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Rolling Quotes

“I've got a number of stories written so far in that mythos, more lined up to be written, and a narrative arc taking shape between them. I was experimenting with releasing the stories online for Paypal donations, so the existing ones are currently available via the blog for free download, but the ball didn't keep rolling in terms of meeting the targets I was setting.”

“It was my second show as a writer, and Justin Timberlake was just coming off boy-band stardom. People were rolling their eyes, but I used to watch the Mickey Mouse Club, and I knew all those kids were talented as hell. Justin was as comfortable on camera in that first episode as any of our cast members.”

“I'm extremely proud of what I have achieved. I've travelled around the world twice, went from rolling quarters for cigarettes, balling my eyes out, wondering what I was going to do after losing three million dollars, to being very financially comfortable, to buying a Mercedes G Wagon to being able to get whatever I want and living in a beautiful apartment in West Hollywood, furnished exactly how I want it. Life is incredible.”

“Even somebody like Bill Clinton, who I happen to admire very much, the second he was out of office, I remember, he was interview in Rolling Stone and he said he thought we should have legalized marijuana. And I thought, gosh, if only you were in some sort of position to affect change in the last eight years where you could have done something about that.”

“The war you feel within - that restlessness, the unending uncertainty - is not to be dismissed, avoided, hated. That internal conflict is not dark, it is a beaming light trying to focus you, the rolling thunderous call of courage, the rays of greatness seeking to explode beyond your skin to touch once more the Spirit of Possibility.”

“One of the things I'm likely to start building in my shop is a vehicle wherein each wheel has basically a flight-simulator base as its suspension. It's known as a hexapod; it's basically a tripod but each leg is two pistons. So you have six axes of freedom on it. This will be something that can not only do what lowriders do, but shorten or extend its wheelbase and jump forwards, backwards, or from one side to the other. In an off-road situation it could be rolling at speed toward a ravine and then leap across it.”

“The states have the authority to change this voting system for president, right now, in fact, if they wanted, on an emergency basis, they could adopt a ranked-choice system, which simply allows you to go to the poll, and rather than rolling your dice and deciding whether to vote your values or your fears, you get to rank your choices, knowing that if your first choice loses your vote is automatically assigned to your second choice. It's kind of a no-brainer system. It works very well.”

“My first ones were The Young Rascals. I made out with Dino Danelli, the drummer, in the alley behind the City Auditorium. Then I met Crosby, Stills, Nash & Young. Mitch Ryder & The Detroit Wheels. This is all way, way back in the day. Later I got in the big leagues, like chasing around The Rolling Stones. And I hid in the bus for Paul Revere & The Raiders. And The Zombies.”

“My family left Afghanistan in 1976, well before the Communist coup and the Soviet invasion. We certainly thought we would be going back. But when we saw those Soviet tanks rolling into Afghanistan, the prospect for return looked very dim. Few of us, I have to say, envisioned that nearly a quarter century of bloodletting would follow.”

“That might be the old model: to get a fixed fee. You have to start to think about other models and how they can generate interest - what it can do for a brand in the future - and about the fact that revenue can also be generated in many other ways... Just look at the one and a half million people at the free Rolling Stones concert in Cuba. And Cuba is not Central Park! So just use your imagination as to what kind of revenue can be made.”

“I'd known the people at Rolling Stone for a while. I'd gone to them with a piece I'd done on Beirut for Vanity Fair that Vanity Fair didn't want to publish, because they said I was making fun of death... This was Tina Brown.But they paid me for it. So I've got this big chunk of a piece, and Rolling Stone liked it, but they thought it was a little dated. But then they called me back and asked me to do a similar piece about the Turks and Caicos Islands, where the whole government had been arrested for dope smuggling. That was fun.”

“Seriously. It was running out at Rolling Stone. First of all, they didn't feel the need for a dissident conservative voice in a world where certain conservative aspects had become intellectually dominant. I would actually argue against that, but on the surface of it, in the [Bill] Clinton years the market economy triumphed, certain libertarian ideas became ordinary, and certain early-20th-century ideas about centralization of government and economic planning and socialism with a small "s" had obviously gone out the window. The Cold War was over, blah blah blah.”

“When [George W.] Bush was elected, I think they thought I would have some sort of special "in" with that administration, to provide some sort of inside poop. Which is not something I'd be interested in doing, and anyway, I didn't. I actually knew more people in his dad's administration. So it was obviously winding down at Rolling Stone, and they were having financial troubles, too. They weren't getting the advertising, and the issues were getting thin. They fired Bob Love, who'd been my editor there for a long time.”

“I like the fact that they still run substantive pieces. I'm not sure I like the pieces, but it's nice that they do that. Anyway, it was always sort of ridiculous, me having anything to do with the youth culture, but now that I'm in my 50s, it's extra-double-ridiculous. They were losing interest in me, and I was losing interest in them. When I went to renegotiate my contract at Rolling Stone, I kind of halfheartedly asked if I could do half the work for half the money, and they asked if I could do two-thirds of the work for half the money. I ran that by my agent, since he can do math.”

“Bob Wallace was my editor at Rolling Stone when I first started writing there, and he's a wonderful editor. I was in the Philippines during the Marcos overthrow, and I was up on what was called Smokey Mountain. I think it's gone now, but it was a garbage dump with a bunch of people living on it. I was talking to Bob on the phone, and I told him, "I'm a humorist. I can't write about this." And Bob told me to let my style be dictated by the subject, to take what I saw and write about it in the tone that it requires.”

“Buddy Hackett [was] talking - this is Hackett, not me - about the Virgin Mary, a limerick sort of thing, and all these children and families ... the look of absolute horror. He's going on and on and on, and finally he stops. It's just total horror, and the camera's still rolling. You can hear it, sort of a grinding noise. And the director says, "Anything else, Bud?"”

“[Peter] Tchaikovsky's "1812 Overture" was my first go-to song in terms of getting into the zone and getting ready and then I quickly gravitated to rock and roll music in the mid-'60s with the Grateful Dead, Bob Dylan, Neil Young, The Beatles, Crosby, Stills & Nash, The Rolling Stones, Carlos Santana. So many of them are still around and still going strong. I go out to see them all the time.”

“Bob Dylan was really mad with my wife. I had asked by Rolling Stone - the only assignment I ever had for them - to do a story on the Rolling Thunder Review, which was Bob Dylan, Alan Ginsberg, Joan Baez and a host of stars. My wife, some weeks before, had written in The New York Times that The Kid wasn't The Kid anymore and he wasn't all that winning anymore.”