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“Like the psychological model outlined above, the psychiatric understanding of ’organised paedophilia’ is a framework that is focused primarily on individual psychological factors and overlooks the role of violence in criminal groups and the contexts in which such groups emerge. The underlying assumption of literature on ‘organised paedophilia’ is that members of sexually abusive groups are motivated by a pathological sexual interest in children but this does not accord with evidence that suggests that abusive groups can simultaneously abuse children and women. It is increasingly recognised that sexual offenders may not specialise in one particular victim category, and a significant proportion of child sexual abusers have also offended against adults (Cann et al. 2007, Heil et al. 2003). Furthermore, many of the behaviours of abusive groups appear to be designed to elicit fear and pain from the victim rather than to generate sexual pleasure for the perpetrator per se., are not mutually exclusive, but there is a sadistic dimension to organised abuse that is not explicable as ‘paedophilic’. A survivor of organised abuse from Belgium, Regina Louf, made this point clearly when she said: I find the expression ‘paedophile network’ misleading. For me paedophiles are those men who go to playgrounds or swimming pools, priests…I certainly don't want to exonerate them, but I would rather have paedophiles than the types we were involved with. There were men who never touched the children. Whether you were five, ten, or fifteen didn’t matter. What mattered to them was sex, power, experience. To do things they would never have tried with their own wives. Among them were some real sadists. (Louf quoted in Bulte and de Conick 1998) A credible theoretical account of organised abuse must necessarily (a) account for the available empirical evidence of organised abuse, (b) address the complex patterns of abuse and violence evident in sexually abusive groups, and (c) explain the ways in which sexually abusive groups form in a range of contexts, including families and institutions.”

“Like the rainbow, peace rests upon the earth, but its arch is lost in heaven. Heaven bathes it in hues of light--it springs up amid tears and clouds--it is a reflection of the eternal sun--it is an assurance of calm--it is the sign of a great covenant between God and man--it is an emanation from the distant orb of immortal light.”

“Like the Rolling Thunder Revue, The Last Waltz was fueled by cocaine. 'It was ankle deep,' says Michael McClure, who read poetry as part of the concert. 'When I look at that film, I get a coke high.' Backstage there was a cocaine room, painted white and decorated with noses cut out of Groucho Marx masks. A tape played sniffing noises. Neil Young came out to sing 'Helpless' with a white lump hanging from his nose. The producers had to hire a Hollywood optical company to have the lump removed from the film.”

“Like the shore changing with the swing of the tides, I seem to be uncovering long-hidden propensities, dormant aspects of myself newly exposed by the pull of the moon. For here I am when the tide goes out - speeder slowing down, fighter finding harmony, activist turned contemplative, analyzer seeking synthesis, communard become solitaire, rationalist grown spiritual, teacher turned student, desire dissolving in contentment.”

“Like the shore changing with the swing of the tides, I seem to be uncovering long-hidden propensities, dormant aspects of myself newly exposed by the pull of the moon. For here I am when the tide goes out - speeder slowing down, fighter finding harmony, activist turned contemplative, analyzer seeking synthesis, communard become solitaire, rationalist grown spiritual, teacher turned student, desired dissolving in contentment.”

“Like the sorcerer of old, the television set casts its magic spell, freezing speech and action and turning the living into silent statues so long as the enchantment lasts. The primary danger of the television screen lies not so much in the behavior it produces as the behavior it prevents — the talks, the games, the family festivities and arguments.”

“Like the story of the steam drill against John Henry, the machine will be victorious because it doesn’t get tired and keeps on going long after a human worker will have dropped dead from exhaustion. The modern-day steam drill is likely to be an AI system, and John Henry is played by the planner, doctor, analyst, stockbroker or accountant who believes that they can process more data and crunch more numbers than the new machine overlords. They can’t.”

“Like the subconscious, like love, like memory, like time itself, like every single one of us, the church is built on the ruins of subsequent restorations, there is no rock bottom, there is no first anything, no last anything, just layers and secret passageways and interlocking chambers, like the Christian Catacombs, and right along these, even a Jewish Catacomb.”