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Our Lives Quotes

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Our Lives Quotes

“[The artist] speaks to our capacity for delight and wonder, to the sense of mystery surrounding our lives; to our sense of pity, and beauty, and pain; to the latent feeling of fellowship with all creation--and to the subtle but invincible conviction of solidarity in dreams, in joy, in sorrow, in aspirations, in illusions, in hope, in fear which binds together all humanity--the dead to the living and the living to the unborn.”

“But so many Christians are like deaf people at a concert. They study the programme carefully, believe every statement make in it, speak respectfully of the quality of the music, but only really hear a phrase now and again. So they have no notion at all of the mighty symphony which fills the universe, to which our lives are destined to make their tiny contribution, and which is the self-expression of the Eternal God.”

“In order to make room for more of God in our life, we need to let go of things that are currently filling our heart and reorder the things that are not ordered properly in Him. The importance of an appropriate detachment from the things of the world-or as they sometimes speak of it, the putting of our lives into the right-is stressed by all the spiritual writers.”

“By 'coming to terms with life' I mean: the reality of death has become a definite part of my life; my life has, so to speak, been extended by death, by my looking death in the eye and accepting it, by accepting destruction as part of life and no longer wasting my energies on fear of death or the refusal to acknowledge its inevitability. It sounds paradoxical: by excluding death from our life we cannot live a full life, and by admitting death into our life we enlarge and enrich it.”

“Art is not for the personal satisfaction of one or the other, but art wants to return all what's in life... Art wants to give back everything what's in our lives. The more comprehensive the artist stands in life the more powerful his work will speak, and therefore a work of art is a measure of the mental size of his creator.”

“It's so easy to demagogue the issue and make someone who speaks out against the internal-combustion engine sound like an insane communist, when the truth is that the internal-combustion engine is the biggest threat to my life in the next 25 years, in terms of what it's doing to our environment and how it's depleting the ozone layer and so forth.”

“You know how everyone felt like they were the favorite person of Rasulallah salAllahu 'alayhi wa sallam? We need to bring that sunnah into our homes. When we speak to our mother, she should feel that she's the most loved person in our life. When we speak to our wife, she should also get the same feeling. Before we try to change the world, let's bring balance in our homes.”

“I recently got back from Hiroshima and it was fascinating to me how the Japanese accommodate this paradox. We were talking about this word aware, which on the page looks like "aware," which speaks to both the pain and the beauty of our lives. Being there, what I perceived was that this is a sorrow that is not a grief that one forgets or recovers from, but it is a burning, searing illumination of love for the delicacy and strength of our relations.”

“I really believe that an awakening, a greater perspective on our lives and existence is happening. It's really the firing of archetypes that are already built into our brains, we just are able to awaken to a point where we can see a greater beauty in the world, a greater connection and sense of well being. This is what the mystics speak about. The insights fire us up into a greater consciousness on the planet. So it is a greater consciousness at the same time and a greater awareness of our spiritual nature. That is what the 'aha' is.”

“I believe that at the beginning of the life of every artist there is some kind of trauma. We have a problem and all of our life we try to speak about this problem. My trauma was historical. When I was three or four, all the friends of my parents were survivors of the Holocaust; they spoke a lot about that. My father was hiding during the war, it was something totally present when I was a boy. It is sure that it has made me.”

“The most fundamental decision we all face over the course of our lives is what we will recognize as the ultimate reality, the uncaused source and cause of our existence. Everything else in our worldview depends on that initial decision. The Bible speaks of this foundational choice in terms of who or what we worship. We must all answer the challenge Joshua issued to the Israelites as they were poised to enter the Promised Land: "Choose this day whom you will serve" (Josh. 24:15).”

“We also write to heighten our own awareness of life... We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it...to teach ourselves to speak with others, to record the journey into the labyrinth. We write to expand our world when we feel strangled, or constricted, or lonely... When I don't write, I feel my world shrinking... I feel I lose my fire and my color.”

“When we sit thoughtfully pondering in a quiet place and the Spirit speaks to us, there will come into our hearts and souls the things that are truly our greatest desires, those things that are more important in the long run than anything else. Away from the appeal of the world, that greatest desire usually relates to relationships with family and with the Lord. And when that priority is in place, then we begin to plan our lives with purpose. We begin to have goals that cause us to live with anticipation.”

“The disciplines of prayer, silence, and contemplation as practiced by the monastics and mystics are precisely that - stopping the noise, slowing down, and becoming still so that God can break through all our activity and noise to speak to us. Prayer serves to put all parts of our lives in God's presence, reminding us how holy our humanity really is.”

“This is the age of fear and so many of us feel afraid to speak out about what has happened to our lives in the wake of 9/11. Television promotes the world as a scary place for the United States and this justifies peeling away every element of privacy we had before. The media is monopolized so we don't even hear a lot of dissent about this new era.”

“I think all the songs [at Moth] are about different things, but if we were to speak about it as a whole, it's really about, it's about joy, and about sensuality and vulnerability and also fun, energy, living in New York in 2015, being out of control, wanting to be in control, failing! It's a sort of story of our lives.”