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Winter Quotes

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Winter Quotes

“I love the inconvenience the same way that I sneakingly love a bad cold: the irresistible disruption to mundane life, forcing you to stop for a while and step outside your normal habits. I love the visual transformation it brings about, that recolouring of the world into sparkling white, the way that the rules change so that everybody says hello as they pass. I love what it does to the light, the purplish clouds that loom before it descends, and the way it announces itself from behind your curtains in the morning, glowing a diffuse whiteness that can only mean snow. Heading out in a snowstorm to catch the flakes on my gloves, I love the feeling of it fresh underfoot. I am rarely childlike and playful except in snow. It swings me into reverse gear.”

“But he place a gentle palm under her chin and turned her face back to him. “I'm privileged to see you like this,” he said, his eyes fierce. “Wear you social mask at your balls and parties and when you visit your friends out there, but when we are alone, just the two of us in here, promise me this: that you'll show me only your real face, no matter how ugly you might think it. That's our true intimacy, not sex, but the ability to be ourselves when we are together. (Winter Makepeace)”

“She smiled as she poured tea into his cup. “I hope you find your rooms comfortable?” “Quite.” He took a too-hasty sip of tea and scalded his tongue. “The view is to your liking?” He had a view of a brick wall. “Indeed.” She fluttered her eyelashes at him over the rim of her teacup. “And the bed. Is it soft and… yielding?” He nearly choked on the bite of cake he’d just taken. “Or do you prefer a firmer bed?” she asked sweetly. “One that refuses to yield too soon?” “I think”—he narrowed his eyes at her—“whatever mattress I have on the bed you gave me is perfect. But tell me, my lady, what sort of mattress do you prefer? All soft goose down or one that’s a bit… harder?” It was very fast, but he saw it: Her gaze flashed down to the juncture of his thighs and then up again. If there hadn’t been anything to see there before, there certainly was now. “Oh, I like a nice stiff mattress,” she purred. “Well warmed and ready for a long ride.”

“He shoved his hips against her, reminding her of what they had just done, and said, “I had never bedded a woman before you. I made that plain. Did you think I let you seduce me lightly? No, I did not. You made a deal with me the moment you gave me entry into your body.” “I made no such deal!” Her eyes were angry—and frightened—but he would not let her make him back down. “Precious Isabel,” he whispered. “You made a deal with your heart, your soul, and your body, and you sealed it with the wash of your climax on my c*ck.” She blinked, looking dazed. He’d never used such words before, especially not with her, but their bluntness was necessary.”

“But you must be awash in a sea of compliments, my lady. Every gentleman you meet must voice his admiration, his wish to make love to you. And those are only the ones who may voice such thoughts. All about you are men who cannot speak their admiration, who must remain mute from lack of social standing or fear of offending you. Only their thoughts light the air about you, following you like a trail of perfume, heady but invisible. (Winter Makepeace)”

“She threw one leg over his and straddled his lap, then reached under herself and found him again. He tore his mouth from hers. “Wait.” “No.” She looked him frankly in the eyes. “I don’t care if you spill at once. I need you inside me now.” His beautiful eyes widened and then narrowed. “You’ll not always hold the reins, my lady.” She smiled sweetly. “Naturally not, but I do now.”

“Dream of the Tundra Swan Dusk fell and the cold came creeping, cam prickling into our hearts. As we tucked beaks into feathers and settled for sleep, our wings knew. That night, we dreamed the journey: ice-blue sky and the yodel of flight, the sun's pale wafer, the crisp drink of clouds. We dreamed ourselves so far aloft that the earth curved beneath us and nothing sang but a whistling vee of light. When we woke, we were covered with snow. We rose in a billow of white.”

“Perhpas if I call out to Rat he might hear," said the Mole to himself, but without much hope. Rat! Ratty! O Rat, please hear me!" he called out as loudly as he could, holding up his lantern as he did so, waving it about/ But the wind rushed and roared around him even more, and snatched his weak words away the moment they were they were uttered, and scattered them wildly and uselessly as if they were flakes of snow, Even worse, the light of the lantern began to gutter, and then, quiet suddenly, an extra strong gust of wind blew it out. Well then," said the daunted but resolute Mole, putting the spent lantern on the ground, "there's nothing else for it! Frozen rivers are dangerous thinngs, no doubt, but I must try to cross, despite the dangers." --The Willows in the Winter”

