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Stones Quotes

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“Robert DeNiro, who may be the greatest living actor, usually acts in a way which is very stone-faced, like Steve McQueen. For example, Steve McQueen, if you cut the sound, you don't know what he's acting really. He gives to the lines, to the text, something very special, and he's very good. He was a great actor. But, to do a silent movie, you have to have more expressive actors.”

“Different types of dangerous lives-You have no idea what you are living through; you rush through life as if you were drunk and now and then fall down some staircase. But thanks to your drunkenness you never break a limb; your muscles are too relaxed and your brain too benighted for you to find the stones of these stairs as hard as we do.”

“I liked John a lot. He was the one I really got on with the most. We weren't buddy-buddies but we were always friendly. But after the Beatles and the Stones stopped playing clubs, we didn't see each other that much until he separated from Yoko, around 1974. We got really friendly again. And when he went back with Yoko, he went into hibernation ... when I went to visit someone in the Dakota, I'd leave him a note saying: 'I live next door: I know you don't want to see anyone, but if you do, please call.' He never did.”

“There must be no fear, no begging, but demanding - demanding the Highest. The true devotees of the Mother are as hard, as adamant and as fearless as lions. They are not in the least upset if the whole universe suddenly crumbles into dust at their feet. Make Her listen to you. None of that cringing to Mother! Remember, She is all-powerful; She can make heroes out of stones.”

“Develop success from failures. Discouragement and failure are two of the surest stepping stones to success. The successful man will profit from his mistakes and try again in a different way. When you're afraid, keep your mind on what you have to do...if you have been thoroughly prepared, you will not be afraid. We all have possibilities we don't know about. We can do things we don't even dream we can do.”

“I've gotten to the point where the label of "best friend" is so ridiculous. If you have three people in your life that you can trust, you can consider yourself the luckiest person in the whole world. I have a lot of wonderful people in my life - probably five, collectively - who I can tell everything to. There's Jennifer [Stone], my friend Ashley, and Taylor, and my two cousins.”

“If I looked at some of these pieces as if this project was not spoken-word but just short anthology, I probably would have fussed with some of the sentences, you know? Syllabication and prosody and such crap. Because the printed word is etched in stone. But for reading purposes I accepted this book of texts in the manner in which I wrote them, no need to fuss. Most of the shorter stuff was written as poetry. Meaning lots of white space on the page.”

“I have no policy for my collection. For example, there's a bunch of meteorite [on the windowsill in my studio]. I touch it and I feel the energy from the universe. I have a 1/1,000th of a fragment of stone-age tools and pottery and debris. I can learn many things from my collection. Actually, the 1,000 Buddha, I wanted to buy it, but it's a National Treasure, so I couldn't. If you cannot buy it, just photograph it!”

“Even somebody like Bill Clinton, who I happen to admire very much, the second he was out of office, I remember, he was interview in Rolling Stone and he said he thought we should have legalized marijuana. And I thought, gosh, if only you were in some sort of position to affect change in the last eight years where you could have done something about that.”

“Pompeii is an extraordinary place to be because it was preserved exactly as it was. There are many other sites. If you visit any other antiquity-type sites throughout the world, they're very damaged with what's gone on over the centuries since they were abandoned. But this one was just, like, sealed, so you're looking at rock surfaces and the carving of letters and names in the stones looks like it was done yesterday.”

“Everyone's going to have a racist tweet, a homophobic tweet, a xenophobic tweet, a misogynist tweet. Everyone's going to have a tweet or a post or something that's not going to be ideal, and because of that, you can't really throw stones too hard at the people that do, because if we examined your life in every way, shape, or form, went through every single post with a fine-toothed comb and under that microscope, would it come out all sunshine and lollipops?”

“[Tim White] always spoke about his work in terms of forensics, as if he was investigating a crime scene. While we were there, they found the fossilized excrement of a lion that had turned into stone, and we would immediately start to concoct stories. Was it a lion that killed the early human? Of course, the lion could've been there three weeks later, or maybe 20,000 years earlier.”

