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Quentin S. Crisp

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“I think there's a good case for antinatalism. Stephen Hawking has told us recently that we must colonise space to survive, not long after telling us to beware of aliens because they'll probably just do to us as the conquistadors did to the native peoples of the Americas. So . . . exactly why do we want to go on and on, to go forth and multiply in a hostile final frontier? Why?”

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“If you look at the ox-herding pictures - specifically the newer set of ten pictures rather than the older set of eight - you see that after the blank circle of the void, the cycle comes back to a river flowing by the roots of a tree (both strong symbols of nature, the life-force, the unconscious) and to the wanderer returning to the market place, which is the realm of human society and activity.”

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“I began researching and writing what I intended as a book-length essay entitled Fascination and Liberation, exploring the question of whether there is a conflict between creativity and the Eastern form of enlightenment. I don't know if I'll ever finish that essay, because I had an experience, after I'd written two or three chapters, in which it seemed to me that my psychic antibodies decisively rejected Buddhism. Interestingly, the rejection felt as if it happened in Zen terms.”

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“[My muse] likes to inhabit tea leaves, sunlight filtered through bamboo, melancholy clouds over the Devon coastline, a weedy railroad crossing in the Southern States, bubblegum pop from the sixties, torch songs from the forties, undersea caves where B-movie octopi grapple with men in loincloths, sacred groves of pink anime dryads, Victorian fairy paintings executed by gentlemen in lunatic asylums and so on.”

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Author:Quentin S. Crisp
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