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Writing Process Quotes

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Writing Process Quotes

“Language is our identity tool and by using experience, observation, and imagination, we each discover the words that give voice to our lives. To tell our stories is the human method of perforating our isolation tanks, the means to encapsulate what we previously learned, and the mechanism that allows us to enter the universal dialogue of compassion. Sharing the pandemonium of our life’s stories full of grime, love, noise, and steeped in emotional chaos is the act that ultimately binds us to our family, friends, and community. All lovers know each other stories. Farmers, villagers, big city hobnobs, and the citizens from all nations share a conjoined thread through storytelling that seriously investigates the collective human condition.”

LanguageWriters On WritingWriting ProcessMemoir WritingWriting PhilosophyMemoirsStorytellersStory Of Your LifeStory Of LifeStory Telling
Book:Dead Toad Scrolls
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“Unlike uplifting light fiction, narrative nonfiction’s trammeled territory provides no safe room where an unnerved writer can banish their unpleasant memories. Narrative nonfiction must make use of our sour feelings, pungent memories, gloomy thoughts, and other indigestible nougats of a black disposition. Given a choice between experiencing nothing and inconsolable grief, the writer will always take the epic grief that composes the grandeur of human tragedy. Without a mask of consolation to shunt the unseemly undercurrent that disturbs them, writers whom dabble in memoir or personal essay writing must swallow hard and make use of the entire range of their toxic temperament. The tonicity of narrative nonfiction need not be bleak, but it must be true to the full panoply of both positive and negative emotions that heave through the writer’s torrid veins.”

MemoirNonfictionWriters On WritingWriting ProcessJourney Of LifeMemoir WritingWriting PhilosophyEssayistsStory Of Your LifeStory Of Life
Book:Dead Toad Scrolls
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“Critical personal writing enables the author to penetrate mental falsities that imprison him or her in fearfulness, bitterness, and jealously and encompass the reverential awe for the transcendental pathos of life, the small moments of happiness interspersed between stints of loneliness, sorrow, and hardship imbued in human life.”

MemoirPhilosophy Of LifeWriters On WritingWriting ProcessWriting QuotesJourney Of LifeMemoir WritingStory Of Your LifeStory Of Life
Book:Dead Toad Scrolls
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“I would write: "The soft melting hunk of butter trickled in gold down the stringy grooves of the split yam." Or: "The child's clumsy fingers fumbled in sleep, feeling vainly for the wish of its dream." "The old man huddled in the dark doorway, his bony face lit by the burning yellow in the windows of distant skycrapers." My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative.”

Writing ProcessWriting AdviceOn WritingNarrativesSwooning Over Sentences
Book:Black Boy
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“I still suspect that most people start out with some kind of ability to tell a story but that it gets lost along the way. Of course, the ability to create life with words is essentially a gift. If you have it in the first place, you can develop it; if you don't have it, you might as well forget it. But I have found that people who don't have it are frequently the ones hell-bent on writing stories. I'm sure anyway that they are the ones who write the books and the magazine articles on how-to-write-short-stories. I have a friend who is taking a correspondence course in this subject, and she has passed a few of the chapter headings on to me—such as, "The Story Formula for Writers," "How to Create Characters," "Let's Plot!" This form of corruption is costing her twenty-seven dollars.”

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Book:Mystery and Manners: Occasional Prose
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“For days & nights, Phoolan related her extraordinary life via an interpreter. Recorded & transcribed, the typescript ran to 2000 pages. Writer Marie-Therese Cuny & I shaped this into a first draft. Then over several weeks in 1995, and with the aid of translator & journalist Vijay Kranti, Susanna & I read it back to Phoolan page by page. She would interrupt to correct errors, clear confusing contradictions, & add more recollections as they came to her. Phoolan signed her name at the bottom of each page, the only word she knew how to write.”

