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“The violence in New York feels really mundane and banal to me. Whereas in the privacy of one's own home, say, like the farm I grew up on in Vermont, the kinds of things that can happen seem much more extreme. Maybe because it's more personal. Or maybe because you block out the things that happen in the city. But it's like seeing things born, live, die, fall apart, and start over again, without any intermediary clean-up steps from some corporate organization.”

“On the air, it's as if somebody draws a heavy drape to block any bias. I don't even feel it inside. It's the same curtain that keeps you from swearing. I've known broadcasters who can't get one sentence out in normal conversation without being profane, and yet, they can go on the air and talk for three hours and never slip once.”

“I had a very down-to-earth product, my wrap dress, which was really a uniform. It was just a simple little cotton-jersey dress that everybody loved and everybody wore. That one dress sold about 3 or 4 million. I would see 20, 30 dresses walking down one block. All sorts of different women. It felt very good. Young and old, and fat and thin, and poor and rich.”

“Being Jewish myself, I somehow didn't see the problem: who cares what a mentally ill (but strangely likable) individual says? If he didn't make some money at chess, I could see him becoming a street person, shaking his fists at cars as they passed by his corner of the block. Isn't it preferable to have him in a self-sufficient position rather than as a liability of the state?”

“But when there were certain moments or scenes that required a very specific nuance or performance, I myself would act out the scene or the sequence and that would inspire the actors. Of course, I can't really express emotions on camera, but I was very active in showing a certain action or a blocking for an actor. I would also participate in certain stunts myself and because of that, I would get bruises or cuts on my knees and elbows.”

“I was working with actors who were very easy to work with, but I can just imagine how, with all the other decision-making problems that come up along the way, in addition to that, the whole point of what your doing is following performance and character development. You're building your story with those building blocks, and it is not easy. I've only come out with more respect for directors, from this.”

“I think there are plenty of good people in America, but there are also plenty of bad people in America and the bad ones are the ones who seem to have all the power and be in these positions to block things that you and I need.”

“The Beatles first appeared on our show on February 9, 1964, and I have never seen any scenes to compare with the bedlam that was occasioned by their debut. Broadway was jammed with people for almost eight blocks. They screamed, yelled, and stopped traffic. It was indescribable ... There has never been anything like it in show business, and the New York City police were very happy it didn't - and wouldn't - happen again.”

“I call the Conservative Party now to a crusade. Not only the Conservative Party. I appeal to all those men and women of goodwill who do not want a Marxist future for themselves or their children or their children's children. This is not just a fight about national solvency. It is a fight about the very foundations of the social order. It is a crusade not merely to put a temporary brake on Socialism, but to stop its onward march once and for all.”

“I've seen the end of the universe, and it happens to be in the United States and, oddly enough, it's in Houston, Texas. I know - I was shocked, too. Imagine my surprise when I left a comedy club one day and walked to the end of the block, and there on one corner was a Starbucks, and across the street from that Starbucks, in the exact same building as that Starbucks, there was - a Starbucks. I looked back and forth, thinking the sun was playing tricks with my eyes. That there was a Starbucks across from a Starbucks - and that, my friends, is the end of the universe.”

“I couldn't get away with Halloween pranks 'cause my parents owned the health food store. So, it was so easy to bust me. I was the only kid on the block egging houses with those big 'ole brown eggs. Like, you didn't have to be a detective to figure it out. 'Oh, I wonder who Tofuttied my mailbox. Is it the same evil genius who filled my bird bath with Rice Dream?”

“Those type of people [in New Orleans] keep me happy and just smiling, you know? I just go hang out and talk with them and they tell me all types of old stories, and sometimes I might even pull my horn out in the middle of the block, and they're playing on beer bottles and different things, and we just do a little second line type thing, just us, four or five people, who are just having fun. That makes me day to be able to do that and go hang out with the people in the (Treme) neighborhood, and to do some shows around town, you know?”