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Screening Quotes

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Screening Quotes

“The big picture is: the main thing you should be concerned about in the future are incremental returns on capital going forward. As it turns out, past history of a good return on capital is a good proxy for this but obviously not foolproof. I think this is an area where thoughtful analysis can add value to any simple ranking/screening strategy such as the magic formula. When doing in depth analysis of companies, I care very much about long term earnings power, not necessarily so much about the volatility of that earnings power but about my certainty of "normal" earnings power over time.”

“One that we can admire aesthetically and participate viscerally in. So the goal here, and we've had some early, small screenings, what seems to be kind of happening is that you come in thinking you're going to see a cool robot boxing movie, you don't expect this emotional underdog, father/son movie. And it's not one that's soft and overly sentimental, but hopefully it's one that's poignant.”

“I agree that we have to have the toughest screening and vetting that we can have, but I don`t think a halt is necessary. What we have to do is put all of our resources through the Department of Homeland Security, through the State Department, through our intelligence agencies, and we have to have an increased vetting and screening .”

“We are hopefully seeking some kind of distribution - but that's the ultimate goal of any independent film-maker. We are sold-out, from what I was told yesterday. We're going to try to put together another screening because I know there's a lot Jersey Boys fans that are coming. I don't know when, why or how, but we definitely want the opportunity for everyone to see this.”

“When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.”

“The kind of sleep that I had during my own film [Certified Copy] screening in Cannes is different. It's not because of the specificity of the film. It was because of my relationship as an author to this film. Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them. Whereas this time, I didn't have that responsibility on my shoulders.”