WritingCollaborationAutobiographyWriting ProcessCollaborative Writing
Book:The Bandit Queen Of India: An Indian Woman's Amazing Journey From Peasant To International Legend
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“Each act of writing represents a separate lock of the author’s tissue and all serious piecework folds into an ongoing anthology. A writer’s portfolio is comprised of interlocking ideas that are in a constant state of change. A writer’s ideas gradually reflect their current mental and spiritual composition and a writer’s way of living reflects the progression of their ideas. Each written version of a person’s life stands as mental testament of who the author was at a given moment in time. Just as we cannot sum up a person’s life with an isolated snapshot, truly to understand who a writer was we must read his or her entire body of work. No single work of writing tells us who the writer was. The compilation of a writer’s scripts defines the shady author, even if some of these works overtake, correct, or contradict previous efforts. Who we are is the summation of who we were as a child, teenager, young adult, in middle age, and as an elder. Only by viewing a person in successive stages do we truly comprehend them. Only by reading the oeuvre of an author, do we appreciate the writer’s ultimate act of creation. Only by reading a person’s obituary do we come to know what their living Magnus opus stood for.”

WritingMemoirWriters On WritingWriting ProcessMemoir WritingWriters On ThinkingWriting MemoirPersonal EssaysEssayistWriters On Writing Books
Book:Dead Toad Scrolls
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“I’m a husband, a father of two, a full-time teacher, and so my writing process mostly involves sitting down and writing, any chance I get, anywhere I am, for as long as life will let me. Music helps. Good light helps. I love quiet and coffee when I can get them. But I can write on a bus, in a dentist office’s waiting room, in bed with a clip-on booklight, almost anywhere. And I try to do at least some every single day.”

WritingWriting ProcessWriting Life
Author:Glen Hirshberg
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“You say you have nothing to write about? How do you find things to talk about? You can write about those things you like to talk about, that's your area of expertise”

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Book:Pearls Of Eternity
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“When writing a comprehensive self-investigatory scroll, the writer attempts to weave a network of strands capable of enmeshing all sizes of ideas including those with no obvious interconnection. The writer must also trace all lingering thoughts to their original source in personal experiences, and revaluate each exquisite nuance notched into a person’s conscious mind including acts of depravity, violence, and the almost imperceptible intrusions of grace.”

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Book:Dead Toad Scrolls
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“Very early on, near the beginning of my writing life, I came to believe that I had to seize on some object outside of literature. Writing as a sylistic exercise seemed barren to me. Poetry as the art of the word made me yawn. I also understood that I couldn't sustain myself very long on the poems of others. I had to go out from myself and literature, look around in the world and lay hold of other spheres of reality.”

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Book:The Collected Prose, 1948-1998
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“We may properly and profitably amuse ourselves by distinguishing those writers who are respectively 'father-ridden,' 'son-ridden,' and 'ghost-ridden.' It is the mark of the father-ridden that they endeavor to impose the idea directly upon the mind and senses, believing that his is the whole of the work...Among the son-ridden, we may place such writers as Swinburne, in whom the immense ingenuity and sensuous loveliness of the manner is developed out of all proportion to the tenuity of the ruling idea...The ghost-ridden writer, on the other hand, conceives that the emotion which he feels is in itself sufficient to awaken response, without undergoing discipline of a thorough incarnation, and without the coherence that derives from reference to a controlling idea...It may serve as a starting point to say that, whereas failure in the father may be roughly summed up as a failure of thought and a failure in the son is a failure in action, failure in the ghost is a failure in wisdom--not the wisdom of the brain, but the more intimate and instinctive wisdom of the heart and bowels.”

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Book:The Mind of the Maker: Dorothy L. Sayers' Witty Classic on the Trinity, Christianity, and Human Creativity
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“We also composed using what we called vowel movement - very important for songwriters. The sounds that work. Many times you don't know what the word is, but you know the word has got to contain this vowel, this sound. You can write something that'll look really good on paper, but it doesn't contain the right sound. You start to build the consonants around the vowels. There's a place to go ooh and there's a place to go daah. And if you get it wrong, it sounds like crap. It's not necessarily that it rhymes with anything at the moment, and you've got to look for the rhyming word too, but you know there's a particular vowel involved.”

SongwritingRhymeWriting ProcessVowels
Book:Life
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“We each sketch the story of our lives. We tell other people whom we have become by making decisions how we carry out our daily affairs, how we confront personal crisis, and when we extend comfort to other people. By talking about our secret dreams, we reveal who we hope to become. Writing changes us. A sentence on paper reflects not only who we now are, but it also exposes who we used to be.”

