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Bernard Cornwell

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“It will never end. Till the world ends in the chaos of Ragnarok, we will fight for our women, for our land, and for our homes. Some Christians speak of peace, of the evil of war, and who does not want peace? But then some crazed warrior comes screaming his god's filthy name into your face and his only ambitions are to kill you, to rape your wife, to enslave your daughters, and take your home, and so you must fight.”

“Oh the madness of battle! We fear it, we celebrate it, the poets sing of it, and when it fills the blood like fire it is a real madness. It is joy! All the terror is swept away, a man feels he could live for ever, he sees the enemy retreating, knows he himself is invincible, that even the gods would shrink from his blade and his bloodied shield. And I was still keening that mad song, the battle song of slaughter, the sound that blotted out the screams of dying men and the crying of the wounded. It is fear, of course, that feeds the battle madness, the release of fear into savagery. You win in the shield wall by being more savage than your enemy, by turning his savagery back into fear.”

“The shield wall reeks of shit, and all a man wants is to be home, to be anywhere but on this field that prepares for battle, but none of us will turn and run or else we will be despised for ever. We pretend we want to be there, and when the wall at last advances, step by step, and the heart is thumping fast as a bird’s wing beating, the world seems unreal.”

“And thus Lancelot died, though the songs he had paid for lived on, and to this day he is celebrated as a hero equal to Arthur. Arthur is remembered as a ruler, but Lancelot is called the warrior. In truth he was the King without land, a coward, and the greatest traitor of Britain, and his soul wanders Lloegyr to this day, screaming for its shadowbody that can never exist because we cut his corpse into scraps and fed it to the river. If the Christians are right, and there is a hell, may he suffer there for ever.”

“You will not say how you are haunted by the faces of the men you killed, how in their last gasp of life they sought your pity and you had none. You will not speak of the boys who died screaming for their mothers while you twisted a blade in their guts and snarled your scorn into their ears. You will not confess that you wake in the night, covered in sweat, heart hammering, shrinking from the memories. You will not talk of that, because that is the horror, and the horror is held in the heart’s hoard, a secret, and to admit it is to admit fear, and we are warriors. We do not fear. We strut. We go to battle like heroes. We stink of shit.”

“Some had hurled spears first. Those spears thumped into our shields, making them unwieldy, but it hardly mattered. The leading Danes tripped on the hidden timbers and the men behind pushed the falling men forward. I kicked one in the face, feeling my iron-reinforced boot crush bone. Danes were sprawling at our feet while others tried to get past their fallen comrades to reach our line, and we were killing. Two men succeeded in reaching us, despite the smoking barricade, and one of those two feel to Wasp-Sting coming up from beneath his shield-rim. He had been swinging an ax that the man behind me caught on his shield and the Dane was still holding the war ax's shaft as I saw his eyes widen, saw the snarl of his mouth turn to agony as I saw his eyes widen, saw the snarl of his mouth turn to agony as I twisted the blade, ripping it upward, and as Cerdic, beside me, chopped his own ax down. The man with the crushed face was holding my ankle and I stabbed at him as the blood spray from Cerdic's ax blinded me. The whimpering man at my feet tried to crawl away, but Finan stabbed his sword into his thigh, then stabbed again. A Dane had hooked up his ax over the top rim of my shield and hauled it down to expose my body to a spear-thrust, but the ax rolled off the circular shield and the spear was deflected upward and I slammed Wasp-Sting forward again, felt her bite, twisted her, and Finan was keening his mad Irish song as he added his own blade to the slaughter. “Keep the shields touching!” I shouted at my men.”

“An English man-at-arms had his helmet split open and his skull with it, so that he rode wavering from the fight, blood pouring down his mail coat. His horse stopped a few paces from the turmoil and the man-at-arms slowly, so slowly, bent forward and then slumped down from his saddle. One foot was trapped in a stirrup as he died but his horse did not seem to notice. It just went on cropping the grass.”

“The sword was called Kaledvoulc'h, which means hard lightning, though Igraine prefers to call it Excaliber, and I shall call it so as well because Arthur never cared what name his longsword carried. Nor, did he care about his childhood, for certainly I never heard him speak of it. I once questioned him about his early days and he would not answer. “What is the egg to the eagle?” he asked me, then said that he had been born, he had lived, and he had become a soldier, and that was all I needed to know.”

“Quell'estate, secondo il nuovo computo degli anni che ci hanno insegnato i cristiani, era il 497 dopo la nascita di Cristo, ed era un'estate radiosa, splendente di sole. Artù era al vertice, Merlino si scaldava le ossa nel nostro giardino e le nostre tre figlie insistevano perché raccontasse loro sempre nuove storie, Ceinwyn era felice, Ginevra si godeva il suo elegante palazzo nuovo, con i portici e le colonne e il tempio nascosto. Lancillotto se ne stava tranquillo nel suo regno accanto al mare, i sassoni si combattevano tra loro invece di lottare contro di noi, e la Dumnonia era in pace. Eppure, quella del 497 fu anche, come ben ricordo, un'estate di vergogna e di dolore. Fu l'estate di Tristano e Isotta.”

“If you can master me, that look seemed to say, then you can master whatever else this wicked world might bring. I can see her now, standing amidst her deerhounds that had the same thin, lean bodies, and the same long nose and the same huntess eyes as their mistress. Green eyes, she had, with a kind of cruelty deep inside them. It was not a soft face, any more that her body was soft. She was a woman of strong lines and high bones, and that made for a good face and a handsome one, but hard, so hard. What made her beautiful was her hair and her carriage, for she stood as straight as spear and her hair fell around her shoulders like a cascade of tumbling red tangles. That red hair softened her looks, while her laughter snared men like salmon caught in basket traps. There have been many more beautiful women, and thousands who were better, but since the world was weaned I doubt there have been many more so unforgettable as Guinevere, eldest daughter of Leodegan, the exiled King of Henis Wyren. And it would have been better, Merlin always said, had she been drowned at birth.”

“Thirty paces, twenty, and you can see the eyes of the men who will try to kill you, and see the spear-blades, and the instinct is to stop, to straighten the shields. We cringe from battle, fear claws at us, time seems to stop, there is silence though a thousand men shout, and at that moment, when terror savages the heart like a trapped beast, you must hurl yourself into the horror. Because the enemy feels the same. And you have come to kill him. You are the beast from his nightmares.”