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Mythology Quotes

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Mythology Quotes

“Marilynn...passed out black cases to everyone. I opened mine to find an iPad inside. Several candidates whistled. Despite my agitated state, it impressed me too. Maybe wizard school wasn’t going to be as lame as I had thought. “All of your schedules and assignments will be done on these,” Marilynn explained. “The whole school is on these. We’ve had them for awhile now.”

“There is a small wooden viewing tower, and pamphlets from the State of Ohio, but they focus on facts—for instance, the Serpent Mound is as long as four football fields—not on meaning. In The Sacred Hoop, Paula Gunn Allen, a Native poet, mythologist, and scholar, explains that Serpent Woman was one of the names of the quintessential original spirit “that pervades everything, that is capable of powerful song and radiant movement, and that moves in and out of the mind…she is both Mother and Father to all people and all creatures. She is the only creator of thought, and thought precedes creation.” In Western mythology, she might be compared to Medusa, the serpent-haired Greek goddess whose name means Knowing Woman or Protectress. She once was all-powerful—until patriarchy came along in the form of a mythic young man who chopped off her head. He was told to do this by Athena, who sprang full-blown from the mind of her father, Zeus—a goddess thought up by patriarchy and therefore motherless. There is history in what is dismissed as prehistory.”

“The battlefield is symbolic of the field of life, where every creature lives on the death of another. A realization of the inevitable guilt of life may so sicken the heart, that like Hamlet, or like Arjuna, one may refuse to go on with it. On the other hand, like most of the rest of us, one may invent a false finally unjustified image of oneself as an exceptional phenomenon in the world--not guilty as others are, but justified in one's inevitable sinning, because one represents the good. Such self-righteousness leads to a misunderstanding, not only of oneself, but of the nature of both Man and the Cosmos. The goal of the myth is to dispel the need for such life-ignorance by affecting a reconciliation of the individual consciousness with the universal will, and this is affected through a realization of the true relationship of the passing phenomena of time to the imperishable life that lives and dies in all.”

“I always thought they were fabulous monsters!" said the Unicorn. "Is it alive?" "It can talk," said Haigha, solemnly. The Unicorn looked dreamily at Alice, and said, "Talk, child." Alice could not help her lips curling up into a smile as she began: "Do you know, I always thought Unicorns were fabulous monsters, too! I never saw one alive before!" "Well, now that we have seen each other," said the Unicorn, "if you'll believe in me, I'll believe in you. Is that a bargain?”

“from "Semele Recycled" But then your great voice rang out under the skies my name!-- and all those private names for the parts and places that had loved you best. And they stirred in their nest of hay and dung. The distraught old ladies chasing their lost altar, and the seers pursuing my skull, their lost employment, and the tumbling boys, who wanted the magic marbles, and the runaway groom, and the fisherman's thirteen children, set up such a clamor, with their cries of "Miracle!" that our two bodies met like a thunderclap in midday-- right at the corner of that wretched field with its broken fenceposts and startled, skinny cattle. We fell in a heap on the compost heap and all our loving parts made love at once, while the bystanders cheered and prayed and hid their eyes and then went decently about their business. And here is is, moonlight again; we've bathed in the river and are sweet and wholesome once more. We kneel side by side in the sand; we worship each other in whispers. But the inner parts remember fermenting hay, the comfortable odor of dung, the animal incense, and passion, its bloody labor, its birth and rebirth and decay.”

“They yoked themselves to a car and drew her all the long way through dust and heat. Everyone admired their filial piety when they arrived and the proud and happy mother standing before the statue prayed that Hera would reward them by giving them the best gift in her power. As she finished her prayer the two lads sank to the ground. They were smiling and they looked as if they were peacefully asleep but they were dead. (Biton and Cleobis)”

“Persephone is just a name for a spirit of beauty at a certain time in history. I'm sure we could argue a biblical place for her if it matters. Your wife has the name of that pagan goddess, but the fact remains that she's your mortal bride in the Year of Our Lord 1888- and she's Catholic, so pray for her, damn it, I don't care how confusing it is. And pray for us, to anyone. If the dead are about to flood Athens, divine goodwill couldn't hurt. Your prayers can be in Hindu, if you like. Now go home.”

“The myths of Hylas, Adonis, Lityerses, and Linus describes the annual mourning for the sacred king of his boy-surrogate, sacrificed to placate the goddess of vegetation. The same surrogate appears in the legend of Triptolemus, who rode in a serpent-drawn chariot and carried sacks of corn to symbolize that his death brought wealth. Plutus (‘wealthy’), begotten in the ploughed field from whom Hades euphemistic title ‘Pluto’ is borrowed.”

