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“Once I'd worked out that I couldn't possibly expect people to enjoy a monstrous, 3000-page book, I realised I could in fact create a labyrinth of a story with four different points of entry. But what interested me was creating something that would rearrange itself every time you read one of the other books. So depending on which order you read them, the implications and angles would change. To get that right, each one of the books had to have its own personality and texture -- even though they are connected, they are very different creatures.”

“The thing is that my first novel, which was basically a mystery adventure story, won quite an important award in Spain for young adult fiction, and because of this it became a very successful book, and right now it's some sort of a standard title, it's read widely in many high schools in Spain, so I think, in a way, I was a victim of my own success in the field of young adult fiction, because it was never my own natural register. I never intended to write that kind of fiction, but I became very successful at it.”

“This is the sort of book that justifies fatwahs. If WWIII occurred right now, we could die happy knowing Baxter would never write again. If a dinosaur killing asteroid was headed for Earth and I knew Baxter had another book coming up, I would campaign for letting the rock hit, since it is obviously the work of a benovelent deity trying to save us from another Titan.”

“To avoid a future of war, crime, and bankruptcy, the individual must begin to plan his own destiny, and the best source for the necessary information comes down to us through the writings of the ancients. The greatest knowledge of all time should be available ... in a book that would be a monument, not merely a coffin.”

“I can read books and news articles about people who have excelled, people who have done extremely well in their chosen field, or made a lot of money, or married well, or what have you. When some people read this stuff, they get inspired, but when I read it, it makes me feel worse. Sometimes I wish I had never learned to read.”

“A few of my books, over the years, have been optioned for film. The subject matter of my books, however, is not exactly conducive to Hollywood film treatment. If and when a 'big-budget' film is ever made based on one of my books, my fans and I will more than likely loathe it because it won't be true to its source. That's almost a given.”

“Every few seconds a new book sees the light of day. Most of them will just be a part of the hum that makes us hard of hearing. Even the book is becoming an instrument of forgetting. A truly literary work comes into being as its creator's cry of protest against the forgetting that looms over him, over his predecessors and his contemporaries alike, and over his time, and the language he speaks. A literary work is something that defies death.”

“It is an accurate statement that the followers of Witchcraft do not usually proselytize, which means you aren't going to find us standing on your local street corner thumping our Books of Shadows. Nor do you have to worry about jumping out of the shower to answer our serene and smiling faces at the door with your clothes stuck to various uncomfortable places on your wet body. But just because we (hopefully) aren't the forcible type doesn't mean we don't exist.”

“Do you think that your sin is hidden away? Do you think that men will never know it? Well, you should remember that God knows it already. And you should remember, second, that sin continued in will inevitably come to light. Usually it will be exposed in this life. Certainly it will be exposed when you stand before God and God's record books are opened. That which is whispered in a corner shall be shouted from a housetop. God will bring every secret thing to judgment, we are told. What warning to our hearts!”

“I own a few thousand snapshots, which is small by the standards of most collectors I know. I generally only buy photos I think I may actually be able to use in a book one day. I need that focus when buying, because without it I'd just buy everything and my house would be overrun with bucket loads of snapshots; there are just too many beautiful images in the world, and I'd need to own them all.”

“I had to share a room with my sister, who is five and a half years older than I am. We didn't get along well, and I felt that I had no privacy. So books were my privacy, because no one could join me in a book, no one could comment on the action or make fun of it. I used to spend hours reading in the bathroom -- and we only had one bathroom in our small apartment!”

“I didn't write professionally at first. It took me nine years to get anything published. At the beginning I mostly wrote picture books, which were rejected by every children's book publisher in America. The first book of mine to be accepted for publication was ELLA ENCHANTED, and not one but two publishers wanted it. That day, April 17, 1996, was one of the happiest in my life.”

“I wrote as a kid, but I never wanted to be a writer particularly. I had been drawing and painting for years and loved that. And I meditate, and one time when I was meditating, I started thinking, "Gee Gail, you love stories -- you read all the time. How come you never tell yourself a story?" While I should have been saying my mantra to myself, I started telling myself a story. It turned out to be an art appreciation book for kids with reproductions of famous artworks and pencil drawings that I did. I tried to get it published and was rejected wholesale.”

“I tend to believe that computers are drawing kids -- and adults -- away from reading purely because they provide an alternative, vast source of spare-time amusement and entertainment. I recently heard a frightening statistic: there are less than one million true readers in this country (those who read every day instead of one book per year on a beach). Terrifying.”