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F. Scott Fitzgerald

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“He was changed as completely as Amory Blaine could ever be changed. Amory plus Beatrice plus two years in Minneapolis - these had been his ingredients when he entered St. Regis'. But the Minneapolis years were not a thick enough overlay to conceal the "Amory plus Beatrice" from the ferreting eyes of a boarding school, so St. Regis' had very painfully drilled Beatrice out of him and begun to lay down new and more conventional planking on the fundamental Amory. But both St. Regis' and Amory were unconscious of the fact that this fundamental Amory had not in himself changed. Those qualities for which he had suffered: his moodiness, his tendency to pose, his laziness, and his love of playing the fool, were now taken as a matter of course, recognized eccentricities in a star quarter-back, a clever actor, and the editor of the "St. Regis' Tattler"; it puzzled him to see impressionable small boys imitating the very vanities that had not long ago been contemptible weaknesses.”

“All through the crowd were men in uniform, sailors from the great fleet anchored in the Hudson, soldiers with divisional insignia from Massachusetts to California, wanting fearfully to be noticed, and finding the great city thoroughly fed up with soldiers unless they were nicely massed into pretty formations and uncomfortable under the weight of a pack and rifle. Through this medley Dean and Gordon wandered; the former interested, made alert by the display of humanity at its frothiest and gaudiest; the latter reminded of how often he had been one of the crown, tired, casually fed, overworked, and dissipated. To Dean the struggle was significant, young, cheerful; to Gordon it was dismal, meaningless, endless.”

“Some men escape the grip. Maybe their wives have no social ambitions; maybe they've hit a sentence or two in a 'dangerous book' that pleased them; maybe they started on the treadmill as I did and were knocked off. Anyway, they're the congressmen you can't bribe, the Presidents who aren't politicians, the writers, speakers, scientists, statesmen who aren't just populate grab-bags for a half-dozen women and children.”

“Before I go on with this short history, let me make a general observation– the test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function. One should, for example, be able to see that things are hopeless and yet be determined to make them otherwise. This philosophy fitted on to my early adult life, when I saw the improbable, the implausible, often the "impossible," come true.”

“I want to be able to do anything with words: handle slashing, flaming descriptions like Wells, and use the paradox with the clarity of Samuel Butler, the breadth of Bernard Shaw and the wit of Oscar Wilde, I want to do the wide sultry heavens of Conrad, the rolled-gold sundowns and crazy-quilt skies of Hitchens and Kipling as well as the pastel dawns and twilights of Chesterton. All that is by way of example. As a matter of fact I am a professed literary thief, hot after the best methods of every writer in my generation.”

“There are four types of husbands. The husband who always wants to stay in in the evening, has no vices and works for a salary. Totally undesirable! The atavistic master whose mistress one is, to wait on his pleasure. This sort always considers every pretty woman “shallow,” a sort of peacock with arrested development. Next comes the worshiper, the idolaters of his wife and all that is his, to the utter oblivion of everything else. This sort demands an emotional actress for a wife. God! It must be an exertion to be thought righteous! And Anthony—a temporarily passionate lover with wisdom enough to realize when it has flown and that it must fly. And I want to get married to Anthony.”

“The family were wild," she said suddenly. "They tried to marry me off. And then when I'd begun to feel that after all life was scarcely worth living I found something"—her eyes went skyward exultantly—"I found something!" Carlyle waited and her words came with a rush. “Courage—just that; courage as a rule of life, and something to cling to always. I began to build up this enormous faith in myself. I began to see that in all my idols in the past some manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way—Did you bring up the cigarettes?" He handed one over and held a match for her silently. "Still," Ardita continued, "the men kept gathering—old men and young men, my mental and physical inferiors, most of them, but all intensely desiring to have me—to own this rather magnificent proud tradition I'd built up round me. Do you see?" "Sort of. You never were beaten and you never apologized." "Never!" She sprang to the edge, poised or a moment like a crucified figure against the sky; then describing a dark parabola plunked without a slash between two silver ripples twenty feet below. Her voice floated up to him again. "And courage to me meant ploughing through that dull gray mist that comes down on life—not only over-riding people and circumstances but over-riding the bleakness of living. A sort of insistence on the value of life and the worth of transient things." She was climbing up now, and at her last words her head, with the damp yellow hair slicked symmetrically back, appeared on his level. "All very well," objected Carlyle. "You can call it courage, but your courage is really built, after all, on a pride of birth. You were bred to that defiant attitude. On my gray days even courage is one of the things that's gray and lifeless." She was sitting near the edge, hugging her knees and gazing abstractedly at the white moon; he was farther back, crammed like a grotesque god into a niche in the rock. "I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male." "But supposing," suggested Carlyle, "that before joy and hope and all that came back the curtain was drawn on you for good?" Ardita rose, and going to the wall climbed with some difficulty to the next ledge, another ten or fifteen feet above. "Why," she called back, "then I'd have won!”

