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T Quotes

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All T Quotes

“The image of a man deliberately constraining his freedom in order to achieve a greater goal resonates powerfully through the ages. We may not face singing sirens on a remote isle, but every person harbors their own sirens—alluring distractions and destructive temptations. Like Odysseus, we are strapped to a journey, and along the way we will inevitably hear those calls.”

“The image of a wood has appeared often enough in English verse. It has indeed appeared so often that it has gathered a good deal of verse into itself; so that it has become a great forest where, with long leagues of changing green between them, strange episodes of poetry have taken place. Thus in one part there are lovers of a midsummer night, or by day a duke and his followers, and in another men behind branches so that the wood seems moving, and in another a girl separated from her two lordly young brothers, and in another a poet listening to a nightingale but rather dreaming richly of the grand art than there exploring it, and there are other inhabitants, belonging even more closely to the wood, dryads, fairies, an enchanter's rout. The forest itself has different names in different tongues- Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it.”

“The image of blacks usually is one of people who are suffering from hunger, unemployment, and poverty. The idea of them as agents and activists - as starting revolutions - does not exist in most people's minds. And I think it's very, very important that folks understand how much this country was founded on the enslavement of blacks, and how the resistance of blacks to that enslavement has been the spark plug for so many important developments.”

“The image of blacks usually is one of people who are suffering from hunger, unemployment, and poverty. The idea of them as agents and activists - as starting revolutions - does not exist in most people's minds. And I think it's very, very important that folks understand how much America was founded on the enslavement of blacks, and how the resistance of blacks to that enslavement has been the spark plug for so many important developments.”

“The image of God carries with it the right not to be mistreated or harmed.... Regardless of their record or character, all human beings have an irreducible glory and significance to them, because God loves them.... So we must treasure each and every human being as a way of showing due respect for the majesty of their owner and Creator.”

“The image of how power shows itself to the public is important... CNN was an inspiration to do the project in color because power confirms itself through television... I thought it would be interesting to copy the same language. large color pictures are framed in heavy wooden frames with golden plates and hung slightly higher than normal. So viewers get a sore neck watching these events, this is also the case when looking at paintings of saints in cathedrals.”

“The image of keys (plural) perhaps suggests not so much the porter, who controls admission to the house, as the steward, who regulates its administration (Is 22:22, in conjunction with 22:15). The issue then is not that of admission to the church (which is not what the kingdom of heaven means; see pp. 45-47) but an authority derived from a delegation of God's sovereignty.”

“The image of the Goddess inspires women to see ourselves as divine, our bodies as sacred, the changing phases of our lives as holy, our aggression as healthy, our anger as purifying, and our power to nurture and create, but also to limit and destroy when necessary, as the very force that sustains all life. Through the Goddess we can discover our strength, enlighten our minds, own our bodies, and celebrate our emotions. We can move beyond narrow, constricting roles and become whole.”

“The image of the locomotive and these signs of industry were closely linked, of course, in that construction of the railroad lines lowered transportation costs, stimulated economic growth, and led to the development of modern coal, iron, and engineering industries. It should be noted, however, that while progressive industrialization may have been a defining characteristic of economic life during the July Monarchy, few painters actually dealt with this aspect of contemporary reality in a direct way. This points up the fact that while Vernet’s mural may have been most representative of its time, it was not typical of the art of his contemporaries. This should caution us against making easy generalizations about the relations between art and society, or believing that art necessarily reflects its social context in a direct and unmediated way.”

“The image of the "presence," whatever it was, waiting there for him to go--this image had not yet been so concrete for his nerves as when he stopped short of the point at which certainty would have come to him. For, with all his resolution, or more exactly with all his dread, he did stop short--he hung back from really seeing. The risk was too great and his fear too definite: it took at this moment an awful specific form.”

“The image of the Serpent, because of its association with life, rejuvenation, fertility, and regeneration, was a symbol of immortality. The coiled Serpent with its tail in its mouth was a circle of infinitude indicating omnipotence and omniscience. The Serpent, depicted in several successive rings, represented cyclical evolution and reincarnation. In ancient philosophy or mythological systems, creation and wisdom were closely bound together, and the Serpent was a potent symbol of both. It is in this capacity that the Serpent appears in the Babylonian and Sumerian mythologies, which contain elements akin to the Genesis story. The Serpent has the power to bestow immortality but also has the power to cheat humankind. In many of the ancient Near Eastern stories—for instance, the Gilgamesh Epic and myth of Adapa—the Serpent holds out the promise of immortality but then cheats man at the last minute.”

“The image that comes to mind is a boxing ring. There are times when...you just want that bell to ring, but you're the one who's losing. The one who's winning doesn't have that feeling. Do you have the energy and strength to face life? Life can ask more of you than you are willing to give. And then you say, 'Life is not something that should have been. I'm not going to play the game. I'm going to meditate. I'm going to call "out".' There are three positions possible. One is the up-to-it, and facing the game and playing through. The second is saying, Absolutely not. I don't want to stay in this dogfight. That's the absolute out. The third position is the one that says, This is mixed of good and evil. I'm on the side of the good. I accept the world with corrections. And may [the world] be the way I like it. And it's good for me and my friends. There are only the three positions.”

“The image the Republicans have of themselves needs the image they have of the Democrats to bring it into sharp focus. The Democrats are plainly a disreputable crowd; the Republicans, by contrast, are men of standing and sobriety. Many a middle-class American in many a small town has had to explain painfully why he chose to be a Democrat. No middle-class American need feel uneasy as a Republican. Even when he is a minority--for example, among the heathen on a college campus--he can, like any white, Anglo-Saxon Protestant, warm himself before his little fire of self-esteem.”

“The image titled “The Homeless, Psalm 85:10,” featured on the cover of ELEMENTAL, can evoke multiple levels of response. They may include the spiritual in the form of a studied meditation upon the multidimensional qualities of the painting itself; or an extended contemplation of the scripture in the title, which in the King James Bible reads as follows: “Mercy and truth are met together; righteousness and peace have kissed each other.” The painting can also inspire a physical response in the form of tears as it calls to mind its more earth-bound aspects; namely, the very serious plight of those who truly are homeless in this world, whether born into such a condition, or forced into it by poverty or war.”