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W Quotes

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All W Quotes

“When I meet someone who is truly genuine, I am drawn to their personality and find them easier to approach, engage, and interact with. They have no hint of false pretense, nor do I worry about hidden agendas.”

“When I meet someone, I look at their eyes and their smile and seek out the good first - it's easy to find when you're looking for it. You let a person shine with their own light and try to connect it to yours. As soon as I say hello, I go right to that light and I don't care who you are! I know we're all pieces of the same thing - I go for that common light because I know it's in all of us.”

“When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when we'd passed a night of delicious love-making together, after she’d gone and I’d felt that feeling of happiness mixed with sorrow, I sometimes would write a book or story about her. Sometimes her character, her way about herself, her love-making, it sometimes marked me so heavily that I couldn't go on in life and be happy unless I wrote a book or a story about that woman, the happy and sad memory of that woman. That was the only way to keep her, and to say goodbye to her without her ever leaving.”

“When I met Akira Kurosawa in Japan, one question he asked me was, "How did you actually make the children act the way they do? I do have children in my films but I find that I reduce and reduce their presence until I have to get rid of them because there's no way that I can direct them." My own thought is that one is very grand, like an emperor on a horse, and it's very hard for a child to relate to that. In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them.”

“When I met her, she was going through a depression in life. She was not able to find her purpose in life. She would smile on the outside, but inside she was going through myriad difficulties. I don't know what it was about me that made her tell me about her thoughts. May be she felt that I could understand her. Writers and poets are expected to understand the perspectives of other people. And I was a writer and wanderer, never staying at one place for long.”

“When I met Maria at Sachs' apartment in 1979, she hadn't slept with a man in close to three years. It took her that long to recover from the shock of the beating, and abstinence was not a choice so much as a necessity, the only possible cure. As much as the physical humiliation she had suffered, the incident with Jerome had been a spiritual defeat. For the first time in her life, Maria had been chastened. She had stepped over the boundaries of herself, and the brutality of that experience had altered her sense of who she was. Until then, she had imagined herself capable of any thing: any adventure, any transgression, any dare. She had felt stronger than other people, immunized against the ravages and failures that afflict the rest of humanity. After the switch with Lilian, she learned how badly she had deceived herself. She was weak, she discovered, a person hemmed in by her own fears and inner constraints, as mortal and confused as anyone else. It took her three years to repair the damage (to the extent that it was ever repaired), and when we crossed paths at Sachs's apartment that night, she was more or less ready to emerge from her shell.”

“When I met my first savant in 1962, I was impressed by the abilities in these youngsters who had severe disabilities. They appeared to me to be islands of genius in the sea of disability. So I've maintained that word picture since that time, of these islands of genius that are so striking and so jarring when you see them, especially in people who have severe disability.”

“When I met Wittgenstein, I saw that Schlick's warnings were fully justified. But his behavior was not caused by any arrogance. In general, he was of a sympathetic temperament and very kind; but he was hypersensitive and easily irritated. Whatever he said was always interesting and stimulating and the way in which he expressed it was often fascinating. His point of view and his attitude toward people and problems, even theoretical problems, were much more similar to those of a creative artist than to those of a scientist; one might almost say, similar to those of a religious prophet or a seer. When he started to formulate his view on some specific problem, we often felt the internal struggle that occurred in him at that very moment, a struggle by which he tried to penetrate from darkness to light under an intense and painful strain, which was even visible on his most expressive face. When finally, sometimes after a prolonged arduous effort, his answers came forth, his statement stood before us like a newly created piece of art or a divine revelation. Not that he asserted his views dogmatically ... But the impression he made on us was as if insight came to him as through divine inspiration, so that we could not help feeling that any sober rational comment of analysis of it would be a profanation.”