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One Day Quotes

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One Day Quotes

“The truth that people are missing about certain things, you know when they get fearful and they get hateful, and they repress other peoples, is the greatest truth of all, you know, the truth of love and understanding and clarity about all those issues. And it's like, one day, one day, everybody's gonna know, myself included, over certain things. But, so it's like, it's alright, you know, you hate me now, but that's cool, because I see a better day and I know that there's a higher truth, and you're wrong about hating me because I'm gay.”

“I've seen the end of the universe, and it happens to be in the United States and, oddly enough, it's in Houston, Texas. I know - I was shocked, too. Imagine my surprise when I left a comedy club one day and walked to the end of the block, and there on one corner was a Starbucks, and across the street from that Starbucks, in the exact same building as that Starbucks, there was - a Starbucks. I looked back and forth, thinking the sun was playing tricks with my eyes. That there was a Starbucks across from a Starbucks - and that, my friends, is the end of the universe.”

“You know what kills me about Jennifer Lopez? The fact that this woman wakes up one day and she's like, 'You know what? From now on, I'd like people to call me J-Lo,' and then they do it. Only a celebrity can get away with this. George Bush doesn't come out for his morning press conferences: 'From now on, I'd like to be referred to as G-Bu. Y'all know my vice president, Dog Chain.”

“I can't relate to the idea of suicide. I guess I'm just one of those people that is always optimistic and upbeat. But one day, I sat down. I said 'You know what? Just to kind of purge myself, I want to see what its like to feel that low'. So I decided to write a suicide note. Yeah, just to kinda flush it out there and put it on a page. And I started to do this, and I had an epiphany. I'll share this with you: a suicide note that is written by somebody that is not suicidal is called an autobiography. I am on Chapter 58.”

“[Eugene Smith] was always writing these diatribes about truth, and how he wanted to tell the truth, the truth, the truth. It was a real rebel position. It was kind of like a teenager's position: why can't things be like they should be? Why can't I do what I want? I latched on to that philosophy. One day I snapped, hey, you know, I know a story that no one's ever told, never seen, and I've lived it. It's my own story and my friends' story.”

“God, grant me the serenity to accept the things I cannot change, the courage to change the things I can, and the wisdom to know the difference. Grant me the patience with changes that take time, appreciation of all that I have, tolerance of those with different struggles, and the strength to get up and try again, one day at a time.”

“We, PANTERA, had the greatest, the most intense, dedicated fans I've ever seen in my ******* life. And I really hope with all my heart that one day, people - especially our fans and my friends - can see clearly enough to think for themselves and really realize that I have nothing but love for them. I've just been going through personal hell since December. Once again, it's very hard to talk about, man. You know, my heart is in a thousand pieces a day.”

“As a conscientious objector I did my community service in 1971 in a psychiatric hospital and a friend there, who also was a guitar player, invited me one day to join him recording film music with a band named Kraftwerk which I didn't know at the time. I came along and jammed at this session together with Ralf Hütter and a drummer (I believe his name was Charly Weiß). Florian Schneider and Klaus Dinger were present as listeners and everybody liked the spontaneous music we did together.”

“When I was 18 years old, I went on the road with my dad after I graduated from high school. And we were riding on the tour bus one day, kind of rolling through the South, and he mentioned a song. We started talking about songs, and he mentioned one, and I said I don't know that one. And he mentioned another. I said I don't know that one either, Dad, and he became very alarmed that I didn't know what he considered my own musical genealogy.”

“It was just such a complete shock to turn on the news one day and see someone that you know, someone you have passed in the halls of your high school. It got me thinking, 'Well, what are some novels that are about female sexual psychopaths? I really didn't have many references for that, and I felt like that was a void in transgressive literature that I wanted to fill.'”

“For me, everything is about Jesus and Father and the Holy Spirit, and relationships, and life is an adventure of faith lived one day at a time. Any aspirations, visions and dreams died a long time ago and I have absolutely no interest in resurrecting them (they would stink by now anyway). I have finally figured out that I have nothing to lose by living a life of faith. I know more joy every minute of every day than seems appropriate, but I love the wastefulness of my Father's grace and presence. For me, everything in my life that matters, is perfect!”

