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Writing Process Quotes

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Writing Process Quotes

“Can the act of narrative writing alter the writer’s mental alignment and will an honest chronicle and extended effort at seeking answers to a vexatious series of pending personal questions eventually place the author on an even keel? What other motive, good or evil, could possibly cause an essayist to write in such a torrid manner? With each line that I write, I beg to stop. The lines just keep tumbling out. Is there no end to this nightmarish experience of examination and reexamination? Is there no relief in sight to this modest attempt to form my storyline into an intelligible quest? Many days of writing go nowhere; blank pages replicate the blandness of life, whereas other days I sense progress towards an indiscernible and undefinable goal. If I write long enough, what will I finally discover gazing back at me?”

“In the space of solitude, a writer attempts to remember how they became whom they are but nobody’s memory is up to this demanding task. No matter how much a person harrows the fertile lanes of memory, some memories are lost by the passage of time, psychological defense mechanisms screen other memories from detection, the ephemeral character of other memories are invariably to elusive to arrest with reciprocal language.”

“Language is a tool that allows us to express our thoughts. We use mechanisms of language including oral storytelling and indicative writing to depict a storehouse of evocative images. Language links our mind’s tawny memory and blooming imagination to the world. Storytelling connects each of us to the consciousness of other people who inhabit this planet.”

“It was almost as if, in all those many years of not writing on a regular basis, the words had stacked up by the door, clogging things up, making me feel stuck. Now that I started to write again, the door opened and the waiting words tumbled out, relieved to be set free.”

“Good fiction writers have an instinctive understanding of human nature. That's what makes stories and characters captivating. Good spiritual writers share what they sincerely practice themselves.”

“A writer observes. A writer records for posterity. The moments in the transience of the labyrinth of time that would go unrecorded otherwise! A writer records for value. A writer records for sentimentalism. A writer tries in earnest to carry the emotions and sentiments that make us what we ultimately are. For what are we? Empty spaces in an atom!”

“Whoever wrote the column was careful in the wording of it." "Obviously Lord Lambert wrote it," Pandora said. "I wouldn't be so sure," Helen commented thoughtfully. "It doesn't have the tone of a young person. The manner is scolding... lecturing... not unlike a disapproving parent." "Or chaperone," Pandora added, grinning at Lady Berwick, who gave her an admonishing glance.”

“...while I sometimes resist the work of writing I resist my own psychic suffering more, and writing has become for me a primary means of digesting and integrating my experiences and thereby reducing the pains of living. Or if not, at least making them useful to myself and to others. There is no pain in my life that has not been given value by the alchemy of creative attention.”

“Storytelling entails weaving a narrative out of the disturbing, strange, inspirational, and unremarkable detritus of life. By picking among the litter of our personal experiences to select evocative anecdotes to weave into a narrative format, we reveal which of life’s legendary offerings prove the most sublime to us. Acts of omission are momentous. Our narration of personal sketches divulge what factoids inspire us or do not stir us into action, or contain obdurate truths that prove virtually impossible to crack.”

“Rhythm is one of the subtlest of all instruments in the delicate work of conveying thought. But there is one general rule that is at once so simple and so near the heart of the whole matter, that I must at least mention it. This rule is to make the emphasez of sense and rhythm coincide. Plain men know by a sort of instinct where to hit hard ; they never say, " There is in my mind a desire which would be gratified if you were to transfer the hammer into my possession " ; they say, " Give me the hammer." This is true style. Someone has said, " All peasants have style," and philosophers cannot afford to get wholly out of touch with the fine economy of natural talk.”

“Coffee, my delight of the morning; yoga, my delight of the noon. Then before nightfall, I run along the pleasant paths of the Jardin du Luxembourg. For when air cycles through the lungs, and the body is busy at noble tasks, creativity flows like water in a stream: the artist creates, the writer writes.”

“Writers and other artistic personalities historically attempted to describe art, what consist of, and inform us how a person creates art. If art is so difficult to describe and quantify, why do we feel compelled to attempt to describe the ineffable? At its core, does all art represent an attempt to communicate the unsayable? Is any discussion about art absurd? Is classifying a piece of writing as literature simply another form of elitism?”

“The best stories come from deep within us and are of us. Either our inner child comes out to play and makes all things possible, or we mold our characters and events from our own experiences, or our dreams of wanting to experience.”

“If you are writing for an educated audience and, to take an example, you use the phrase mutatis mutandis, you are not showing off—you are communicating. You are using words to do what words are supposed to do. It reminds me of the time that someone complained to William F. Buckley about all the unusual words that he would employ. His reply was that the words were not unusual to him. Words are there for a reason, and foreign phrases can often do the trick that more homey phrases cannot. But if you are blogging about your adventures as a shopping mom, and you write about your purchase of a 48-pack of corn dogs at Costco, and you describe them as de provenance étrangère, it had better be a joke. Unusual words or phrases (foreign and domestic) are a barrier to understanding, unless the point is to communicate to the reader that you know something they don't. Then they understand what you are doing quite well.”

“I suppose my attitude toward the creative process is much like that of Alexandre Dumas pere when he was approached by a young aspirant who boasted that he was going to write a novel much better than either “The Three Musketeers” or “The Count of Monte Cristo”. ‘Have you an attractive setting?’ the veteran writer asked politely, and the young man replied: ‘The greatest! Ominous islands. Gleaming castles. Wooded glens with gracious mansions.’ ‘Have you interesting characters?’ ‘Kings and princesses and dubious cardinals.’ ‘But have you a logical plot to tie this together?’ ‘A most ingenious one. Twists and turns that will bewilder and delight.’ Said Dumas: ‘Young man, you’re in excellent shape. Now all you need are two hundred thousand words, and they’d better be all the right ones.’” —Chapter IX, “Intellectual Equipment”, pages 311-312”