WritingMemoirWriters On WritingWriting ProcessMemoir WritingWriters On ThinkingWriting MemoirPersonal EssaysEssayistWriters On Writing Life
Book:Dead Toad Scrolls
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“My charter is to examine my egoistical self and alter my being by placing on paper whatever rests inside of me. I seek to develop a cohesive philosophy for living – and for dying – that is spiritually nourishing by dichotomizing the events in life that formed me. I aspire to discover an authentic core that will guide me through a physical world where human thoughts and deeds deepen our lives. Just as a flower must bud, every person feels in his or her marrow the need to express what it means to be human. Unlike a flower, which we perceive as a singular iridescent unit of material reality, we tend to perceive oneself as containing interlacement of multitudes, an array of interlaced voices.”

MemoirPhilosophy Of LifeWriters On WritingWriting ProcessMemoir WritingWriting MemoirWriters On Writing LifeWriters On Writing Books
Book:Dead Toad Scrolls
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“Finishing large projects can result in a mild or severe thud of depression. The scariest part about completing any demanding project is that irrespective of how exhausting the labor might be the work also arrests a person’s attention. Working passionately is akin to a person consenting to a kidnaping. A person engaged in performing a princely task feels whisked away on a captivating voyage of undetermined final destination. At times, I wondered if the only thing that actually kept me going is the work of crafting sentences. Writing sentences is contagious. Finishing a sentence infects a person with a desire to write another sentence. The feverish rash of writing spread until it consumed all my resources. Once I stop writing, I will need to find a new reason to awaken each day.”

WritingMemoirWritersWriting ProcessMemoir WritingWriting MemoirPersonal EssaysEssayistWriters On Writing LifeWriters On Writing Books
Book:Dead Toad Scrolls
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“A writer’s voice emanates from their interest and compulsions that absorbs them completely. Only by fully committing himself or herself to a pet subject or issue can the writer develop a thematic tone that speaks to other people with authority and serenity. The quality of their literary voice is the crucial part of the writer’s legitimacy, and their authenticity cannot come from mimicking other writers’ style, but must evolve naturally from their inner sanctity and must flow effusively from an inner necessity.”

MemoirWriters On WritingWriting ProcessWriters QuotesMemoir WritingWriting PhilosophyWriting From The HeartWriting StyleWriting VoiceWriters Voice
Book:Dead Toad Scrolls
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“A personal essay is probably the most malleable form of writing style, because it enables a writer to engage in a felicitous conversation with oneself. The more formal rules that govern academic writing are largely inapplicable to personal essay writing. Personal essays are free from the forbidding cadence and rigid structure of thesis writing. A personal essay’s lilt reflects the movement of the writer’s mind.”

MemoirWriters On WritingWriting ProcessEssaysWriting QuotesMemoir WritingWriting PhilosophyWriting StyleEssayistWriters Voice
Book:Dead Toad Scrolls
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“Evocative memories seared onto the writer’s unconscious mind forms the essential cadence that brokers a writer’s telltale, shadowy light. Floundering in the commodious darkness, the writer’s seeks to discover a ray of lightness that inhabits the darkest recesses of their fitful humanity.”

Writers On WritingWriting ProcessCreative WritingWriters QuotesMemoir WritingWriting PhilosophyWriters On ThinkingPersonal EssaysWriters Voice
Book:Dead Toad Scrolls
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“Objective motives and subjective compulsions that incite a person to write is the decisive element in defining the writer’s unique voice. Anyone who does not understand oneself or is unwilling to ferret out their own buried, true identity and publicly unmask the hidden stranger that resides within us all will never be a person who can bridge a connection with other people who share similar thoughts, feelings, wants, and needs. Lacking critical discernment, this want-a-be writer will remain a cosseted imposter, playing a coldhearted game of charades. If a person is unwilling to peel back the craggy mask that we conceal ourselves behind and explore the seeds of inner awareness wrapped inside the enigma of doubt engulfing all people, one can still aim to be a writer of nonfiction or technical journals. Creative writing, in sharp contrast, is for the intrepid cliff dwellers, the recluses willing to mine the soft belly of their internal psychosis.”

MemoirWriters On WritingWriting ProcessWriting AdviceWriters QuotesMemoir WritingWriting PhilosophyWriting InspirationWriting VoiceWriters Voice
Book:Dead Toad Scrolls
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