“I started as an artist and I had a side job moving some heavy boxes for a publishing company. They had just gotten a Mac for their art department, the department that creates the book covers. I was kind of showing the art director a thing or two about how to use a Mac. And one day everyone went out to lunch and I jumped on the computer and designed a book jacket and slipped it in the pile to go to the review board in New York. They picked my jacket and when the art director got back to Boston, he wanted to know who designed it and I said, "Me." He was like, "The box guy?"”

“And then, one day, they program a new tune, and it really catches your ear, you know, because you can be doing the washing up or something, you know, in your apartment and suddenly you go, whoa, what are they playing in there? And you run to the wall, but it's finished - but the song's finished. You only heard enough of it just the pique your interest. And you never know when they're going to play it again, of course, like a normal radio station.”

“Then one day my sister abandoned me at the 1939 World's Fair, and that incident is the essence of In the Night Kitchen. I was standing there with hundreds of other people waving back at the little midgets dressed like bakers when I turned around and my sister was gone! The next thing I know I'm screaming and crying and policemen are taking me to a big place with tons of kids who had all been abandoned like me. At least I was old enough to give them a name and an address.”

“In this case, I don't know why they [Seth Rogen and Evan Goldberg] thought I would be a good lavash wrap or I would do a good Middle Eastern accent. They just assumed I would. They called one day, and they're like, "They're doing this read-through for Sausage Party, and you're going to play a lavash wrap in it." After I looked up what a lavash wrap was, I was like, "Oh, cool."”

“I invite people to just stop and be still. And in that you discover who you are, because once you discover who you are, you can stop fragmenting into pieces. I know that in any one day there are moments were there is nothing going on, but we link up what is happening from thought to thought without any space. We overlook the spaciousness that it is all happening in.”

“I remember, and I will never forget, one day - I was six years old and I was playing beside the road and this plantation owner drove up to me and stopped and asked me "could I pick some cotton." I told him I didn't know and he said, "Yes, you can. I will give you things that you want from the commissary store," and he named a huge list that he called off. I picked the 30 pounds of cotton that week, but I found out what actually happened was he was trapping me into beginning the work I was to keep doing and I never did get out of his debt again.”

“I would wipe my tears, and walk out of the stall and the bathroom, and march myself back into that courtroom because the only way that I could deal with Keith's [ Griffin] murder was to feel like I was doing something about it. In retrospect, what did I do? I know that I put a lot of bad guys in jail and if I kept them off the street one day more, that may have been one less crime victim.”

“I missed the day in school where you subtract all the zeros. Let's say you subtract 10,000 minus 89. I never got the fact that you go next door and borrow a cup of coffee, and the zero changes to nine. For the longest time, I didn't know how to do it. I still to this day have been affected, and it was just one day they taught it. I was too afraid to say, "Why? What's going on with the zeroes?" So for the longest time, I thought that was a conspiracy.”

“I think when I envisioned my documentaries, what I wanted to do when I left, I had no business doing those documentaries. I didn't know what I was doing. I was delving into an arena that I had no experience in, and Netflix paired me up with two documentarians that really executed my vision perfectly. That was great, to see that. All of a sudden I'm at Sundance, and those are premiering. I just thought, "Wow, they were four ideas I pitched one day, and now it's coming to fruition on this scale."”

“One day as a young man, I was walking down the streets. And a group of Zulu guys was walking behind me closing in on me. And I could hear them talking to one another about how they were going to mug me. (Speaking Zulu). Let's get this white guy. You go to his left, and I'll come up behind him. I didn't know what to do. I couldn't run.So I just spun around real quick and said (speaking Zulu). Yo, guys, why don't we just mug someone together? I'm ready.”

“I got a letter one day from somebody saying, `You're always criticizing the press. Why don't you talk about what Clay Felker is doing to your own paper [The Voice]?' And my 10-year-old son Tom, now with Williams & Connelly, put in a legal opinion, not - an opinion from the back of the car saying, `You know why? What are you, afraid?' So I wrote the column. I - you know, - the column simply said that Felker is destroying this paper.”

“If you think that people today, like Hollywood, are ever gonna sing [Donald] Trump's praises, it's never gonna happen. It's only going to get worse. And they know it at the White House. They're not expecting these people to be won over. That's not why Trump's doing anything he's doing. They don't expect the establishment types to one day say, "You know what? You're right, Mr. Trump, this is great. We like what you're doing." It's never gonna happen. They don't expect that to happen.”