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I Quotes

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All I Quotes

“It is, perhaps, impossible to proportion exactly the price of labor to the profits it produces; and it will also be said, as an apology for the injustice, that were a workman to receive an increase of wages daily he would not save it against old age, nor be much better for it in the interim.”

“It is perhaps not superfluous to point out here that throughout the 1830s and 1840s travel was still for the most part an activity for the rich or the adventurous. Most transportation on the European continent was by ship or mail coach, and it was time-consuming, expensive, and uncomfortable. Not until the emergence of the train did travel become an activity for the middle and lower middle class. Yet the railroads were still in their infancy under the July Monarchy. The first passenger railway was not built until 1837, and by 1840 only 433 kilometers of rail had been laid down. Then railroad building picked up speed; by 1848, 1,592 kilometers of rail lines were in use while 2,144 more were under construction. The railroads were to encourage yet a new kind of travel publication, the railroad guide or itinerary, which described and illustrated (in wood engravings or lithographs) the major sights along a particular line. However, this new type of publication, though it originated during the July Monarchy, did not become widespread until the Second Empire.”

“It is perhaps surprising that in eighteenth century travellers' accounts Glasgow is most often compared with Oxford for the beauty of its prospect and the excellence of its ambience. It was post-industrial Revolution accounts of the city that began to articulate the 'Glasgow discourse' which was to become hegenomic. Initially signalled in urban planning and public health reports of the nineteenth century, this discourse was powerfully accelerated by tabloid journalistic accounts of gang warfare in interwar Glasgow and by folkloric embellishments of these. The result was that a monstrous Ur-narrative comes into play when anyone (not least, it should be said, Glaswegians themselves) seeks to describe or deal imaginatively with that city. In this archetypal narrative, Glasgow is the City of Dreadful Night with the worst slums in Europe, its citizens living out lives which are nasty, brutish and short. The milieu of Glasgow is so stark, so the narrative runs, that it breeds a particular social type, the Hard Man, a figure whose universe is bounded by football, heavy drinking and (often sectarian) violence. The image of Glasgow, which beckons, Circe-like, to any who would speak or write of that city, is one of men celebrating, coming to terms with or (rarely) transcending their bleak milieu. An order of marginalisation, if not exclusion, is served on women.”

“It is perhaps symbolic of power, Anand mused, that nervousness trails confidence like a shadow. You do something that you think is right, but the very next moment you are no longer sure. A host of critics assail you at once. They believe that you can't do anything right anyway, whatever you do. You end up with more doubts. Until you lose your sensitivity and persuade yourself that you're always right, whatever you do.”

“It is perhaps worth noticing that we have arrived 'on the scene' at a fairly early date. By this I mean that the time scale that it has taken nature to create us is of the same order of magnitude as the age of the universe. The universe is about 10-15 billion years old, and the Earth about 4.5 billion years old. Life is supposed to have begun on Earth about 3 billion years ago. It would not have been possible to evolve life, because of the hostile conditions, in the first few billion years after the big bang. Thus we have been created almost as soon as the universe was in a position to create us. It is an interesting question how long the universe will continue to create entirely new forms of life, assuming that it is open.”

“It is permissible even for a dying hero to think before he dies how men will speak of him hereafter. His fame lasts perhaps two thousand years. And what are two thousand years?... What, indeed, if you look from a mountain top down the long wastes of the ages? The very stone one kicks with one's boot will outlast Shakespeare.”

“It is permissible to take life's blessings with both hands provided thou dost know thyself prepared in the opposite event to take them just as gladly. This applies to food and friends and kindred, to anything God gives and takes away... As long as God is satisfied do thou rest content. If he is pleased to want something else of thee, still rest content.”

“It is phenomenal how fast a little toot of smack will take away the agony of withdrawal and most other kinds of pain. What it cannot take away it makes meaningless. You may still have a broken arm, but somehow it doesn't matter so much. The same is true for angst and anxiety. It cancels pain so hidden that you were unaware of its existence until it disappeared.”

“It is phenomenologically absurd to speak of the phenomenon as if it were something behind which there would be something else of which it would be a phenomenon in the sense of the appearance which represents and expresses [this something else]. A phenomenon is nothing behind which there would be something else. More accurately stated, one cannot ask for something behind the phenomenon at all, since what the phenomenon gives is precisely that something in itself.”

“It is photography itself that creates the illusion of innocence. Its ironies of frozen narrative lend to its subjects an apparent unawareness that they will change or die. It is the future they are innocent of. Fifty years on we look at them with the godly knowledge of how they turne dout after all - who they married, the date of their death - with no thought for who will one day be holding photographs of us.”