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“I want to take the word Christianity back to Christ himself, back to that mighty heart whose pulse seems to throb through the world today, that endless fountain of charity out of which I believe has come all true progress and all civilization that deserves the name. I go back to that great Spirit which contemplated a sacrifice for the whole of humanity. That sacrifice is not one of exclusion, but of an infinite and endless and joyous inclusion. And I thank God for it.”

“If I've learnt one thing, it's that I need to surround myself with people who want to know the real Pete Wentz, not some myth they've concocted from a bunch of press clippings. I can open the door a centimetre wide, and some people think I'm showing them the whole room. But all they're getting is a glimpse. That's all I want to show most people.”

“People thought it was asinine for me to change my swing after I won the Masters by 12 shots. ... Why would you want to change that? Well, I thought I could become better. If I play my best, I'm pretty tough to beat. I'd like to play my best more frequently, and that's the whole idea. That's why you make changes. I thought I could become more consistent.”

“When Arthur Ashe plays tennis, his purpose each day is to play the game in a way he has never played it before. It may be a backhand he uses, one that he may never have used before in that circumstance. His play is a fresh integration of his world at the instant of action. A really great scientist has the whole past at his disposal. At any instant he is rebuilding the world, molecule by molecule, in his subconscious. That is what you want in an athlete or a scientist.”

“If prosperity means God wants us to be blessed and healthy and have good relationships then yes, I'm a prosperity teacher. But if it's about money, no, I never preach about money. I probably stay away from it more than normal because televangelists get a bad name. People put me in that category because I do believe that God does want us to be happy, healthy, and whole.”

“Information wants to be free.' So goes the saying. Stewart Brand, the founder of the Whole Earth Catalog, seems to have said it first.I say that information doesn't deserve to be free.Cybernetic totalists love to think of the stuff as if it were alive and had its own ideas and ambitions. But what if information is inanimate? What if it's even less than inanimate, a mere artifact of human thought? What if only humans are real, and information is not?...Information is alienated experience.”

“I find the whole concept of being 'SEXY' embarrassing and confusing. If I do an interview with photographs people desperately want to change me- dye my hair blonder, pluck my eyebrows. Then there's the choice of clothes. I know everyone wants a picture of me in a mini skirt, BUT THATS NOT ME. I feel uncomfortable. I'd never go out in a mini skirt. Personally, I don't actually think it's even that sexy. Whats sexy about saying, 'I'm here with my boobs out and a short skirt, have a look at everything I've got?' My idea of sexy is that less is more. The LESS you reveal the MORE people can wonder.”

“The longer I live, the more it grieves me to see man, who occupies his supreme place for the very purpose of imposing his will upon nature, and freeing himself and his from an outrageous necessity--to see him taken up with some false notion, and doing just the opposite of what he wants to do; and then, because the whole bent of his mind is spoilt, bungling miserably over everything.”

“I want to be the apostle of self destruction. I want my book to affect man's reason, his emotions, his nerves, his whole animal nature. I should like my book to make people turn pale with horror as they read it, to affect them like a drug, like a terrifying dream, to drive them mad, to make them curse and hate me but still to read me.”

“Man's chief difference from the brutes lies in the exuberant excess of his subjective propensities his preeminence over them simply and solely in the number and in the fantastic and unnecessary character of his wants, physical, moral, aesthetic, and intellectual. Had his whole life not been a quest for the superfluous, he would never have established himself as inexpugnably as he has done in the necessary.”

“I want our nation to take responsibility to make sure that every single child can look out the window in the morning and see a whole community getting up and going to work. We want these young people to know the thrill of the first paycheck, the challenge of starting that first business, the pride in following in a parent's footsteps.”

“There is a sort of creative purity in an independent film, in the passion of the director, the passion of the crew. They're not getting a whole lot of money, so you know they are not there because they want to get rich. Instead, they are there because they want to make a movie. In the bigger films, I remember when I used to do those, it's just a job for a lot of people, so there is less of an intense energy devoted to the whole project.”

“The labouring poor, to use a vulgar expression, seem always to live from hand to mouth. Their present wants employ their whole whole attention, and they seldom think of the future. Even when they have an opportunity of saving they seldom exercise it, but all that is beyond their present neccessities goes, generally speaking, to the ale house.”

“We got to stop people. We go ahead and we score 100 points every night, but we give up more. Our whole thing was, we know we can score, and we have to start having some kind of fun on the defensive end. Everybody want to play offense. Not too many people want to play defense. Defense is ego, pride, and that's the way we've been coming out, just taking the challenge. Man-on-man first, and having each other's back when a guy gets beat.”

“I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)”

“In those days, in Far Rockaway, there was a youth center for Jewish kids at the temple.... Somebody nominated me for president of the youth center. The elders began getting nervous, because I was an avowed atheist by that time.... I thought nature itself was so interesting that I didn't want it distorted like that. And so I gradually came to disbelieve the whole religion.”

“We want stuff done right. As long as it's my team, I'll voice my opinion. Yep, it's my team. You media guys might give it to him, like you've given him everything else his whole lifetime, but this is the Diesel's ship. And if we're not right, I'm going to go out there and try to get it right... Just ask Karl and Garywhy they wanted to come here. It was because of one person, not two. One.”

“I think, as the writer, you're always going to mourn something [left out of a film]. But you also just want to know there's a good reason for it being left out. On the whole, you want to give something to somebody creative. The worst thing you can do is say, "Here, be creative, but do it like I want you to do it." I was always very mindful of that.”

“It's not normal for me to feel jealous. I'm competitive with myself more than anything. And anyway, all of my friends in the business are bigger than me! Most of them are musicians, and I think music takes them to a whole new level. For me, I'm going to try out music, but it will be more fun than anything else. I'm really trying my hardest to become a well-respected actress. All I really want to do is movie after movie after movie. I love acting, and I want to create that so I can be around for a long time.”

“I really don't want to produce artwork that does not have meaning beyond simple decorative values. I want to use public space to create a public voice, and a public consciousness about the presence of people who are, in fact, the majority of the population but who are not represented in any visual way. By telling their stories we are giving voice to the voiceless and visualizing the whole of the American story.”