“I like the fact that they still run substantive pieces. I'm not sure I like the pieces, but it's nice that they do that. Anyway, it was always sort of ridiculous, me having anything to do with the youth culture, but now that I'm in my 50s, it's extra-double-ridiculous. They were losing interest in me, and I was losing interest in them. When I went to renegotiate my contract at Rolling Stone, I kind of halfheartedly asked if I could do half the work for half the money, and they asked if I could do two-thirds of the work for half the money. I ran that by my agent, since he can do math.”

“I have gone up in the Pyramids and the stones are so close together you can't force a playing card between them and (they are) in perfect alignment. So those people must have had some hydraulics or something. You take 20 men, put them around a big stone, their legs would get in the way. Even if they could lift it, 20 pairs of legs hitting against each other would throw it off balance. And they would not have it in exact alignment. Not even a fraction of an inch off.”

“If your first Christmas tree is a wilting eucalyptus and if you're normally troubled by heat and sand... then, to have just at the age when imagination is opening out, suddenly find yourself in a quiet Warwickshire village, I think it engenders a particular love of what you might call central Midlands English countryside. Based on good water, stones and elm trees and small quiet rivers and so on, and of course, rustic people about.”

“Trudeau motivated people between the ages of 18 to 35 to vote, and 82 per cent of them voted for him. That changed Canadian politics forever. If they stay motivated, and believe me, they are, no party can ever get a majority mandate again without winning at least 60 per cent of those voters. There hasn't been a Conservative candidate in 15 years that ever got on a campus anywhere here in any Canadian university and wasn't thrown stones at.”

“One of the things I did during my 17 years as a psychiatric social worker was go around and find people with mental crutches, and every time I found one, I kicked those goddamn crutches until they flew. You know what happened? Every single one of those people has been able to walk without the crutches better, in fact. Were they giving up anything intrinsically valuable? Just their irrational reliance upon superstitions and supernatural nonsense. Perhaps this sort of claptrap was good for the Stone Age, when people actually believed that if they prayed for rain they would get it.”

“When I came to Detroit, if you threw a stone up in the air it would hit an autoworker on its way down. A few years after that, if you threw a stone in the air it'd hit an abandoned house or a vacant lot on its way down. And most people saw those vacant lots as blight. But meanwhile during World War II, blacks had moved from the South to the North. And they saw these vacant lots as places where you could grow food for the community. And so urban agriculture was born.”

“If you knew what was going to happen, if you knew everything that was going to happen next—if you knew in advance the consequences of your own actions—you'd be doomed. You'd be ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to.”

“The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because its only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on. If you can change the way people think. The way they see themselves. The way they see the world. You can change the way people live their lives. That's the only lasting thing you can create.”

“Perfectionism is the voice of the oppressor, the enemy of the people. It will keep you cramped and insane your whole life, and it is the main obstacle between you and a shitty first draft. I think perfectionism is based on the obsessive belief that if you run carefully enough, hitting each stepping-stone just right, you won't have to die. The truth is that you will die anyway and that a lot of people who aren't even looking at their feet are going to do a whole lot better than you, and have a lot more fun while they're doing it.”

“We read the Golden Rule and judge it to be a brilliant distillation of many of our ethical impulses. And then we come across another of God’s teachings on morality: if a man discovers on his wedding night that his bride is not a virgin, he must stone her to death on her father’s doorstep (Deuteronomy 22:13-21).”

“A terrible premonition washed over me. This was how the whole world would end.... They would devour the forest and excrete piles of buildings made of stone wrenched from the earth or from dead trees. They would hammer paths of bare stone between their dwellings, and dirty the rivers and subdue the land until it could recall only the will of man. They could not stop themselves from doing what they did. They did not see what they did, and even if they saw, they did not know how to stop. They no longer knew what was enough.”

“Be wild; that is how to clear the river. The river does not flow in polluted, we manage that. The river does not dry up, we block it. If we want to allow it its freedom, we have to allow our ideational lives to be let loose, to stream, letting anything come, initially censoring nothing. That is creative life. It is made up of divine paradox. To create one must be willing to be stone stupid, to sit upon a throne on top of a jackass and spill rubies from one’s mouth. Then the river will flow, then we can stand in the stream of it raining down.”