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John Ruskin

John Ruskin Quotes

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Famous John Ruskin Quotes

“The great cry that rises from our manufacturing cities, louder than their furnace blast, is all in very deed for this, that we manufacture everything there except men; we blanch cotton, and strengthen steel, and refine sugar, and shape pottery; but to brighten, to strengthen, to refine, or to form a single living spirit, never enters into our estimate of advantages.”

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Book:Selections From the Works of John Ruskin
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“Expression, sentiment, truth to nature, are essential: but all those are not enough. I never care to look at a picture again, if it be ill composed; and if well composed I can hardly leave off looking at it.”

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Book:Modern Painters: pt. 6. Of leaf beauty. pt. 7. Of cloud beauty. pt. 8-9. Of ideas of relation: Of invention formal. Of invention spiritual
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“The entire vitality of art depends upon its being either full of truth, or full of use; and that, however pleasant, wonderful, or impressive it may be in itself, it must yet be of inferior kind, and tend to deeper inferiority, unless it has clearly one of these main objects, either to state a true thing, or to adorn a serviceable one.”

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Book:Selections From the Works of John Ruskin
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“And thus, in full, there are four classes: the men who feel nothing, and therefore see truly; the men who feel strongly, think weakly, and see untruly (second order of poets); the men who feel strongly, think strongly, and see truly (first order of poets); and the men who, strong as human creatures can be, are yet submitted to influences stronger than they, and see in a sort untruly, because what they see is inconceivably above them. This last is the usual condition of prophetic inspiration.”

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Book:The Genius of John Ruskin: Selections from His Writings
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“It is only the basest writer who cannot speak of the sea without talking of "raging waves," "remorseless floods," "ravenous billows," etc.; and it is one of the signs of the highest power in a writer to check all such habits of thought, and to keep his eyes fixed firmly on the pure fact , out of which if any feeling comes to him or his reader, he knows it must be a true one.”

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Book:The Genius of John Ruskin: Selections from His Writings
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“We shall be remembered in history as the most cruel, and therefore the most unwise, generation of men that ever yet troubled the earth: the most cruel in proportion to their sensibility, the most unwise in proportion to their science. No people, understanding pain, ever inflicted so much: no people, understanding facts, ever acted on them so little.”

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Book:The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford in Lent Term, 1872
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“What do you suppose makes all men look back to the time of childhood with so much regret (if their childhood has been, in any moderate degree, healthy or peaceful)? That rich charm, which the least possession had for us, was in consequence of the poorness of our treasures.”

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Book:Two paths. Lectures on art, delivered before the University of Oxford in Hilary Term, 1870. Aratra Pentelici. Time and tide. Pre-Raphaelitism. The eagle's nest. King of the Golden River. The relation between Michael Angelo and Tintoret
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“Ignorance, which is contented and clumsy, will produce what is imperfect, but not offensive. But ignorance dis contented and dexterous, learning what it cannot understand, and imitating what it cannot enjoy, produces the most loathsome forms of manufacture that can disgrace or mislead humanity.”

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Book:The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford in Lent Term, 1872
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“Great nations write their autobiographies in three manuscripts the book of their deeds, the book of their words, and the book of their art. Not one of these books can be understood unless we read the two others; but of the three, the only quite trustworthy one is the last. The acts of a nation may be triumphant by its good fortune; and its words mighty by the genius of a few of its children: but its art, only by the general gifts and common sympathies of the race.”

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Author:John Ruskin
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“To invent a story, or admirably and thoroughly tell any part of a story, it is necessary to grasp the entire mind of every personage concerned in it, and know precisely how they would be affected by what happens; which to do requires a colossal intellect: but to describe a separate emotion delicately, it is only needed that one should feel it oneself; and thousands of people are capable of feeling this or that noble emotion, for one who is able to enter into all the feelings of someone sitting on the other side of the table.”

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Author:John Ruskin
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“Inequalities of wealth, unjustly established, have assuredly injured the nation in which they exist during their establishment; and, unjustly directed, they injure it yet more during their existence. But inequalities of wealth justly established, benefit the nation in the course of their establishment; and, nobly used, aid it yet more by their existence.”

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Book:Unto this Last
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“And with respect to the mode in which these general principles affect the secure possession of property, so far am I from invalidating such security, that the whole gist of these papers will be found ultimately to aim at an extension in its range; and whereas it has long been known and declared that the poor have no right to the property of the rich, I wish it also to be known and declared that the rich have no right to the property of the poor.”

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Author:John Ruskin
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“When men are rightly occupied, their amusement grows out of their work, as the colour-petals out of a fruitful flower; when they are faithfully helpful and compassionate, all their emotions become steady, deep, perpetual, and vivifying to the soul as the natural pulse to the body. But now, having no true business, we pour our whole masculine energy into the false business of money-making; and having no true emotion, we must have false emotions dressed up for us to play with, not innocently, as children with dolls, but guiltily and darkly.”

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Book:The Genius of John Ruskin: Selections from His Writings
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“There is but one question ultimately to be asked respecting every line you draw, Is it right or wrong? If right, it most assuredly is not a "free" line, but an intensely continent, restrained and considered line; and the action of the hand in laying it is just as decisive, and just as "free" as the hand of a first-rate surgeon in a critical incision.”

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Book:The Queen of the Air: Being a Study of the Greek Myths of Cloud and Storm
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