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Mythology Quotes

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Mythology Quotes

“Norse mythology hints at Odinic cults, with Odin being worshipped through a combination of ecstatic and seemingly shamanistic rituals. From the eddic poem The Sayings of the High One ( Hávamál ), he is said to have hanged himself in a sacrificial ritual on a tree. Barely surviving this ordeal, Odin gains arcane knowledge, including the use of runes, the ancient Scandinavian alphabet sometimes used for magical purposes. In the poem, Odin chants : I know that I hung on the wind-swept tree all nine nights with spear was I wounded and given to Odin, myself to me, on that tree which no one knows from which roots it grows. Bread I was not given, no drink from the horn, downwards I glared; up I pulled the runes, screaming I took them, from there I fell back again. - excerpt from Jesse L. Byock's Introduction and Notes, of Sturluson's Prose Edda.”

KnowledgeMythMythologyRebirthSagaOdinNorse MythologyScandinavian MythEdda
Book:The Prose Edda: Norse Mythology
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“Under the root *( of the Ash Yggdrasil ) that goes to the frost giants is the Well of Mimir. Wisdom and Intelligence are hidden there, and Mimir is the name of the well's owner. He is full of wisdom because he drinks of the well from the Gjallarhorn. All-father went there and asked for one drink from the well, but he did not get this until he gave one of his eyes as a pledge. As it says in The Sibyl's Prophesy : Odin, I know all, where you hid the eye in that famous Well of Mimir. Each morning Mimir drinks mead from Val-Father's pledge. Do you know now or what ? ( The Sibyl's Prophesy. 28 )”

KnowledgeIntelligenceMythMythologyOdinNorse MythologyYggdrasilScandinavian Myth
Book:The Prose Edda: Norse Mythology
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“Può non essere sempre evidente ed esplicito nella forma del nome il nesso necessario con la sua ragione prima, ma ciò è dovuto soltanto all'ignoranza degli uomini, alla fuga del tempo, ed i sapienti, i saggi, i maghi e gli dèi sono tali in ragione delle loro maggiore o assoluta conoscenza di questi nessi. In origine ogni nome è una kenning. Ora essa, qual è praticata dagli scaldi, ci appare nel suo aspetto intellettualistico e concettoso di indovinello, nel riferimento ad una sapienza esclusiva ed esoterica, ma nostro è l'abbaglio nel percepirla così: nella struttura e nel senso suo più genuino essa è il modello originario del nome nel mito, un modello che può riflettersi in sé, nei suoi elementi costitutivi, all'infinito; primo e ultimo frutto dello sforzo di appropriazione del passato e del presente, di fare il mito.”

MythologyNorse MythologyEsoterismKenningScalds
Book:The Prose Edda: Norse Mythology
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“Una parola specifica in norreno che dica 'mito' propriamente non esiste, potrebbe essere 'accadimento' oppure 'storia' o 'saga': per Snorri, ci sembra, quella che più si avvicina all'essenza del mito è la parola per 'ricordo', 'ricordare'. È sorprendente come riappaia più volte nella narrazione il 'ricordo' degli dèi: gli dèi si adunano e parlano e rammemorano quanto è avvenuto o quanto essi hanno compiuto, e questo par costituire agli occhi del narratore l'atto più proprio del loro sacro consesso. Il memorare, quasi che il ricordo costituisca un atto di vera e propria creazione, o forse, più pianamente, l'unico mezzo di conferma della realtà o verità cui riferirsi nella sconcertante poliedricità delle apparenze. Il ricordo è così l'unica vera esperienza del mito, il tempo del mito e la prospettiva della memoria secolare dell'uomo fino alla sua origine divina.”

MemoryMythologyNorse MythologySnorri Sturluson
Book:The Prose Edda: Norse Mythology
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“As Richard Slotkin has argued, frontier cultural forms that stressed regeneration through violence excused all kinds of nasty behavior. The myth freed colonists to chop heads, fire villages, and torture animals. This was wholesome, conservative brutality; atrocities committed in the name of order, authority, and decorum. Travelers’ tales and circle hunts made wildlife abuse socially acceptable. Regeneration through violence rested on the assumption (many times the delusion) of powerlessness. Wolves never threatened humans physically, but they devoured livestock, and colonists identified with their animal property.”