“Me miro con comprensión, mucho más que con comprensión. Era una de esas raras sonrisas capaces de tranquilizarnos para toda la eternidad, que solo encontramos cuatro o cinco veces en la vida. Aquella sonrisa se ofrecía —o parecía ofrecerse— al mundo entero y eterno, para luego concentrarse en ti, exclusivamente en ti, con una irresistible predisposición a tu favor. Te entendía hasta donde querías ser entendido, creía en ti como tú quisieras creer en ti mismo, y te garantizaba que la impresión que tenía de ti era la que, en tus mejores momentos, esperabas producir.”

“Only Gatsby, the man who gives his name to this book, was exempt from my reaction -- Gatsby, who represented everything for which I have an unaffected scorn ... No -- Gatsby turned out all right in the end; it was what prayed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and the short-winded elations of men.”

“No telephone message arrived, but the butler went without his sleep and waited for it until four o'clock - until long after there was anyone to give it to if it came. I have an idea that Gatsby himself didn't believe it would come, and perhaps he no longer cared. If that was true he must have felt that he had lost the old warm world, paid a high price for living too long with a single dream. He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how now the sunlight was upon the scarcely created grass. A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about... like that ashen, fantastic figure gliding towards him through amorphous trees. - (Page 132)”

“From the ruins, lonely and inexplicable as the sphinx, rose the Empire State Building. And just as it had been tradition of mine to climb to the Plaza roof to take leave of the beautiful city extending as far as the eyes could see, so now I went to the roof of that last and most magnificent of towers. Then I understood. Everything was explained. I had discovered the crowning error of the city. Its Pandora's box. Full of vaunting pride, the New Yorker had climbed here, and seen with dismay what he had never suspected. That the city was not the endless sucession of canyons that he had supposed, but that it had limits, fading out into the country on all sides into an expanse of green and blue. That alone was limitless. And with the awful realization that New York was a city after all and not a universe, the whole shining ediface that he had reared in his mind came crashing down. That was the gift of Alfred Smith to the citizens of New York.”

“Here now,” said the big man, “you'll have to admit that the laboring man is certainly highly paid—five and six hour days—it's ridiculous. You can't buy an honest day's work from a man in the trades-unions.” “You've brought it on yourselves,” insisted Amory. “You people never make concessions until they're wrung out of you.” “What people?” “Your class; the class I belonged to until recently; those who by inheritance or industry or brains or dishonesty have become the moneyed class.” “Do you imagine that if that road-mender over there had the money he'd be any more willing to give it up?” “No, but what's that got to do with it?” The older man considered. “No, I'll admit it hasn't. It rather sounds as if it had though.” “In fact,” continued Amory, “he'd be worse. The lower classes are narrower, less pleasant and personally more selfish—certainly more stupid. But all that has nothing to do with the question.”

“Non riuscivo a perdonarlo e neanche trovarlo simpatico, ma capii che dal suo punto di vista ciò che aveva fatto era pienamente giustificato. Era stato tutto molto sbadato e pasticciato. Erano gente sbadata, Tom e Daisy: sfracellavano cose e persone e poi si ritiravano nel loro denaro o nella loro ampia sbadataggine o in ciò che comunque li teneva uniti, e lasciavano che altri mettessero a posto il pasticcio che avevano fatto.”

“Amory, sorry for them, was still not sorry for himself - art, politics, religion, whatever his medium should be, he knew he was safe now, free from all hysteria - he could accept what was acceptable, roam, grow, rebel, sleep deep through many nights... There was no God in his heart, he knew; his ideas were still in riot; there was ever the pain of memory; the regret for his lost youth - yet the waters of disillusion had left a deposit on his soul, responsibility and a love of life, the faint stirring of old ambitions and unrealized dreams... And he could not tell why the struggle was worth while, why he had determined to use to the utmost himself and his heritage from the personalities he had passed... He stretched out his arms to the crystalline, radiant sky. "I know myself," he cried, "but that is all.”