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Space Quotes

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Space Quotes

“In an information economy, entrepreneurs master the science of information in order to overcome the laws of the purely physical sciences. They can succeed because of the surprising power of the laws of information, which are conducive to human creativity. The central concept of information theory is a measure of freedom of choice. The principle of matter, on the other hand, is not liberty but limitation- it has weight and occupies space.”

“I think it's like that for people who don't remember 1969 first-hand. It's that sense of 'old hat.' Of 'been there, done that.' Space shuttles, space stations, communications satellites, GPS - they're all part of our everyday, taken-for-granted world in 2009, not part of an incredible odyssey.”

“I can't believe in the God of my Fathers. If there is one Mind which understands all things, it will comprehend me in my unbelief. I don't know whose hand hung Hesperus in the sky, and fixed the Dog Star, and scattered the shining dust of Heaven, and fired the sun, and froze the darkness between the lonely worlds that spin in space.”

“I define Inner Space as an imaginary realm in which on the one hand the outer world of reality, and on the other the inner world of the mind meet and merge. Now, in the landscapes of the surrealist painters, for example, one sees the regions of Inner Space; and increasingly I believe that we will encounter in film and literature scenes which are neither solely realistic nor fantastic. In a sense, it will be a movement in the interzone between both spheres.”

“It seems significant that according to quantum physics the indestructibility of energy on one hand which expresses its timeless existence and the appearance of energy in space and time on the other hand correspond to two contradictory (complementary) aspects of reality. In fact, both are always present, but in individual cases the one or the other may be more pronounced.”

“There would be a blaze and a confusion, in which timid men would doubt whether the constitution would be burned to tinder or only illuminated; but that blaze and that confusion would be dear to Mr. Daubney if he could stand as the centre figure, the great pyrotechnist who did it all, red from head to foot with the glare of the squibs with which his own hands were filling all the spaces.”

“Most of the things that I remember from childhood wouldn't make a particularly good story: rescuing worms during rainstorms, our schnauzer attacking a wheel of cheese when someone dropped it during dinner, my parents tricking us into riding Space Mountain at Disney World (we thought it was an educational people-mover kind of ride), playing Star Wars (I got to marry Harrison Ford and my sister married Luke Skywalker) in first and second grade. On the other hand, we always had lots of interesting babysitters--seminary students and friends of my parents--who told really good ghost stories.”

“When I was young I once found a book in a Dutch translation, 'The leaves of Grass'. It was the first time a book touched me by its feeling of freedom and open spaces, the way the poet spoke of the ocean by describing a drop of water in his hand. Walt Whitman was offering the world an open hand (now we call it democracy) and my 'Monument for Walt Whitman' became this open hand with mirrors, so you can see inside yourself.”

“If you are walking down the street, camera in your hand, loaded and ready to shoot. You see a person falling from a high building, either having fallen or jumped. That person is falling through space. You don't shoot that photograph unless the theme you are working on has to do with the effects of space on the human figure. If you simply photograph that event because it is an event that is happening, you're doing photojournalism.”

“[Electronic newspapers will bring] plenty of ulcers for journalists because they'll have new deadlines every 60 seconds. It'll be a race to file. On the other hand, because space is infinite there will hopefully be more room for thoughtful pieces, longer pieces, the kind that a journalist wishes he or she could do but doesn't have the space.”

“When we make films - even 2D films - you're always trying to create this illusion of 3D, anyway. You're trying to create a believable world with characters walking, in and out of the perspective, to create the illusion that there's a world. The desire and drive to create this illusion of three-dimensional space is something that is true about every kind of film because you want the audience to really be experiencing it, first hand. It's a natural extension of the storytelling and the process of filmmaking.”

“There is a mental space that we consciously makes our way back to, and give honour to what has formed us in this mental homeland which we carry with us always. It is important not to try to annihilate it but to take your courage in your hands and go back, and then I think you can more easily make a new beginning. A lot of us would like to know how to do this.”

“Any time you do something, you make decisions about time and space. I wanted those decisions to be out of my hands. I could be dragged, carried along by another person, I could be a receiver. I could be the agent of the overall scheme, but I didn't want to be the agent of the particular action. I could make the ultimate decision that my space is going to change now, but I don't know where it's going to go.”

“I listened more than I asked. There's a lot of information online, so many Youtube videos, countless interviews with all those obvious questions that were all answered for me. I just wanted to absorb her essence. I wanted to see the details, she has such mad style. I just wanted to see - the way she communicates with her hands, these gestures, her smile, how she moves through space.”