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Voice Quotes

“There are moderates in Israel. There are moderates in Iran, there are moderates in the Republican Party, moderates in the Democratic Party. What we need to do is we need link all of these moderates together and to figure out a way by which this particular coalition can speak to important issues to marginalize the voice of the extremists.”

“Nima Shirazi's is an important progressive voice in the Iran debate in the West, often deconstructing the myths (and sometimes propaganda) we commonly encounter in the mainstream media. With succinct and elegant prose, and with no axe to grind, he exposes the hypocrisy of Western attitudes toward Iran.”

“Talking Taboo is a groundbreaking book. This chorus of bold female voices is presenting the church with an opportunity to engage real but all too frequently avoided or unseen issues impacting countless Christian women today. Their candid essays cover a wide spectrum of perspectives. Readers will resonate with some and be shocked by others. Talking Taboo took courage to write. Reading taboo takes courage too. So buckle up and brace yourself for an eye-opening but vitally important read!”

“Some people even think that I'm still just not right for it [ballet]. And I think it's shocking because they hear those words from critics saying I'm too bulky, I'm too busty. And then they meet me in person and they're like, you look like a ballerina. And I think it's just something maybe that I will never escape from, those people who are narrow-minded. But my mission, my voice, my story, my message, is not for them. And I think it's more important to think of the people that I am influencing and helping to see a broader picture of what beauty is.”

“in most important ways, leaders of the future will need the traits and capabilities of leaders throughout history: an eye for change and a steadying hand to provide both vision and reassurance that change can be mastered, a voice that articulates the will of the group and shapes it to constructive ends, and an ability to inspire by force of personality while making others feel empowered to increase and use their own abilities.”

“Self-censorship as a result of intimidation or social pressures, sometimes referred to as "political correctness", constitutes a serious obstacle to the proper functioning of democracy. It is important to hear the views of all persons,including the "silent majority", and to give heed to the weaker voices.”

“Like every normal person, I hate my voice. And I am not the only one who hates my voice. The voiceover gets a lot of strong reactions. A lot of people love it, and a few people truly hate it and pronounce the films are unwatchable because of my Latvian accent. But it also has a certain level of theatricality, and everything is important for a manic character.”

“We both [with Jo Andres] think that it is really important to our culture that we support all kinds of music, all kinds of theatre and all kinds of art because you never know what moves people. We've always believed that there should be a strong voice outside the commercial world. Certainly, the commercial world has a huge place in our culture and we also support that - but, we also want to support the stuff that lives outside of that.”

“How do I do that preparation [for film]? Just an immersion. I have a musician's, I guess, ear for the sound of the voice but it's also important to me, in the case of [playing] someone who is controversial, to get the outlines of the character right because how they present themselves to the world has a great deal to do with how people feel about them.”

“I went through some tough times because if you're used to having a voice in contemporary culture and all of sudden, you don't have that voice, you don't have that outlet. I didn't appreciate that. I didn't understand how important that was to me. And all of a sudden, after investing all this time and energy, I had no identity. I didn't know who I was. I didn't know what I had to say. I didn't have a way to say it. It was very painful.”

“I have not always chosen the safest path. I've made my mistakes, plenty of them. I sometimes jump too soon and fail to appreciate the consequences. But I've learned something important along the way: I've learned to heed the call of my heart. I've learned that the safest path is not always the best path and I've learned that the voice of fear is not always to be trusted.”

“Phil Cousineau has created a fine companion book to accompany the important film he and Gary Rhine have made in defense of the religious traditions of Native Americans. [Native Americans] are recognized the world over as keepers of a vital piece of the Creator's original orders, and yet they are regarded as little more than squatters at home. This book features impressive interviews, beautiful illustrations, and gives a voice to the voiceless.”

“Time is the most important thing in human life, for what is pleasure after the departure of time? and the most consolatory, since pain, when pain has passed, is nothing. Time is the wheel-track in which we roll on towards eternity, conducting us to the Incomprehensible. In its progress there is a ripening power, and it ripens us the more, and the more powerfully, when we duly estimate it. Listen to its voice, do not waste it, but regard it as the highest finite good, in which all finite things are resolved.”

“The fact that I didn't finish school left me with a lifelong need to prove that I'm smart, prove it to myself, maybe to the world. I [also] needed to be - not the center of attention - but I needed to be able to attract attention when I wanted it, through my stunts and my fooling around physically with faces or postures or voices I would do. Those things are important elements in the drive behind all of this [my career].”

“I think what really separates artists from the rest of the world is that artists feel like they have permission to keep exploring and expressing their process. Most people censor that because they don't think it's good enough. Everything is measured against this patriarchal hierarchy of value, as if one person's singing voice is more important than another's.”

“It is easier to talk about issues; it is easier to say you're a feminist because it's actually awesome to be one. The panopoly of people identifying as feminists is really excellent now that we've come to a point where all these really interesting voices are rising up and saying they're feminists - women of color, trans people, gay folks, everybody. It's an exciting time to actually define as that because it means that people are really feeling like their voice is what's the most important thing in the movement, and I love that.”

“But when you are doing an animated voice, it has to have more energy than usual or it falls flat and doesn't work. For myself, I found that I had to put myself in the same physical or emotional state as Sid, in order to make that voice sound alive and authentic. So if there was a scene in which he was running, I would be running beforehand to sound out of breath. That's important because the audience can tell intuitively if it does not sound real.”

“I think the rap community always tells the truth. And I think that it's important that we listen to their voices so we can have a roadmap, because artists - almost every single artist in hip-hop, they paint a picture of society that's overlooked. The misogyny, the racism, the violence, the homophobia, these are things that we try to avoid instead of dealing with. All of that I see it so often.”

“I think that until a filmmaker knows that about him- or herself, the films they make will just be copies of other people's work. It's important for anyone who wants to make films for a living, but I think perhaps it has an even greater weight for female filmmakers since they represent a much smaller percentage of the population. Their voices are fewer so they must be even stronger.”