Quotessence
Home / Topics / Apocalypse Quotes

Apocalypse Quotes

Browse 561 quotes about Apocalypse.

Related topics

Apocalypse Quotes

“Unless you're a psycho, there's no such thing as a vampire and there's no such thing as a werewolf. But there certainly are people who could be controlled by a drug like Scopolamine, to lose all will and do your bidding. That's what the whole voodoo zombie thing was about, with chemical mind control, so it is possible to have real zombies. Maybe the [doomsday] preppers weren't so wrong. I thought they were idiots. How can you prepare for a zombie apocalypse?”

“When you are young, you always expect that the world is going to end. And then you get older and the world still chugs along and you are forced to re-evaluate your stance on the apocalypse as well as your own relationship to time and death. You realize that the world will indeed continue, with or without you, and the pictures you see in your head. So you try to understand the pictures instead.”

“I'm a huge fan of director's cuts or reassemblies if they're good, but I remember being really excited about the restored version of Apocalypse Now, and then I preferred the original film. Kingdom of Heaven as a director's cut is the real picture, but in fact someone recently told me that there was another cut, the original first cut, which he said was just extraordinary. I've never seen it - and of course now I want to, if it exists, and so would everybody else.”

“Nature photography... that acknowledges what is wrong, is admittedly sometimes hard to bear - it has to encompass our mistakes. Yet in the long run, it is important; in order to endure our age of apocalypse, we have to be reconciled not only to avalanche and hurricane, but to ourselves.”

“The Los Angeles Times reported that sixty-three percent of American families are now considered dysfunctional. Good. 'Cause that means when Armageddon really happens, thirty-seven percent of this population is going to lose their minds. Oh my God, the world is over! Us sixty-three percent? We're going to go, Hey... there's no one watching the Lexus dealership! We're going to the Apocalypse with leather and a CD changer! You guys have been great. Thank you.”

“These proven positive consequences of elevated CO2 are infinitely more important than the unsubstantiated predictions of apocalypse that are hypothesized to result from global warming, which itself, may not be occurring from rising atmospheric CO2 levels. The aerial fertilization effect of atmospheric CO2 enrichment is the only aspect of global environmental change about which we can be certain; and to restrict CO2 emissions is to assuredly deny the biosphere the many benefits that accrue from this phenomenon.”

“So a Holocaust-denying, virulently anti-Semitic, aspiring genocidist, on the verge of acquiring weapons of the apocalypse, believes that the end is not only near but nearer than the next American presidential election. (Pity the Democrats. They cannot catch a break.) This kind of man would have, to put it gently, less inhibition about starting Armageddon than a normal person.”

“Guns, double-crosses, hitmen... I can get used to a lot of things, but I'm never going to get used to sleeping where apocalypse bugs mate,” Wednesday said, walking into the room looking around. She dropped her Birkin on the floor and heard something scuttling behind the cheap plastic wood print veneer covered dresser. She turned to face Alvin, her head cocked to the side. “Seriously. I'm not saying five-star... I'm saying go on Expedia and find a place that actually has stars... any stars.”

“There were a lot of apocalypses that didn't make it into this assemblage because they didn't suit the world. And defining that world and figuring out what its wobbly borders were was a long-term and exhaustive process. I had all of these different ways of categorizing the apocalypses I had made. I had a period of time where I cut them up.”

“I really like the interplay between thinking of text as ephemeral and thinking of it as a concrete, physical thing. With almost anything that I write, I'll stay completely immersed in the electronic text of it for a period of time and in another period, I'll stay immersed in it as a physical thing that can cut your skin. So with the apocalypses, I had them taped all over the wall and they had codes on them. Sometimes I would color code them in terms of thematic elements, sometimes in terms of voice, sometimes visual forms or images.”

“I was telling somebody about in grammar school we used to have the duck-and-cover drills where we'd have to go down to a fallout shelter in the basement. We'd sit on our butts on the ground next to the wall with a textbook over our heads and our knees sort of drawn up to our chest. I don't think they still do that. They're sort of sobering. You leave recess and come in for the apocalypse drill.”

“The problem is that if we had known Satan was taking over the world we would have needed a whole other budget for, like, dragons and flying demons and, you know, like the sun disappearing from the world. Winter is coming. It would have been so expensive the way we would have needed to do it, had we known that the apocalypse was coming.”

“I think wars, climate change, all that stuff is going to move people. And so I wanted to say, "What if the migration apocalypse occurs and it isn't an apocalypse at all?" Maybe we will still find ways to be happy and for our children and grandchildren to thrive and the world to move on.”

“There were a lot of things in it that were important at the time to me. Cutter's Way movie was very relevant. And I wanted Cutter to succeed as a vet, as a guy coming back from 'Nam, because there were so many guys like that. And there were so many other movies at the time, like Apocalypse Now, Coming Home, and The Deer Hunter, that it was really important that the movie be believable, that I come across a pissed-off vet who'd been there and comes home angry.”

“The strange thing about the apocalypse is that it's uneven. For some people, it goes one way and for others another way, so that there's always this shifting relation to the narrative of the disaster. Sometimes apocalypses are just structural fictions, and sometimes they're real. Sometimes a narrative requires an end - the fact that the beginning was always leading somewhere becomes clear at the end. There's an idea that we're always in the middle, but we posit this apocalyptic end in order to also be able to project into the past or the beginning. I think that's true and false.”