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Objects Quotes

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Objects Quotes

“Curiosity is natural to the soul of man and interesting objects have a powerful influence on our affections. Let these influencing powers actuate, by the permission or disposal of Providence, from selfish or social views, yet in time the mysterious will of Heaven is unfolded, and we behold our conduct, from whatever motives excited, operating to answer the important designs of heaven.”

“What seems interesting to me is to reproduce in the figurative representation of an object the whole complex system of impressions we receive in the normal course of everyday life, the way this affects our feelings and the shape it takes in our memory; and it is to this that I have always applied myself.”

“Gays have become colossal bores. Once interesting and iconoclastic, all they seem to crave nowadays is the State's pension and seal of approval. They ought to go back to the days of the Stonewall Riots, when the police's violations of privacy and private property were the object of their anger and activism.”

“[Drawing should be] a journey of pleasure. Each step must present to the travellers' view objects that are eminently interesting, varied in their appearances, and attracting to such a degree as to excite in each individual thus happily employed the desire of knowing all respecting all he sees.”

“At the other end of the spectrum is, for example, graph theory, where the basic object, a graph, can be immediately comprehended. One will not get anywhere in graph theory by sitting in an armchair and trying to understand graphs better. Neither is it particularly necessary to read much of the literature before tackling a problem: it is of course helpful to be aware of some of the most important techniques, but the interesting problems tend to be open precisely because the established techniques cannot easily be applied.”

“With respect to phenomena like mass extinction, somebody might say why worry about it because in a geological perspective mass extinctions aren't so bad, they wipe out some things and then 10 million years down the road we get new and interesting objects.But I tell you mass extinctions are really awful for folks caught in the midst of them.”

“The nude gains its enduring value from the fact that it reconciles several contrary states. It takes the most sensual and immediately interesting object, the human body, and puts it out of reach of time and desire; it takes the most purely rational concept of which mankind is capable, mathematical order, and makes it a delight to the senses; and it takes the vague fears of the unknown and sweetens them by showing that the gods are like men and may be worshiped for their life-giving beauty rather than their death-dealing powers.”

“For me, it's not important whether [subjects] are naked, half-naked, or dressed. What I'm more interested in is how they present themselves: if someone is half-naked and having self-confidence or you have the feeling that she has or he has control of the situation. She likes to do it. Then I have nothing against it. But it's true that society doesn't talk about such issues. They just talk about whether there is a breast or not, but for me it's more interesting how the power game of camera and object is shown. And if it's a cool picture.”

“There was this interesting quote: try and live your life without fear and desire. It's this concept that's like when you look at a painting in a museum and you are held in aesthetic arrest. So the I, the ego, is stripped, is gone. The observer and thing become one. That's where fear and desire come in because you don't want to own it, possess it, desire it, and it's not moving you to fear. It's like you're in this harmonious state with the object.”

“The obvious example would be Jesus. Jesus is an object of fascination for me. He's an interesting historical character because we don't know much about him. He seems to be a guy who was in touch with something deeper than most people around him were and someone who was very concerned with trying to communicate that.”

“The idea of, say, the compressed space between the floor and the object hanging over it and then the long space between the object and the ceiling was a kind of interesting idea for me - the idea of compressing and expanding. That was an idea that I worked with, which you could only do sculpturally. You can't really do with a painting on the wall.”

“I think that's there are a couple of reasons for that. One is as you're introducing the fourth and fifth versions of these MacGuffins that we've been playing with for a long time, you wanna do something different with them and not just have them be an object passed around. So the notion that something is inherent in the literal body of one of your lead heroes is interesting. And the idea that the Eye of Agamotto's a great relic over the course of Doctor Strange comics anyway.”