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Asks Quotes

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“Let us ask ourselves seriously and honestly, 'What do I believe after all? What manner of man am I after all? What sort of show would I make after all, if the people around me knew my heart and all my secret thoughts?" What sort of show then do I already make in the sight of Almighty God, who sees every man exactly as he is?'”

“I've not had to ask permission from Geraldine to take the job. I'm one of the few men in this life who are not under the thumb. I'm stronger than that. Did she want me out of the house? Listen, she's wanted me out of the house for the past 27 years and has often asked me not to come back again. But I always show up, and really, she can't do without me, because I'm brilliant.”

“People ask me, How would you do as a contestant on the show? And I tell them I would do fairly well among senior citizens, but against a good thirty-year-old I would have trouble because I cannot recall information as quickly as I used to. You used to say something and I would go, boom, right away, very sharp. Now it's like, Oh, yes, but wait a minute, uh, uh.”

“As the original 'Mary Poppins' budget of five million dollars continued to grow, I never saw a sad face around the entire Studio. And this made me nervous. I knew the picture would have to gross 10 million dollars for us to break even. But still there was no negative head-shaking. No prophets of doom. Even Roy was happy. He didn't even ask me to show the unfinished picture to a banker. The horrible thought struck me - suppose the staff had finally conceded that I knew what I was doing.”

“Lord, I do not ask that Thou shouldst give me wealth; only show me where it is, and I will attend to the rest.”

“The public does not like you to mislead or represent yourself to be something you're not. And the other thing that the public really does like is the self-examination to say, you know, I'm not perfect. I'm just like you. They don't ask their public officials to be perfect. They just ask them to be smart, truthful, honest, and show a modicum of good sense.”

“Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties.”

“With lines that show an unyielding dedication to craft, these poems are not afraid of meaning or the meaningful. More and more every day, the thinking American asks how she is to believe in love when there is war all about her, and in each of her deeply felt lyrics, Elyse Fenton confronts this question with the kind of tenderness one lover reserves for another. If every poem is indeed a love poem,Clamor is indeed a debut worth reading and about which we must make noise.”

“That kind of friendship doesn't just materialize at the end of the rainbow one morning in a soft-focus Hollywood haze. For it to last this long, and at such close quarters, some serious work had gone into it. Ask any ice-skater or ballet dancer or show jumper, anyone who lives by beautiful moving things: nothing takes as much work as effortlessness.”

“Several weeks of summer vacation in the Thirties I spent working at $15 a week in the FORBES office.... I worked in the mail cage, where envelopes were slit and subscription payments extracted. Dad used to come pounding down the office aisle and pause long enough to ask, How much today? Inevitably the answer was inadequate-except once. That day the controller said excitedly, Mr. Forbes, the ledger shows a slight profit this month! ... My father turned to him and said, Young man, I don't give a damn what your books show. Do we have any money in the bank?”

“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice--although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”

“No, it's that fun we have. It's real. I'm so thankful they cast good, funny, interesting, warm, kind people in “Castle”, because we blend very well together. At this point it's like a family. We help each other. I constantly ask them: “What's funnier: if I do this or I do that?” And I don't think we care anymore about looking weak or unprofessional. We all just want the best for each other and for the show.”

“There must be limits, somewhere, to the human footprint on this earth. When the whole of the world is reduced to nothing but human product, we will have lost the map that can show us how we got here, and can offer our spirits an answer when we ask why. Surely we are capable of declaring sacred some quarters that we dare not enter or possess.”

“I think the most important key to quality communication and interaction is developing an interest in the person you`re talking with. Most women know the secret to a quality conversation is to ask quality questions and have a sincere interest in hearing the answers. In fact, the best communicators very often say the least. It`s not the extrovert who dominates the conversation that a client feels most connected with, but rather the individual who shows a real and sincere interest in knowing about the life of the person they`re talking with.”

“I had seen some shows at the Groundlings [legendary L.A. improvisational and sketch comedy troupe] and thought, "If I could ever do that, that would really mean something, that I have arrived." So I went through the program and said to myself, "I'm going to stay here until they kick me out." Seriously, they can ask you to leave at any point. Luckily, they never did that to me.”