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“You have to have like a bit of amnesia both on the winning side and the losing side of this thing... On the losing side you need to be able to forget a loss to be able to move on and to be successful in your next fight. But on the winning side you need to be able to forget a win so you don't get stuck in this pattern of like, "I'm unstoppable". So there has to be a level of amnesia for a fighter.”

“As things have progressed and I've gotten older, I've gotten more and more involved on the producing side. It's been a natural progression. The more you become exposed in a particular medium, the more you can bring to the table and people start trusting you. You're valued a little bit more, so you have more of a voice. It's something I would like to do, through the rest of my career.”

“I feel like the personal me and the artistic me are separate, but connected. It's almost like a Jekyll and Hyde thing. As much as you try to keep them apart, they end up together. I'm very much aware that when I'm miserable on the creative side - if I can't make things work a certain way - it really detracts from being the father I want to be. So in order to ultimately be a good father and the man I want to be I know I need to keep my creative side in check, or at least a little bit happy. It's weird how it's intertwined that way.”

“For me, digital is just another avenue. It doesn't mean that it has to be poor quality or poor content. But, you still run into the same struggles. You can't have full-on language, violence or sexual situations. You can't run rampant with the fact that it's digital. You can't do anything you want. You still have a responsibility to tell a story first, and show what the character is going through first, and then maybe you have a little bit of lee-way to show a more real side of life.”

“The 16 years have gone so fast. I came to Minnesota as a 19-year-old kid. Marv Grissom was the pitching coach, an old-timer who taught me quite a bit. Marv didn't like the way I stepped toward the plate. I had a tendency to throw across my body. So, he took me off to the side at Met Stadium and put a chair on the mound. If I threw across my body, I would step on the chair. Marv was trying to hurt me. I fooled him. I started stepping the right way.”

“Most true points are fine points. There never was a dispute between mortals where both sides hadn't a bit of right.”

“I'm now a pretty good mix of my mother and my stepfather because I'm in general pretty mellow. I'm not hyper-emotional. But there's also this side of me - my mother was an artist and very funny and a dancer and very wild and into fashion. My stepfather traveled a lot, and I kind of took on a role of parenting my mother a lot of times, because she was pretty hard to handle. A bit of a pistol.”

“There are moments when it's unbelievable how people who work on the hair or on the little bit of skin here, they have no other care or interest since this part of their job is the only thing that needs to look good. So you have to push everybody to the side so that you can have a connection with your actor and give some air to your actor.”