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Baking Quotes

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Baking Quotes

“But, Mr. Harrison, did you never consider a career in music or, perhaps, as a visual artist?" the interviewer persisted. "I have a high school diploma. Guys like me, we don't consider careers. We get a job," Corny said. You're asking him the wrong questions. Ask about the sound of granulated sugar being poured into a stainless-steel bowl, the whirring motor of an electric mixer, or his fist punching down bread dough. A flat, B minor, or C sharp? Or did he prefer music made by others when he worked? If yes, then ask what songs and colors moved this man to make the lightest cakes, the chewiest cookies, breads with tender crusts?”

“The copper-colored dough had risen up over the top of the tin to create a mountain range whose central rift offered a peek of its golden insides. With a towel-wrapped hand, Shinoi pulled out the baking sheet. The sweetly flavored heat fanned at Rika's fringe. 'It's amazing that it's risen so well with just four ingredients. It's all thanks to your whipping.' So this was the kind of wall that Kajii had been talking about, Rika thought. They didn't have to be made of hard bricks and cold concrete. They could be made of sweet, soft dough--- and still offer protection.”

“Wheat from northern Italy is 'soft' - that is, it is already low in gluten so is ideal for pastry-making. Butter was the fat of choice for cooking in northern Italy (and a sign of wealth), compared with the oil of the south of the country, and there is no doubt that butter makes the finest pastry for sweet pies and tarts. (...) The situation in Britain was different. In Britain, butter was food for the poor. The wealthy in Britain preferred lard, maybe because the animal had to be killed to obtain the fat, thus its perceived value was higher. Lard makes superb huge 'raised' or 'standing' pies full of meat, which flourished to become one of the jewels in England's culinary crown.”

“In the kitchen, her family nibbled Helen’s lemon squares. Melanie urged brownies on the nurses. “Take these,” she told Lorraine. “We can’t eat them all, but Helen won’t stop baking.” “Sweetheart,” Lorraine said, “everybody mourns in her own way.” Helen mourned her sister deeply. She arrived each day with shopping bags. Her cake was tender with sliced apples, but her almond cookies crumbled at the touch. Her pecan bars were awful, sticky-sweet and hard enough to break your teeth. They remained untouched in the dining room, because Helen never threw good food away.”

“Stirring the pastry cream and putting it in the blast chiller in the island, a total chefly indulgence that I have never once regretted. The house filling with the scent of rich, dark chocolate as the cakes rise in the oven. The treat of the moist trimmings as I even up the layers before spreading the thick custard filling between them. The fudgy frosting smoothed perfectly over the whole thing, and then immediately marred with chocolate cookie crumbs.”

“Do you apologize ever?” Claire asked with a pointed look that Alan completely missed. He seemed to consider that. “If it’s deserving.” “Crepes alive,” Claire mumbled, sniffing dismissively. “Like making full puff pastry with completely frozen butter.” Jonny smirked at her back. “I’ll take your word for it.” “It just has to thaw, Claire!” Alan protested as though she’d insulted him. “Come on, that’s not a great analogy.” “You need to thaw, is what you’re really saying,” Claire retorted over her shoulder. “And I agree, so no fridge time for you.”

“Hoping to ground herself, Rosie closed her eyes and thought of butter, the way other people probably pictured relaxing tropical idylls. Her favorite thing in the world was creaming butter and sugar, watching the way two disparate ingredients come together to form something new. She could picture it in her mind, back in the kitchen at home: the soft pale yellow of the butter, the old wooden spoon, and the cracked brown mixing bowl. Butter was magic. The starting point for cookies and cake and pie and muffins and everything good.”

“Can you grab the butter out of the fridge?" It was as hard as a rock. She tried pressing her fingertips into its surface, leaving shallow indentations in the foil wrapper as the butter yielded little. "I'll need to wait for this to soften." "You can grate it." "Like, with a cheese grater? Really?" Nate nodded. "A trick I learned from my mom. Works like a charm." "Huh, who knew?”

“Just because they were homey didn't mean they were ordinary. Most versions of this recipe relied on butterscotch chips, waxy little chunks of hydrogenated oil and synthetic butterscotch flavor. Bev's used malted milk powder and a truckload of butter, relying on the interaction between the oven's heat and the milk powder to give that toasty, caramelized flavor that suggested rather than screamed butterscotch. Melody's version also subbed brown sugar for some of the white with a healthy shot of molasses to add a deep, earthy note. At the last moment, she added some chopped hazelnuts from a little glass jar in the cabinet for extra texture and flavor. Thoughts of Justin faded as she mixed and spread the batter, then slid the shallow jelly roll pan into the oven where it would bake into a sheet of butterscotchy, nutty deliciousness. When it came out dozens of minutes later, fragrant and golden brown, she inhaled the aroma, basking in her sense of accomplishment at a perfect result. There was nothing like taking basic ingredients and transforming them into something both beautiful and tasty.”

