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H Quotes

Browse famous quotes beginning with H. This page is a child index of the full Popular Quotes A-Z directory.

All H Quotes

“Herself used to fix the rotten feet and sluggish guts of Whiteheart, and for every baby born here (or babby, as she said), she left on this table a swallow of healing donkey milk, which was said to make smarter, better-behaved children. In addition, it is said the donkey milk entered the blood to work as a prophylactic antivenom, reducing the reaction to rattlesnake bites.”

“Hershey Pennsylvania was self-proclaimed as the “Sweetest Place On Earth,” but less advertised than chocolate, it was also home to one of the state’s largest Children’s Hospitals. The streets lined with Hershey Kiss–shaped streetlamps that led excited children and families on vacation to chocolate tour rides and rollercoasters were the same exact streets that led anxious children and families to x-rays and MRIs on the worsts days of their lives. Chocolate was being created on the same street that childhood diseases were being diagnosed. And that was life. The sweetest of sensations and the deepest of devastations live next door to each other.”

“Herveus is impervious to emotions, but Aveline has unlocked something in him. He is drowning in a great wave, just trying to get back to the shore. The main memories he has from his childhood are of hunger. Just the echo of the gnawing pain makes him double over clasping his stomach. The other strongest memories are of violence—beatings from strangers leaving him unable to move for days. In all the haunting recollections, it had always been just him, alone. How could I forget my sister? It was like an impenetrable gate had opened in his mind, bringing forth another set of sad blue eyes from a time forgotten. I hadn’t been alone”

“Hesitantly Eric pulled something out of his pocket. At first Ariel thought it would be a pipe- it seemed appropriate for someone of Eric's current age and station. But as he placed it to his lips she realized that it was a tiny instrument. Smaller than the recorder he used to carry with him, and fatter. More like an ocarina, the instrument humans used to play in the days they still talked to animals and merfolk. He took a breath and waited for a moment. Then he played a few notes. Quietly and slowly. Ariel's heart nearly stopped. It was the song she had sung after she rescued him, the song that had burst unbidden out of her heart as he lay there, unconscious. It described the beauty of the sea and the land and the mortality of humans and the wonder of life. It had poured out of her like life itself. Hearing it again was the sweetest pain she had ever experienced. Far deeper even than having her tail split in twain for legs. It coursed through her whole body, hurt and recognition and pleasure all at once.”

“Hesitantly, Grandfather, Douglas, and Tom peered through the large windowpane. And there, in the small warm pools of lamplight, you could see what Leo Auffmann wanted you to see. There sat Saul and Marshall, playing chess at the coffee table. In the dining room Rebecca was laying out the silver. Naomi was cutting paper-doll dresses. Ruth was painting water colors. Joseph was running his electric train. Through the kitchen door, Lena Auffmann was sliding a pot roast from the steaming oven. Every hand, every head, every mouth made a big or little motion. You could hear their faraway voices under the glass. You could hear someone singing in a high sweet voice. You could smell bread baking too, and you knew it was real bread that would soon be covered in real butter. Everything was there and it was working. Grandfather, Douglas, and Tom turned to look at Leo Auffmann, who gazed serenely through the window, the pink light on his cheeks. "Sure," he murmured," There it is." And he watched with now-gentle sorrow and now-quick delight, and at last quiet acceptance as all the bits and pieces of this house mixed, stirred, settled, poised, and ran steadily again. "The Happiness Machine," he said. "The Happiness Machine.”

“Hesitantly, he brushed back a few errant strands of her hair, his hand resting along the side of her face. "You have no idea how much I wish I could change thing." "I think I might," she whispered. His gaze dropped to her lips, causing her heart to race even faster. When he lowered his head, she held her breath, the memories of their first and only kiss flooding her, a kiss that seemed like it was a lifetime ago. She wanted to experience that again, to feel his lips on hers. She held perfectly still as he closed the distance between them, her breath catching. When his lips pressed against hers, his touch was soft, exquisite and tender, stirring a fire within her that she had never felt before. She pressed herself closer to him as he worked a hand into her hair. She wanted more of him. More of the precious connection between them that made her blood heat even as it filled her with an indescribable rightness. But almost as soon as their exploration of one another had begun, he pulled away, his breathing ragged and his expression pained. "I can't," he softly said, his voice coming out strangled. "I'm sorry. I just... I can't do this.”

“Hesse, the passionate reader who could not live without books, nevertheless harbored just as large a degree of skepticism toward the written word. For everything that was written ran the risk of having no life thereafter, of being nothing but an assemblage of dead letters. It was this Franciscan sympathy for poverty, including poverty of the spirit, that led him to see books differently than the educated bourgeois elite did. Books were alive like trees or clouds in the sky, they were our companions on that journey that ended inevitably in our death. But the key question was, Do we perish in our entirety, or does something of us live on - perhaps in the written word? For Hesse, true education, of which proper reading formed an integral part, must lead to inner growth. But proper reading is the same as proper living: one can only learn this art if one does not imagine one knows what it consists of in advance. One must always be open to new discovery, like a wayfarer who cannot see his goal but instead carries it within himself.”

“Hesse wrote an essay on what he saw as the world's publishing crisis and the fate of the book. Hesse concluded his talk with these words: 'Only a few sacred books that humankind treasures hold the regenerating power and survive throughout the millennia and the world crises. It is reassuring to see that the situation does not depend on the distribution of these works. It is not necessary for millions, even hundreds of thousands of readers to have appropriated for themselves this or that sacred book. It is enough that a few people should have been touched by them.”

“Hester glowered at her. “The biggest mistake a villain can make is to get caught up in revenge. Hansel and Gretel were two hungry kids trying to survive in the Woods. Mother thought she’d captured another pair of greedy, gluttonous brats, only to grossly underestimate them. Hansel and Gretel killed her because they had to. It wasn’t personal.” She glanced back at the old siblings. “Doesn’t mean I can stand the sight of ’em, of course. But it also doesn’t mean their story has anything to do with mine anymore.”

“Hester Lipp had written Where the Sidewalk Starts, an inexplicably acclaimed book of memoir, recounting — in severe language and strange, striking imagery — Lipp's childhood and adolescence on a leafy suburban street in Burlington. Her house was large and well-kept, her schooling uneventful, her family — the members of which she described in scrupulous detail — uniformly decent and supportive. Sidewalk was blurbed as a devastatingly honest account of what it meant to grow up middle class in America. Amy, who forced herself to read the whole thing, thought the book devastatingly unnecessary. The New York Times had assigned it to her for a review, and she stomped on it with both feet. Amy's review of Sidewalk was the only mean-spirited review she ever wrote. She had allowed herself to do this, not because she was tired of memoirs, baffled by their popularity, resentful that somehow, in the past twenty years, fiction had taken a backseat to them, so that in order to sell clever, thoroughly imagined novels, writers had been browbeaten by their agents into marketing them as fact. All this annoyed her, but then Amy was annoyed by just about everything. She beat up on Hester Lipp because the woman could write up a storm and yet squandered her powers on the minutiae of a beige conflict-free life. In her review, Amy had begun by praising what there was to praise about Hester's sharp sentences and word-painting talents and then slipped, in three paragraphs, into a full-scale rant about the tyranny of fact and the great advantages, to both writer and reader, of making things up. She ended by saying that reading Where the Sidewalk Starts was like "being frog-marched through your own backyard.”