“We did not get on much further, for in another moment we were caught by a terrific squall from the West that snapped the forestays of the mast so that it fell aft, while all the ship’s gear tumbled about at the bottom of the vessel. The mast fell upon the head of the helmsman in the ship’s stern, so that the bones of his head were crushed to pieces, and he fell overboard as though he were diving, with no more life left in him. “Then Jove let fly with his thunderbolts, and the ship went round and round, and was filled with fire and brimstone as the lightning struck it. The men all fell into the sea; they were carried about in the water round the ship, looking like so many sea-gulls, but the god presently deprived them of all chance of getting home again.”

“Then we entered the Straits in great fear of mind, for on the one hand was Scylla, and on the other dread Charybdis kept sucking up the salt water. As she vomited it up, it was like the water in a cauldron when it is boiling over upon a great fire, and the spray reached the top of the rocks on either side. When she began to suck again, we could see the water all inside whirling round and round, and it made a deafening sound as it broke against the rocks. We could see the bottom of the whirlpool all black with sand and mud, and the men were at their wits ends for fear. While we were taken up with this, and were expecting each moment to be our last, Scylla pounced down suddenly upon us and snatched up my six best men. I was looking at once after both ship and men, and in a moment I saw their hands and feet ever so high above me, struggling in the air as Scylla was carrying them off, and I heard them call out my name in one last despairing cry. As a fisherman, seated, spear in hand, upon some jutting rock throws bait into the water to deceive the poor little fishes, and spears them with the ox’s horn with which his spear is shod, throwing them gasping on to the land as he catches them one by one—even so did Scylla land these panting creatures on her rock and munch them up at the mouth of her den, while they screamed and stretched out their hands to me in their mortal agony. This was the most sickening sight that I saw throughout all my voyages.”

“Aeneas' mother is a star?" "No; a goddess." I said cautiously, "Venus is the power that we invoke in spring, in the garden, when things begin growing. And we call the evening star Venus." He thought it over. Perhaps having grown up in the country, among pagans like me, helped him understand my bewilderment. "So do we, he said. "But Venus also became more...With the help of the Greeks. They call her Aphrodite...There was a great poet who praised her in Latin. Delight of men and gods, he called her, dear nurturer. Under the sliding star signs she fills the ship-laden sea and the fruitful earth with her being; through her the generations are conceived and rise up to see the sun; from her the storm clouds flee; to her the earth, the skillful maker, offers flowers. The wide levels of the sea smile at her, and all the quiet sky shines and streams with light..." It was the Venus I had prayed to, it was my prayer, though I had no such words. They filled my eyes with tears and my heart with inexpressible joy.”

“It must be understood that in some cases the process by which a god or goddess degenerates into a fairy may occupy centuries, and that in the passage of generations such an alteration may be brought about in appearance and traits as to make it seem impossible that any relationship actually exists between the old form and the new. This may be accounted for by the circumstance that in gradually assuming the traits of fairyhood the god or goddess may also have taken on the characteristics of fairies which Already existed in the minds of the folk, the elves of a past age, who were already elves at a period when he or she still flourished in the full vigour of godhead. For in one sense Faerie represents a species of limbo, a great abyss of traditional material, into which every kind of ancient belief came to be cast as the acceptance of one new faith after another dictated the abandonment of forms and ideas unacceptable to its doctrines. The difference between god and fairy is indeed the difference between religion and folk-lore.”

“Then the woman in the bed sat up and looked about her with wild eyes; and the oldest of the old men said: 'Lady, we have come to write down the names of the immortals,’ and at his words a look of great joy came into her face. Presently she, began to speak slowly, and yet eagerly, as though she knew she had but a little while to live, and, in English, with the accent of their own country; and she told them the secret names of the immortals of many lands, and of the colours, and odours, and weapons, and instruments of music and instruments of handicraft they held dearest; but most about the immortals of Ireland and of their love for the cauldron, and the whetstone, and the sword, and the spear, and the hills of the Shee, and the horns of the moon, and the Grey Wind, and the Yellow Wind, and the Black Wind, and the Red Wind. ("The Adoration of the Magi")”

“As Mr. R. U. Sayee has well said: 'It should be clear a priori that fairy lore must have developed as a result of modifications and accretions received in different countries and at many periods, though we must not overlook the part played by tradition in providing a mould that to some extent determines the nature of later additions.' It must also be self-evident that a great deal of confusion has been caused by the assumption that some spirit-types were fairies which in a more definite sense are certainly not of elfin provenance. In some epochs, indeed, Faerie appears to have been regarded as a species of limbo to which all 'pagan' spirits - to say nothing of defeated gods, monsters, and demons - could be banished, along with the personnel of Olympus and the rout of witchcraft. Such types, however, are usually fairly easy of detection.”