“I've made countless variations on this recipe. Chai-infused shortbread diamonds. Rosewater shortbread squares. Cocoa shortbread sandwiches spliced with Nutella. But tonight, in honor of Grandma Damson, I make hers, from memory. In a sense, I fail. No ghosts materialize in the kitchen, not Grandma Damson, not Nonna, not anyone. But out of the mess I make a dozen ideal shortbread wedges, perfect in shape, size and flavor. Warm and delicate. With a glass of cold milk, they are delicious. When shortbread melts on your tongue, you feel the roundness of the butter and the kiss of the sugar and then they vanish. Then you eat another, to feel it again, to get at that moment of vanishing. I eat myself sick on them.”

“Alex gawked at the baked goods. He sat down on one of the metal barstools. "Feeling stressed out, I see." "Yeah." I passed the platter toward him. "Help yourself to the peach rolls or turnovers. I made them last night, so they're fresh." "We okay?" I nodded. He didn't hesitate. "God, Marygene," he groaned around a mouthful, an expression of awe on his face. "There is nothing like your baked goods. I mean it. I've eaten pastries in all the best shops in Savannah, and nothing compares to yours." Well, that was a real nice compliment. There were ample high-end pastry shops in Savannah.”

“I came up with a variation on the molten-chocolate cake that doesn't make me crazy with how brainless it is. You said the theme was date restaurant, man accessible, right?" "Right." "So I added the Black Butte Porter---the one from Deschutes Brewery---to the chocolate cake. It makes the flavor a little darker, a little more complex. I wanted to do five or six desserts, with at least three of them seasonal. For the standards, I thought the chocolate cake and an Italian-style cream puff." She nodded toward the cream puffs on the table. "Try one and tell me what you think." I wasn't awake enough for silverware, so I picked up the cream puff and bit straight into it, forming a small cloud of powdered sugar. "That's so good," I said. Clementine continued to watch me. I dove in for a second bite. And then I found it---cherries. Ripe, real cherries in a fruity filling hidden at the center. "Oh my goodness," I said, my mouth full. "That is amazing." "Glad you think so. I thought it was a clever play on Saint Joseph's Day zeppole---cherries, but not those awful maraschino cherries." I nodded. "Maraschino cherries are the worst." Another bite. "This cream puff almost tastes like a grown-up doughnut. And I mean that in the best way.”

“This looks wonderful, girls," Mama said. "Your father is going to be so surprised. You know how much he loves your krumkaker." "Crumbs cake-r." Anna tried hard to say the word, but she never could. "Crumb cake?" Mama and Elsa laughed. "Krumkaker," Mama said, the word rolling off her tongue smoothly. "I've been using this recipe since I was your age. I used to bake these with my best friend." "That's where you learned to bake with love," Anna said. "Yes, I did," Mama agreed, fixing Anna's right pigtail.”

“An hour and a half later, we are the proud parents of two massive sheets of Monster Cake, some impressive concoction called Unicorn Ice Cream Bread, three dozen Kitchen Sink Macaroons, peanut-butter-and-jelly cupcakes, a three-layer Paige creation dubbed Sex-Positve Brownies ("Slutty Brownies," Pepper explained, "but Paige took a course on feminism and sex work, so."), an ungodly amount of banana pudding, and a bunch of misshapen cake balls we rolled around in melted chocolate and stuck in the fridge.”

“WEEK ONE: Summer Abundance Almond-Infused Hot White Chocolate over Iced Berries Cold English Summer Pudding Fresh and Easy Strawberry Crème Brûlée Peach Cobbler D'Ours with Ginger Ice Cream Limoncello Sorbet and Wild Maine Blueberries WEEK TWO: Simple Comforts Classic Tarte Tatin Warm Cherry Crisp with Vermont Maple Cream Almond Biscotti Tiramisu Old-Fashioned Gingerbread and Lemon Sauce Spiced Pear and Roquefort Flan WEEK THREE: A Multiple Chocolate Orgasm Grand Marnière Chocolate Mousse Torta Caprese Chocolate-Dipped Strawberries Profiteroles with Dark Chocolate Kahlúa Sauce Quick Chocolate Soufflé”

“What was the cake you had ordered?" "A hazelnut sponge with vanilla-and-mango mousse. Vanilla buttercream with a fondant overlay and flowers." Ideas flowed and pinged around my brain, kicking up that heady surge of excitement and challenge once more. This I knew. This I liked. "You're feeding what? Forty?" "Forty-five. Fifty, to be safe." "You want a traditional multitier with buttercream, then we're pushing it. Especially if you expect any sort of elaborate decoration." "The cake feels cursed at this point." Delilah's scowl made me want to smile. It was as if she was personally offended by the bad luck, which I could understand. "I could do croquembouche. That's relatively quick and a crowd-pleaser. There are endless possibilities of gâteau.”

“Can you do mango cream in the croquembouche?" Mangoes must have been a thing with them, because Saint grinned. "Of course. How about two croquembouches and perhaps glace au beurre noisette to accompany?" "I think you're my hero," Delilah said with a relieved sigh. "Dessert hero," Saint corrected, but he was smiling, too, in a reserved way that reminded me too much of myself. "Thanks, man. Seriously." "It's not a problem." "What was that last bit you mentioned?" Emma asked, looking a little glazed in the eyes. The woman really did love her desserts. "Browned-butter ice cream. I'll be serving it more as a semifreddo, though, considering the time." "Lord save me." She fanned herself.”

