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Voice Quotes

“Nima Shirazi's is an important progressive voice in the Iran debate in the West, often deconstructing the myths (and sometimes propaganda) we commonly encounter in the mainstream media. With succinct and elegant prose, and with no axe to grind, he exposes the hypocrisy of Western attitudes toward Iran.”

“Do you not think that sometimes when matters are at the worst with us, when we appear to have done all which we ourselves can do, yet all has been unavailing, and we have only shown we cannot, not we will not, help ourselves; that often just then something comes, almost as if supernaturally, to settle for us, as if our guardian angel took pity on our perplexities, and then at last obtained leave to help us? And if it be so, then what might only be a coincidence becomes a call of Providence, a voice from Heaven, a command.”

“My best time to write is right after coffee and breakfast - four eggs because, full disclosure: I'm really a komodo dragon - and that's because then I'm energized but not so awake that the critical voice clicks on, the voice that sometimes says, "Don't write that," or "Man, that sentence is terrible - you should give up and go pet the cats."”

“If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers ... becomes a source of unbelievable joy. It’s like eating candy for the soul. And I sometimes have a hard time understanding how people who don’t have that in their lives make it through the day.”

“Sometimes there are more tears than laughter, and sometimes there is more laughter than tears, and sometimes you feel so choked you can neither weep nor laugh. For tears and laughter there will always be so long as there is human life. When our tear wells have run dry and the voice of laughter is silenced, the world will be truly dead.”

“My voice in combination with the harp - which, by the way, I use because I've played it my entire life, not to make some statement about the harp - somehow has ... coloured people's interpretations of the music and projected an idea of childlike or fairytale quality or innocence. Which sometimes prevents people from listening to the songs the way I would like them to be listened to.”

“I could always hold a melody, but I was never like, I'm going to be a singer. So I'm able to use that when I write. I'm actually playing the beat with my voice. Instead of thinking about coming up with melodies, it's like filling in the instruments. So sometimes it's better to have beats with less melodies in them, because then I can play more with my vocals.”

“The devil's spirit's trapped inside me. My soul is possessed by this devil my new name is Rain Man. So I keep conjuring (demons), sometimes I wonder where these thoughts spawn (Satan) from. I'm just relaying what the voice in my head's saying. Don't shoot the messenger, I'm just friends with the monster that's under my bed. Get along with the voices inside of my head.”

“There is a string attached to Maia Sharp's voice. And when she sings, you find that the other end is attached to your gut. Her voice is lush and sensual and the emotions she articulates resonate with the small feelings we have that sometimes are hard to face..there is an edge to her songs, but also a softness...she is lyrical and conversational at the same time. Her CD was the only one in my machine for a month. Her work inspires me to dig deeper.”

“God in his harmony has equal ends For cedar that resists and reed that bends; For good it is a woman sometimes rules, Holds in her hand the power, and manners, schools, And laws, and mind; succeeding master proud, With gentle voice and smiles she leads the crowd, The somber human troop.”

“Self-censorship as a result of intimidation or social pressures, sometimes referred to as "political correctness", constitutes a serious obstacle to the proper functioning of democracy. It is important to hear the views of all persons,including the "silent majority", and to give heed to the weaker voices.”

“The greatest sex toy ever invented may be the telephone. Sometimes there's nothing more erotic than a disembodied voice, no question more tantalizing than a whispered 'What are you wearing?' Especially when you can make up the answer. On the phone your hair always looks great, your legs are always shaved, your worst pair of underwear becomes a silk negligee.”

“August Smith is a child telling the truth. Sometimes the truth is he has to listen to the voices of various creatures he's killed speak to him reproachfully, and he shares that with us, because wouldn't we all? Parties abound in this collection and reading it feels like being invited. You can tell Smith wants you there.”

“Nonfiction narratives are really powerful and valid in themselves. But one thing that you don't get sometimes from the more clinical or academic books or nonfiction books is that you don't get to hear the person's voice; you don't get them as individuals. You get a few quotes and you hear them as sort of a case study: numbers, examples, anecdotes, maybe a paragraph here, and that's about it.”

“I learned to make my mind large, as the universe is large, so that there is room for paradoxes. Petals are bone marrow; pearls come from oysters. The dragon lives in the sky, ocean, marshes, and mountains; and the mountains are also its cranium. Its voice thunders and jingles like copper pans. It breathes fire and water; and sometimes the dragon is one, sometimes many.”

“When you wrote it didn't matter if hysteria sometimes came up in your face and voice (unless, of course, you let it find its way into your "literary voice") because writing was done in merciful privacy and silence. Even if you were partly out of your mind it might turn out to be all right: you could try for control even harder than Blanche Dubois was said to have tried, and with luck you could still bring off a sense of order and sanity on the page for the reader. Reading, after all, was a thing done in privacy and silence too.”

“Ko Un's poems evoke the open creativity and fluidity of nature, and funny turns and twists of Mind. Mind is sometimes registered in Buddhist terms - Buddhist practice being part of Ko Un's background. Ko Un writes spare, short-line lyrics direct to the point, but often intricate in both wit and meaning. Ko Un has now traveled worldwide and is not only a major spokesman for all Korean culture, but a voice for Planet Earth Watershed as well.”

“I have not always chosen the safest path. I've made my mistakes, plenty of them. I sometimes jump too soon and fail to appreciate the consequences. But I've learned something important along the way: I've learned to heed the call of my heart. I've learned that the safest path is not always the best path and I've learned that the voice of fear is not always to be trusted.”

“I think, with music in general, people just inevitably connect with feeling. The opportunity to hear expressed feeling. That's what has always drawn me towards music. It's something where, by connecting to someone else's voice, I feel less lonely. I feel more alive. I feel more connected to the world and to the rest of humanity. Sometimes a voice can be like a lifeline.”