MythologyEnvironmentalismFolkloreAnimal CrueltyWolvesColonizationViolence Against AnimalsLovestockRegeneration Through Violence
Book:Vicious: Wolves and Men in America
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“As Hera crowned the youngest winner, the girl addressed the crowd: I am the new moon, swelling with magic, pure in my maidenhood, ever growing stronger. The second winner spoke: I am the full moon, complete in my powers, making people with my rhythms, bathing them in light. The third said: I am the waning moon, easing into peace, knowing all that went before, I am the wise one.”

MythologyGoddessesMoon Magic
Book:Lost Goddesses of Early Greece: A Collection of Pre-Hellenic Myths
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“In spite of this awareness of fate, or perhaps because of it, the picture of man's qualities which emerges from the myths is a noble one. The gods are heroic figures, men writ large, who led dangerous, individualistic lives, yet at the same time were part of a closely-knit small group, with a firm sense of values and certain intense loyalties. They would give up their lives rather than surrender these values, but they would fight on as long as they could, since life was well worth while. Men knew that the gods whom they served could not give them freedom from danger and calamity, and they did not demand that they should. We find in the myths no sense of bitterness at the harshness and unfairness of life, but rather a spirit of heroic resignation: humanity is born to trouble, but courage, adventure, and the wonders of life are matters of thankfulness, to be enjoyed while life is still granted to us. The great gifts of the gods were readiness to face the world as it was, the luck that sustains men in tight places, and the opportunity to win that glory which alone can outlive death.”

MythologyVikingsViking Spirit
Book:Gods and Myths of Northern Europe
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“The first thing he did was to attempt to analyse a mental device he was in the habit of resorting to - a device that supplied him with the secret substratum of his whole life. This was a certain trick he had of doing what he called 'sinking into his soul’. This trick had been a furtive custom with him from very early days. In his childhood his mother had often rallied him about it in her light-hearted way, and had applied to these trances, or these fits of absent-mindedness, an amusing but rather indecent nursery name. His father, on the other hand, had encouraged him in these moods, taking them very gravely, and treating him, when under their spell, as if he were a sort of infant magician. It was, however, when staying in his grandmother's house at Weymouth that the word had come to him which he now always used in his own mind to describe these obsessions. It was the word ‘mythology’ ; and he used it entirely in a private sense of his own.”

MythologyPersonal PhilosophyWolf Solent
Book:Wolf Solent
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“But as his head cleared, Colin heard another sound, so beautiful that he never found rest again; the sound of a horn, like the moon on snow, and another answered it from the limits of the sky; and through the Brollachan ran silver lightnings, and he heard hoofs, and voices calling, “We ride! We ride!” and the whole cloud was silver, so that he could not look. The hoof-beats drew near, and the earth throbbed. Colin opened his eyes. Now the cloud raced over the ground, breaking into separate glories that whispered and sharpened to skeins of starlight, and were horsemen, and at their head was majesty, crowned with antlers, like the sun. But as they crossed the valley, one of the riders dropped behind, and Colin saw that it was Susan. She lost ground, though her speed was no less, and the light that formed her died, and in its place was a smaller, solid figure that halted, forlorn, in the white wake of the riding. The horsemen climbed from the hillside to the air, growing vast in the sky, and to meet them came nine women, their hair like wind. And away they rode together across the night, over the waves, and beyond the isles, and the Old Magic was free for ever, and the moon was new.”

MythologyChildren SThe Wild Hunt
Author:Alan Garner
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“Art, mythology, religion, philosophy, history, anthropology, science, and medicine along with literature, autobiographies, biographies, essays, memoirs, poetry, and other works of fiction and nonfiction serve as a vast library for us to scour in search of the hidden keys to attaining knowledge and happiness. We glimpse individual revelation along with selective rays of radiance from every person’s conscientious act of documenting their long-term commitment to achieving a gleaming living testament to enlightenment.”

ArtPhilosophyPoetryLiteratureMythologyBiographiesEssaysAnthropologyMemoirsAutobiographies
Book:Dead Toad Scrolls
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“How can I put the Auras back in the chest?” I asked, terror boiling inside my stomach. “You can’t. Not if those that were or will be struck by them won’t be eager to express their feelings and let you help them. You do not change people, dearie. It’s the people that change themselves. You’re the Guardian, but they’re the bearers,” the Oracle whispered. “I’m no Guardian. I’m doomed!” I said and I knew that this was true.”

