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F. Scott Fitzgerald

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“Under the glass porte-cochère of a theatre Amory stood, watching the first great drops of rain splatter down and flatten to dark stains on the sidewalk. The air became grey and opalescent; a solitary light suddenly outlined a window over the way; then another light; then a hundred more danced and glimmered into vision. Under his feet a thick, iron-studded skylight turned yellow; in the street the lamps of the taxicabs sent out glistening sheens along the already black pavement. The unwelcome November rain had perversely stolen the day’s last hour and pawned it with that ancient fence, the night.”

“Eighteen might look at thirty-four through a rising mist of adolescence, but twenty-two would see thirty-eight with discerning clarity.”

“Receding from grief, it seems necessary to retrace the same steps that brought us there.”

“People try so hard to believe in leaders now, pitifully hard. But we no sooner get a popular reformer or politician or soldier or writer or philosopher -- a Roosevelt, a Tolstoi, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away. My Lord, no man can stand prominence these days. It's the surest path to obscurity. People get sick of hearing the same name over and over.”

“Writing is eternal, For therein the dead heart liveth, the clay-cold tongue is eloquent, And the quick eye of the reader is cleared by the reed of the scribe. As a fossil in the rock, or a coin in the mortar of a ruin, So the symbolled thoughts tell of a departed soul: The plastic hand hath its witness in a statue, and exactitude of vision in a picture, And so, the mind, that was among us, in its writings is embalmed.”

“The years between thirty-five and sixty-five revolve before the passive mind as one unexplained, confusing merry-go-round. True, they are a merry-go-round of ill-gaited and wind-broken horses, painted first in pastel colors, then in dull grays and browns, but perplexing and intolerably dizzy the thing is, as never were the merry-go-rounds of childhood or adolescence; as never, surely, were the certain-coursed, dynamic roller-coasters of youth. For most men and women these thirty years are taken up with a gradual withdrawal from life.”

“You can take Hollywood for granted like I did, or you can dismiss it with the contempt we reserve for what we don't understand. It can be understood too, but only dimly and in flashes. Not half a dozen men have ever been able to keep the whole equation of pictures in their heads.”

“I have asked a lot of my emotions-one hundred and twenty stories. The price was high, right up with Kipling, because there was one little drop of something, not blood, not a tear, not my seed, but me more intimately than these, in every story, it was the extra I had. Now it has gone and I am just like you now.”

“In a few days I'll have lived one score and three days in this vale of tears. On I plod-always bored, often drunk, doing no penance for my faults-rather do I become more tolerant of myself from day to day, hardening my crystal heart with blasphemous humor and shunning only toothpicks, pathos, and poverty as being the three unforgivable things in life.”

“I've given parties that have made Indian rajahs green with envy. I've had prima donnas break $10,000 engagements to come to my smallest dinners. When you were still playing button back in Ohio, I entertained on a cruising trip that was so much fun that I had to sink my yacht to make my guests go home.”

“Looking back over a decade one sees the ideal of a university become a myth, a vision, a meadow lark among the smoke stacks. Yet perhaps it is there at Princeton, only more elusive than under the skies of the Prussian Rhineland or Oxfordshire; or perhaps some men come upon it suddenly and possess it, while others wander forever outside. Even these seek in vain through middle age for any corner of the republic that preserves so much of what is fair, gracious, charming and honorable in American life.”

“Of all natural forces, vitality is the incommunicable one. . . . Vitality never "takes." You have it or you haven't it, like health or brown eyes or a baritone voice.”

“Once one is caught up into the material world not one person in ten thousand finds the time to form literary taste, to examine the validity of philosophic concepts for himself, or to form what, for lack of a better phrase, I might call the wise and tragic sense of life.”

“The purpose of a work of fiction is to appeal to the lingering after-effects in the reader's mind as differing from, say, the purpose of oratory or philosophy which respectively leave people in a fighting or thoughtful mood.”

“But I always felt that I'd rather be provincial hot-tamale than soup without seasoning.”

“The early twenties when we drank wood alcohol and every day in every way grew better and better, and there was a first abortive shortening of the skirts, and girls all looked alike in sweater dresses, and people you didn't want to know said "Yes, we have no bananas," and it seemed only a question of a few years before the older people would step aside and let the world be run by those who saw things as they were--and it all seems rosy and romantic to us who were young then, because we will never feel quite so intensely about our surroundings any more.”

“One girl can be pretty - but a dozen are only a chorus.”

“Courage to me means ploughing through that dull gray mist that comes down on life-not only overriding people and circumstances but overriding the bleakness of living. A sort of insistence on the value of life and the worth of transient things...My courage is faith-faith in the eternal resilience of me-that joy'll come back, and hope and spontaneity. And I feel that till it does, I've got to keep my lips shut and my chin high, and my eyes wide”

“There's so much spring in the air- there's so much lazy sweetness in your heart.”

“I'm one of those people who go through the world giving other people thrills, but getting few myself except those I read into men on such nights as these. I have the social courage to go on the stage, but not the energy; I haven't the patience to write books; and I never met a man I'd marry. However, I'm only eighteen.”

“I care not who hoes the lettuce of my country if I can eat the salad!”

“I was in love with a whirlwind, so when the girl threw me over, I went home and finished my novel.”

“The extraordinary thing is not that people in a lifetime turn out worse or better than we had prophesied; particularly in America that is to be expected. The extraordinary thing is how people keep their levels, fulfill their promises, seem actually buoyed up by an inevitable destiny.”

“The farmers may be the backbone of the country, but who wants to be a backbone?”

“The only way to increase it is to cultivate your own garden. And the only thing that will help you is poetry, which is the most concentrated form of style.... I don't care how clever the other professor is, one can't raise a discussion of modern prose to anything above tea-table level.”