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M Quotes

Browse famous quotes beginning with M. This page is a child index of the full Popular Quotes A-Z directory.

All M Quotes

“My first decade of living in a metropolis was like, I was a people watcher. It meant the world to me to talk to strangers. I got excited about the fifth time I'd see the same person in the same bodega. I loved getting to know a certain clerk or barista. It took on a whole big meaning for me because of that atomization that suburban people do start to feel.”

“My first degree was in mathematics. That was great, but it didn't help with many of the things that puzzled me. I became a philosopher because I wanted to understand everything, especially those things that didn't make sense. And that has continued to be my philosophical motivation. That's one reason I have such a roving philosophical eye - once I have figured out a philosophical topic to my satisfaction, I find myself moving on to new problems.”

“My first encounter with a baguette, torn still warm from its paper sheathing, shattered and sighed on contact. The sound stopped me in my tracks, the way a crackling branch gives deer pause; that’s what good crust does. Once I began to chew, the flavor unfolded, deep with yeast and salt, the warm humidity of the tender crumb almost breathing against my lips.”

“My first encounter with the bittersweet taste of the Moro, a Sicilian blood orange, was sitting outside under a gnarled olive tree, during the height of a June heat wave. Small puffs of cloud the only blemish in the otherwise perfect blue sky, the bloodred flesh yielding a juice so refreshing it felt as close to perfect as I've ever come. The second encounter came at a fish market in Catania, where a group of men in flat caps spooned red-orange mounds of Moro granita into their mouths between games of cards. I was back in my dad's world, and the memories of oranges were everywhere.”

“My first encounter with yoga was in 1969 with my older brother Doug. I was thirteen years old, and he was eighteen. He'd learned about yoga in California on a surfing trip, and when he came back to Houston, Texas, he introduced me to this new stuff he'd learned. I'll always be grateful for that positive influence at an early age.”

“My first experience of that was with my first movie which I did in India. And it was so different from other people. I find that "Oh my God." Every time the music is slow I feel that people are going to get up and go out. You get this nervousness. But, to my surprise, people starting singing the song even before it came in. They started singing along a week later, after release, which was very cool.”

“My first experience with football was not very good because I didn't plan on playing football. I was just playing hookie one day and I was a sophomore and decided not to go to class. And the principal - normally he does his rounds and I thought I had him down pretty good where he was going to be - he sort of walked up behind me and scared me. He noticed I could run real fast. So that's how I got introduced to football.”

“My first feature film was a movie called 'A Gunfight,' with Kirk Douglas, Johnny Cash, Karen Black, Jane Alexander, Raf Vallone... It was shot in Santa Fe, Mexico, in 1970, and it was directed by Lamont Johnson. It was the first gig I did when I got to California from having done 'Hair' in New York on Broadway for a year. It was a Western, though! But that film was not a successful release.”

“My first feeling was a wild desire to drive a stake in the sand and claim the place for myself. The beach was white as salt, and cut off from the world by a ring of steep hills that faced the sea. We were on the edge of a large bay and the water was that clear, turquoise color that you get with a white sand bottom. I had never seen such a place. I wanted to take off all my clothes and never wear them again.”

“My first female lover was a Jewish woman. She was butch, but not in a swaggering macho way- she could pass as a yeshiva boy, pale and intense. Small, almost fragile, she exuded a powerful sense of herself. She had not been to a synagogue in years, but kept the law of kashrut, and taught me my first prayers in Hebrew. She cooked, she read, she ironed her dress shirts and polished her boots meticulously, and admired femme women enormously. She was also the first person ever- including myself- to bring me to multiple orgasms. She taught me to ask for what I wanted in bed, then encouraged me to expect it from her and future lovers. She taught me to get her off with fingers, tongue, lips, sex toys, and my voice. She showed me how to masturbate in different positions, and fisted me during my menstrual cramps to provide an internal massage- and to demonstrate that a sexual act without orgasm was also an acceptable, intimate act. She never separated sexuality from the rest of her life; it was as integral to her as her Judaism. This was how I wanted to be. Not just sexually, although certainly that way too. This is how I wanted to move through the world. -- Karen Taylor (from "Daughters of Zelophehad")”

“My first few weeks in America are always miserable, because the tastes I am cursed with are all of a kind that cannot be gratified here, and I am not enough in sympathy with our gross public to make up for the lack on the aesthetic side. One's friends are delightful; but we are none of us Americans, we don't think or feel as the Americans do, we are the wretched exotics produced in a European glass-house, the most displaced and useless class on earth!”

“My first film - a challenging role and completely different from the persona that was created in Italy. I was this super energetic, vibrant, happy, volumed hair, fitted dresses, the whole Italian va-va-voom thing. And the role was a girl that was really provoking society with being unnecessarily violent - just trying to see what people's limits are. It's a really dark tunnel to get to being nasty, being full of hate. When people hate there's a big sadness and rage within them, so it was interesting to go that dark with my first experience.”

“My first film I made, "Permanent Vacation," we shot in 1979 for like $12,000, part of which I got a fake car loan for that Amos Poe told me you could do that. And, yeah, I had no idea what I was doing. It was just like, well, we're going to try and do this. Partly because I had been following Amos Poe and Eric Mitchell around for about a year, and I worked on some of Eric's films as a sound recordist and stuff.”