James Baldwin and read Invisible Man and these were my touch points. But it was when I got to Michigan and saw a bigger world, a real world, that I got involved.”

“We probably have, right now, after the Civil Rights movement - and this was very unfortunate - the most glaring time of giving up on Africa, saying we're Americans. We are Americans. I'm not arguing that point. So are the Italians. So are the Germans. So are the Jews. We're Americans with an historical geography of origins outside of the United States as all people, maybe except the indigenous Americans who came here so long ago, who have generations of people whose historical origins are right here but whose initial historical origins are somewhere in Asia.”

“I'm one of the people who believes that our losses were greater than our gains. Because before the Civil Rights movement we had entrepreneurship in the black community. Right now, in Harlem, if I wanted to get a shoe repaired, I would have a hard time finding a black shoe repairman. On near about every third corner, you could find a decent black barber, decent black laundry, had restaurants in the neighborhood that were open 24 hours. The food was good at 3 o'clock in the morning as at 3 o'clock in the afternoon.”

“When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.”

“I think that for many of us, the years of the Civil Rights movements - Martin Luther King, Bobby Kennedy running for president in 1968 to end the war and so forth - these were defining moment in terms of trying to hold government accountable and have a level of responsibility and truth-telling.”

“We don't have a great clash of civilizations, a clash of ideologies, a clash of alternative models, where governments thought to themselves, if we go too far, if we sort of trample unreasonably on rights, we'll give birth to a political movement which will cost us our credibility, and will possibly cost us our offices, because people will vote for the other team, the other guys.”

“I am really passionate about transparency and trans rights issues, so I embrace these opportunities to speak. I try to stay in touch with those who are prominent in both the trans and transparency movements, but more often than not, I am speaking out on a particular issue on my own. I certainly hope that people listen to me and think about these issues. But regardless of whether I had a public venue to speak in, I would still be passionate about them.”

“There are things that make me excited about what I'm doing: Trouble the Water [the 2008 documentary Glover executive produced] on New Orleans, or something like Soundtrack for a Revolution, about the power of the music of the civil rights movement [which he executive produced in 2009]. Or Bamako, about the African debt crisis, a platform to discuss the experience of people who actually live it. All of these are important ways we can use film as a forum inviting people into a dialogue.”