“During the afternoons the only thing that seems to hold my interest is baking. I go through my recipe books. Soft-centered biscuits, cakes slathered with icing, cupcakes piled up in pyramids on round plates. Pete doesn't say anything, although every morning he takes out the rubbish bags filled with stale muffins and half-eaten banana loaves. The only thoughts that seem to distract me from babies are those memories of Paris. A gray cold, tall men, black coffee, sweet pastries, Mama laughing, with her hair and scarf streaming behind her. The smell of chocolate and bread.”

“A pie is only as good as its pastry, and one of the delights of a good pie is the contrast in texture between the crisp pastry and the filling - whatever it might be. In a perfect pie, each component is independently perfect - the mouthfeel of the pastry (buttery, flaky, crumbly) and the mouthfeel of the filling (rich, unctuous, tender, sticky, crunchy, etc.); and the whole is more than the sum of its parts.”

“Pastry-making, as every amateur baker fears, is as much about technique as ingredients. The rationale behind the well-known advice to keep the hands, implements and kitchen cool while making pastry, to use minimal water and to handle it lightly is obvious, now that we understand the process. Cool handling lengthens the time that the fat in the dough stays solid; using minimum amount of water reduces the gluten content and also allows the dough to be crisper; minimal handling also reduces the gluten, so we do not knead pastry dough as we do bread.”

“It is the food that looks backwards through our shared family memories. It is comfort food, the food inextricably linked in our cultural consciousness with motherhood and nationhood. Even though the pies are no longer a daily item on our dinner tables, they still figure large in many of our memories: pies mean Thanksgiving and Christmas and picnics and silly old Aunt Mabel and going to the football with Dad.”

“The gluten content of the final wheat dough can be manipulated by the cook in a number of ways depending on the ultimate goal, whether it be sturdy bread or flaky pastry. (...) The first trick is to use exactly the right amount of water, for it is water that activates the gluten in flour. Fat is the second trick, and it helps the texture of pastry in a number of ways. Fat coats little packets of flour, waterproofing them and limiting the amount of water that gets in (less water, so less gluten), and it keeps the gluten strands 'short'. Little smears and gobbets of fat also separate the mini layers of dough, so that they form individual flakes or crumbs, not a solid mass.”

“Like flours, not all fats are created equal. Oil is fat that is liquid at room temperature but good pastry cannot be made with oil. Flour simply absorbs the oil and the resulting dough is mealy, not tender and flaky. The ideal fat for pastry-making is one with a high melting point because the longer it takes for the fat to melt, the longer it keeps the little parcels of dough separate, generating little packets of steam to puff and lighten the dough. Pig fat (lard) has a high melting point and very little water content, so is ideal on both counts.”

“When was the last time you saw on a menu a chewet (a small, round pie of finely chopped meat or fish, with spices and fruit, 'made taller than a marrow pie'), a dowlet (a small pie of particularly dainty little tidbits), a herbelade or hebolace (a pie with pork mince and herb mixture), a talemouse (a sort of cheesecake, sometimes triangular in shape) or a vaunt (a type of a fruit pie)? these words (and more) were once everyday words in a baker's vocabulary. The only conclusion it is possible to draw is that the loss of so many pie-words reflects the loss of the pies themselves.”

“The importance of the pie - once the 'meat and potatoes' of the English - began to slip with the increased cultivation of the actual potato in the nineteenth century. As the nineteenth became the twentieth century, social changes pushed the pie further into decline. The 'great pies' had their last glorious days in the English manor houses of the Edwardian era, before the domestic classes left to fight the First World War.”

“When Soyer said of pies that they are 'one of our best companions du voyage through life', he was referring consumers, but he might just as well been referring to his professional colleagues, for pies have always been enormously useful to caterers and cooks, particularly at events where a large number must be fed efficiently. In modern times this is usually at sporting events such as football games, but the original experts in mass catering were the military.”

“Words often give clues to the origin of things, and I hoped to learn much about the history of the pie from the word 'pie'. The Oxford English Dictionary gives its first known use as being in the expense accounts of the Bolton Priory in Yorkshire in 1303 (although the name 'Pyman' is recorded in 1301), but admits that its origin is uncertain and that 'no further related word is known outside English'. It suggests that the word is identical in form to the same word meaning 'magpie' (...). The suggested connection is that a pie has contents of 'miscellaneous nature', similar to the magpie's colouring or to the odds and ends picked up and used by the bird to adorn its nest.”

“The problem with cooking meat this way [open fire] is that even if it does not burn, the valuable and tasty juices drip away and the meat dries and shrinks. Other cooks at other times got around this problem by wrapping the meat up to protect it - in leaves, for example. Or clay. Clay that, to another cook in perhaps, another time and place, felt just like dough. This last inspired step created the primitive meat pie - something medieval cooks called a 'bake-mete'.”