“Eating a meal in Japan is said to be a communion with nature. This particularly holds true for both tea and restaurant kaiseki, where foods at their peak of freshness reflect the seasonal spirit of that month. The seasonal spirit for November, for example, is "Beginning Anew," because according to the old Japanese lunar calendar, November marks the start of the new tea year. The spring tea leaves that had been placed in sealed jars to mature are ready to grind into tea. The foods used for a tea kaiseki should carry out this seasonal theme and be available locally, not flown in from some exotic locale. For December, the spirit is "Freshness and Cold." Thus, the colors of the guests' kimonos should be dark and subdued for winter, while the incense that permeates the tearoom after the meal should be rich and spicy. The scroll David chose to hang in the alcove during the tea kaiseki no doubt depicted winter, through either words or an ink drawing. As for the flowers that would replace the scroll for the tea ceremony, David likely would incorporate a branch of pine to create a subtle link with the pine needle-shaped piece of yuzu zest we had placed in the climactic dish. Both hinted at the winter season and coming of New Year's, one of David's underlying themes for the tea kaiseki. Some of the guests might never make the pine needle connection, but it was there to delight those who did.”

“Resigning ourselves to trudging through the season costs us. At best, we're missing the joys and delights of a special time, one unique in its opportunities for contemplation, connection, and delight. At worst, though, we're sleepwalking through a third of the year or more--meaning we're opting out of fully embracing months of our lives. Whether we're aware of them or not, our mindsets impact our experience of winter.”

“He lived with his mother, father and sister; had a room of his own, with the fourth-floor windows staring on seas of rooftops and the glitter of winter nights when home lights brownly wave beneath the heater whiter blaze of stars--those stars that in the North, in the clear nights, all hang frozen tears by the billions, with January Milky Ways like silver taffy, veils of frost in the stillness, huge blinked, throbbing to the slow beat of time and universal blood.”

“Big Brown Moose I'm a big brown moose, I'm a rascally moose, I'm a moose with a tough, shaggy hide; and I kick and I prance in a long-legged dance with my moose-mama close by my side. I shrug off the cold and I sneeze at the wind and I swivel my ears in the snow; and I tramp and I tromp over forest and swamp, 'cause there's nowhere a moose cannot go. I'm a big brown moose, I'm a ravenous moose as I hunt for the willow and yew; with a snort and a crunch, I rip off each bunch, and I chew and I chew and I chew. When together we slump in a comfortable clump -- my mountainous mama and I -- I give her a nuzzle of velvety muzzle. Our frosty breath drifts to the sky. I'm a big brown moose, I'm a slumberous moose, I'm a moose with a warm, snuggly hide; and I bask in the moon as the coyotes croon, with my moose-mama close by my side.”

“Snowbound Condemnation by Stewart Stafford My vigil for a shabby scarecrow, Cruciform in a snowdrift field, Its saviour-suited arms clawing At corvids, frozen heels to Heaven. Its mouth a wailing O-shape, Lamenting deafened ears of corn, Resuscitation for a fool's errand, In a hysterical chorus of biting gales. Haunting a sycamore tree, complicit, I witnessed desolation's spectacle, Half-expecting a condemned miracle, This pilgrim genuflected into green slush. © 2025, Stewart Stafford. All rights reserved.”

“Trust is not a gasoline-soaked blanket that succumbs to the matches of betrayal, never able to be used for its warmth again; it’s a tapestry that wears thin in places, but can be patched over if you have the right materials, circumstances, and patience to repair it. If you don’t, you’re always the one who feels the coldest when winter comes.”

“...Following the bird you lay into a deep turn in the steepening descent. It [the snow] is super soft, bottomless and amazingly light, yet supportive. It feels like something in between floating on top, and within the top of a deep-pile carpet as you link turn after turn down the open glacier. Each side of you are fellow riders, though not too close, whooping with exhilaration and flying down, down towards the valley below. The pitch gets steeper and the slope widens out, with seemingly endless space to the sides and an untracked oblivion ahead and beneath you. Each turn is delicious softness; you can almost feel every snow crystal reacting with the base of your skis. Those skis feel like extensions of your feet, and you connect with the mountain through a portal link created by the snowpack, as the spray from the turn hangs in the air behind you...”

“She found Jamie standing on that corner, probably one of the most civilized street corners in the whole world, consulting a compass and announcing that when they turned left, they would be heading 'due northwest.' Claudia was tired and cold at the tips; her fingers, her toes, her nose were all cold while the rest of her was perspiring under the weight of her winter clothes. She never liked feeling either very hot or very cold, and she hated feeling both at the same time. 'Head due northwest. Head due northwest,' she mimicked. 'Can't you simply say turn right or turn left as everyone else does? Who do you think you are? Daniel Boone? I'll bet no one's used a compass in Manhattan since Henry Hudson.”