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T Quotes

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All T Quotes

“The contract stuff just happens to be a coincidence to me. I always play every game as if my back is against the wall. That's always something that has been good to me since high school. A lot of people believe the grass is greener on the other side, but I'm not one of those people. It wouldn't be my choice to leave, but the Seahawks know that.”

“The contradiction [trying to use Russian model to reshape Italy] grew to such an extent that I felt totally cut off from the communist world and, in the end, from politics. That was fortunate. The idea of putting literature in second place, after politics, is an enormous mistake, because politics almost never achieves its ideals.”

“The contradiction between the individual and the social, between the private and the universal, which bourgeois philosophy is unable to do away with, despite all its efforts, is the very basis of life in bourgeois society as a society of commodity-producers. This contradiction is embodied in the actual interrelations of people who cannot regard their private endeavors as social aspirations except in the absurd and mystified form of the value of commodities.”

“The contradictions in Renan , his feminine sensibility, coquetry, unavowed egotism, and sudden emotional outbursts, all indicate a soul deliberately using distraction as a means of evasion. The perpetual equivocation bears witness to God in the same way as the twisting and turning of a hunted animal indicates the presence of an unseen hunter.”

“The contradictory experiments of chemists leave us at liberty to conclude what we please. My conclusion is, that art has not yet invented sufficient aids to enable such subtle bodies [air, light, &c.] to make a well-defined impression on organs as blunt as ours; that it is laudable to encourage investigation but to hold back conclusion.”

“The contrast between nature and grace, between human appetites and interests and religion, is not absolute, but relative. It is a contrast of matter and the spirit informing it, of stages in a process, of preparation and fruition. Grace works on the unregenerate nature of man, not to destroy it, but to transform it. And what is true of the individual is true of society. An attempt is made to give it a new significance by relating it to the purpose of human life as known by revelation.”

“The contrast between the familiar and the exceptional was everywhere around me. A bullock cart was drawn up beside a modern sports car at a traffic signal. A man squatted to relieve himself behind the discreet shelter of a satellite dish. An electric forklift truck was being used to unload goods from an ancient wooden cart with wooden wheels. The impression was of a plodding indefatigable and distant past that had crashed intact through barriers of time into its own future. I liked it.”

“The contrast between the two, the sweetness and the badness, wrenches the heart of the lover as such sweetness on its own would not, and the lover shudders all the more at dread of the beloved's recklessness, for the sake of the sweetness that is there, and the shudder only makes more violent the shuddering that announces love.”

“The contrasts between what is spent today to educate a child in the poorest New York City neighborhoods, where teacher salaries are often even lower than the city averages, and spending levels in the wealthiest suburban areas are daunting challenges to any hope New Yorkers might retain that even semblances of fairness still prevail.”

“The Control movie is not about suicide, it's not about epilepsy, it's not about everything else, but it's about an individual who was thinking out of the box and took his own passion and created music. His negativity and whatever else, he bottled them up and spilled them out onto his world of music. I think a sense of hope comes from the end of the movie, in my mind. Some people come out of the movie and think, 'That's the saddest thing I've ever seen,' and others come out and think, 'God, there's optimism.'”