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“When I come back, the club is packed. There's hardly any standing room. Anna snagged a wooden bar stool, one of the few seats here. St. Clair stands close to her, facing her, and he smoothes the platinum stripe in her hair. She pulls him even closer by the top of his jeans, one finger tucked inside. It's an intimate gesture. I'm embarrassed to watch, but I can't look away. He kisses her slowly and deeply. They don't care that anyone could watch. Or maybe they've forgotten they aren't alone. When they break apart, Anna says something that makes him fall into silly, boyish laughter. For some reason, that's the moment that makes me turn away. Something about their love is painful.”

“Anna took love very seriously. She loved love. No, worshipped, that's the word. She worshipped love. That was the only thing which had any place in her life. That and hatred. Do you know what neutron stars are?' 'They're planets with such compactness and high surface gravity that if I dropped this cigarette on one of them it would strike with the same force as an atom bomb. It was the same with Anna. Her gravitation to love-and hatred-was so strong that nothing could exist in the space between them. Every tiny detail caused an atomic explosion. Do you understand? It took me time to understand. She was like Jupiter-hidden behind an eternal cloud of sulphur. And humour. And sexuality.”

“Being in love with your best friend is problematic.”

“As much as I cared about him, I wasn’t a slave to fate. I could choose to ignore my feelings, strong as they were. It would be painful, but no more so than letting myself pine for my friend.”

“I suppose that means you don’t want any band-aids, either,” I said, a touch more bitterly than I’d meant to.”

“The ideal woman which is in every man's mind is evoked by a word or phrase or the shape of her wrist, her hand. The most beautiful description of a woman is by understatement. Remember, all Tolstoy ever said to describe Anna Karenina was that she was beautiful and could see in the dark like a cat. Every man has a different idea of what's beautiful, and it's best to take the gesture, the shadow of the branch, and let the mind create the tree.”

“One thing I've found that's really helpful in our relationship is that she's [Anna Faris] very normal. And I don't mean ordinary - I mean, she doesn't act like a big star or a comic icon or anything like that. She's really down-to-earth and sweet, and we do talk about comedy, about movies, about our careers and possible projects.”

“When Mats came in the evenings, they would drink tea in the kitchen while reading their books and talking about them. If Katri came in, they were quiet and waited for her to leave. The back door would close, and Katri would have gone. “Does your sister read our books?” Anna wanted to know. “No. She reads literature.”

“As Anna Freud remarked, the toddler who wanders off into some other aisle, feels lost, and screams anxiously for his mother neversays "I got lost," but accusingly says "You lost me!" It is a rare mother who agrees that she lost him! she expects her child to stay with her; in her experience it is the child who has lost track of the mother, while in the child's experience it is the mother who has lost track of him. Each view is entirely correct from the perspective of the individual who holds it .”

“It is natural to want to forget, Anna, when everyday is a brimful of sadness. But those souls also forgot those that they had loved. You do not want that, surely? I have heard some preach that God wants us to forget the dead, but I cannot believe so. I think He gives us precious recollections so that we may not be parted entirely from those He has given us to love. You must cherish your memories of your babes, Anna, until you see them again in Heaven.”

“How strange it is, Anna. Yesterday, I have filed in my mind as a good day, notwithstanding it was filled with mortal illness and the grieving of the recently bereft. Yet it is a good day, for the simple fact that no one died upon it. We are brought to a sorry state, that we measure what is good by such a shortened yardstick.”

“After the war in Afghanistan, Anna [Wintour, editor of Vogue], deciding to save the world one hair-roller at a time, thought the best way to help the women in this beleaguered country was to start a small beauty school in Kabul, where aid workers could get their roots done. Vanity Fair, edited by Bush-basher Graydon Carter, cheered her great humanitarian effort.”