“Allegorical stories of saints battling with giants, monsters and demons may be interpreted as symbolizing the Christian's fight against paganism. At Bwlch Rhiwfelen (Denbigh) St Collen fought and killed a cannibal giantess, afterwards washing away the blood-stains in a well later known as Ffynnon Gollen. In Ireland, the tales of saints slaying giant serpents may have the same meaning; alternatively they (or some of them) may refer to early sightings of genuine water monsters. St Barry banished a serpent from a mountain into Lough Lagan (Roscommon), and a holy well sprang up where the saint's knee touched the ground.”

“In the place Calliope had bled, a trail of corn sprouted behind her. She picked the two tallest corn shoots then sat beside two large, smooth stone metates for grinding. From within her husk rebozo, she pulled a mano, shucked the corn, laid it on the altar, and with the mano in both hands, she began moving with the weight of her whole body, the strength of her shoulders and back pressing down through her arms, back and forth, shearing, until the corn became a fine yellow powder. The Ancients sang her on as she worked. When the Earth has had enough, she will shake her troubles off. She will shake her troublemakers off. She scooped this and mashed it into the butter of her hands. Rolled it into a ball, flattened it again. Shaped and shaped until the corn grew into a child, who sprang from the stone of her hands, laughing. For she was finished, and sank into the earth, solid, hardened, at peace. And as her corn-made child ran from the mound to the grass below, the spirits intoned. The Earth has all the power she needs. When she decides to use her power, you will know.”

“Inside it Scylla sits and yelps with a voice that you might take to be that of a young hound, but in truth she is a dreadful monster and no one—not even a god—could face her without being terror-struck. She has twelve mis-shapen feet, and six necks of the most prodigious length; and at the end of each neck she has a frightful head with three rows of teeth in each, all set very close together, so that they would crunch any one to death in a moment, and she sits deep within her shady cell thrusting out her heads and peering all round the rock, fishing for dolphins or dogfish or any larger monster that she can catch, of the thousands with which Amphitrite teems. No ship ever yet got past her without losing some men, for she shoots out all her heads at once, and carries off a man in each mouth.”

“From The Ghost Wars- on the concept of the Torah as ancient science fiction. “Take the story of the fall of the tower of Babel. Let’s say this represents not an act of God, nor a metaphor for this planet’s diverse linguistic heritage; but a catastrophic act of terrorism by the Divisionists to sever mankind from the neural net. The internet in this situation becomes mankind’s attempt to build a physical replacement for a natural ability long lost. Think of it as a wooden leg or a pacemaker.”

“A shock of light. Unbelievable light. Blood orange swallowing the Albuquerque evening. A pulling in, taking back, reclaiming something stolen. Halfway home from her Saturday-morning lecture, Calliope Santiago drove across the river toward West Mesa and the Sleeping Sisters, ancient cinder-cone volcanoes in the distance marking the stretch of desert where she lived. Only now she could see no farther than two feet ahead of her from the blinding light, the splotches in her eyes bursting like bulbs in an antique camera. She blinked, not sure what she was seeing. She meant to cover her eyes. Meant to shield her sight.”

“The rocks pummeled her belly. Something rose in her throat and when she tried to speak, from her mouth she dislodged a rock. She was made of rocks. She couldn’t move from the fossilized casing she’d once called her body. Heat crackled nearby. A conversation wove through the fire. A child’s sweaty body curled at her lap, chest rhythms of breathing, up and down, pressing against her. 'I didn’t want to believe it was happening again.”

“A suspicion, a doubt, a jealousy grew in my mind, which turned the hairs on my head to filthy snakes, as though my thoughts hissed and spat on my scalp. My bride’s breath soured, stank in the grey bags of my lungs. I’m foul mouthed now, foul tongued, yellow fanged. There are bullet tears in my eyes. Are you terrified? Be terrified. It’s you I love, perfect man, Greek God, my own; but I know you’ll go, betray me, stray from home. So better by far for me if you were stone. I glanced at a buzzing bee, a dull grey pebble fell to the ground. I glanced at a singing bird, a handful of dusty gravel spattered down. I looked at a ginger cat, a housebrick shattered a bowl of milk. I looked at a snuffling pig, a boulder rolled in a heap of shit. I stared in the mirror. Love gone bad showed me a Gorgon. I stared at a dragon. Fire spewed from the mouth of a mountain. And here you come with a shield for a heart and a sword for a tongue and your girls, your girls. Wasn’t I beautiful? Wasn’t I fragrant and young? Look at me now. - Medusa by Carol Ann Duffy -”