Inspirational QuotesMythologyComing Of AgeFeelings And EmotionsDamnationEmotions QuotesFantasy SeriesYa NovelGreek MythsPandora S Box
Book:Guardian of the Auras
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“Elsewhere Lankford reiterates that this belief system was by no means confined to the Plains, the Eastern Woodlands, and the Mississippi Valley. It is better understood, he argues, as part of 'a widespread religious pattern' found right across North America and 'more powerful than the tendency towards cultural diversity.' Indeed, what the evidence suggests is the former existence of 'an ancient North American international religion ... a common ethnoastronomy ... and a common mythology. Such a multicultural reality hints provocatively at more common knowledge which lay behind the façade of cultural diversity united by international trade networks. One likely possibility of a conceptual realm in which that common knowledge became focused is mortuary belief [and] ... the symbolism surrounding death.”

MythologyLegacySymbolismOriginBelief SystemPatternEthnoastronomy
Book:America Before: The Key to Earth's Lost Civilization
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“Many modern movies premise the action upon themes identified in ancient myths. Americans are still attracted to the thematic urgency of ancient lore. Despite the advances made by scientist and America’s technological revolution, the universal questions that haunt human beings’ quietude remain unchanged. The subjects that interest us as a people provide useful instructions pertaining how to live. Do we choose the myths that we live by? Do we sort through a bin of past events and select telling stories that we wish to use to define our existence? Do we modify or eliminate handpicked memories that do not fit the fable that we nominate to define our walk through life?”

MythologyMemoirAutobiographyMemoir WritingMythsWriting MemoirPersonal EssaysEssayistStory Of LifeAutobiographical
Book:Dead Toad Scrolls
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“The image of the Serpent, because of its association with life, rejuvenation, fertility, and regeneration, was a symbol of immortality. The coiled Serpent with its tail in its mouth was a circle of infinitude indicating omnipotence and omniscience. The Serpent, depicted in several successive rings, represented cyclical evolution and reincarnation. In ancient philosophy or mythological systems, creation and wisdom were closely bound together, and the Serpent was a potent symbol of both. It is in this capacity that the Serpent appears in the Babylonian and Sumerian mythologies, which contain elements akin to the Genesis story. The Serpent has the power to bestow immortality but also has the power to cheat humankind. In many of the ancient Near Eastern stories—for instance, the Gilgamesh Epic and myth of Adapa—the Serpent holds out the promise of immortality but then cheats man at the last minute.”

MythologyGenesisSymbolismSerpentCreation MythsAncient PhilosophyGilgameshFeminist TheologySumerianBabylonian
Book:The Serpent and the Goddess: Women, Religion, and Power in Celtic Ireland
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“For many years Minos has been lucky to have in his court the most gifted inventor, the most skilled artificer outside of the Olympian forges of Hephaestus. His name is Daedalus and he is capable of fashioning moving objects out of metal, bronze, wood, ivory and gemstones. He has mastered the art of tightly coiling leaves of steel into powerful springs, which control wheels and chains to form intricate and marvellous mechanisms that mark the passage of the hours with great precision and accuracy, or control the levels of watercourses. There is nothing this cunning man cannot contrive in his workshop. There are moving statues there, men and women animated by his skill, boxes that play music and devices that can awaken him in the morning. Even if only half the stories of what Daedalus can achieve are true then you can be certain that no more cunning and clever an inventor, architect and craftsman has ever walked this earth.”

TechnologyMythologyInventionGreek MythologyCunningCraftsmanship
Book:Heroes: Mortals and Monsters, Quests and Adventures
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“Deep in the psychological caves of their mental platonic darkness, there is no rainbow colour or light of reason in many areas of their psyche, their inner mind. Instead they have married themselves to a dragon of a creature, so terrible that even Jupiter feared this monstrosity of pompous ignorance. Their hope of the beauty of Cupid is just a lovemaking session in the dark room of ignorance of both science and religion.”

ScienceReligionMetaphorMythology
Book:The Bifrost and The Ark: Examining the Cult and Religion of New Atheism
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“Societies continuously try to recreate themselves — shared holidays, shared news, shared traditions, shared language, shared music, shared myths, shared victories, and shared griefs. Shared origins… So by telling each other stories, we recreate ourselves over and over again. Where do we come from? Where are we going? Who are our heroes? Who are the villains? These stories pass our values as a society from one generation to the next. It’s how we understand each other.”

LanguageSocietyMythologyStorytellingSociety HumanityCultural Identity
Book:Twin Time
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