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Books Quotes

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Books Quotes

“There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be.”

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Author:Alain de Botton
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“There is a miracle in your mess, don't let the mess make you miss the miracle.”

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Book:Why Does an Orderly God Allow Disorder
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“I have found so many angels trapped inside undisputed jargon that I find myself digging at the words, in order to release them, from the books that unfairly captured their soul.”

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Author:Shannon L. Alder
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“The more I read, the more I felt connected across time to other lives and deeper sympathies. I felt less isolated. I wasn’t floating on my little raft in the present; there were bridges that led over to solid ground. Yes, the past is another country, but one that we can visit, and once there we can bring back the things we need. Literature is common ground. It is ground not managed wholly by commercial interests, nor can it be strip-mined like popular culture—exploit the new thing then move on. There’s a lot of talk about the tame world versus the wild world. It is not only a wild nature that we need as human beings; it is the untamed open space of our imaginations. Reading is where the wild things are.”

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Book:Why Be Happy When You Could Be Normal?
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“Being ill when you are a child or growing up is such an enchanted interlude! The outside world, the world of free time in the yard or the garden or on the street, is only a distant murmmur in the sickroom. Inside, a whole world of characters and stories proliferate out of the books you read. The fever that weakens your perception as it sharpens your imagination turns the sickroom into something new, both familiar and strange; monsters come grinning out of the patterns on the curtains and the carpet, and chairs, tables, bookcases and wardrobes burst out of their normal shapes and become mountains and buildings and ships you can almost touch although they're far away. Through the long hours of the night you have the Church clock for company and the rumble of the occasional passing car that throws it's headlights across the walls and ceilings. These are hours without sleep, which is not to say they're sleepless, because on the contrary, they're not about lack of anything, they are rich and full. Desires, memories, fears, passions form labryinths in which we lose and find then lose ourselves again. They are hours where anything is possible, good or bad.”

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Book:The Reader
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“It is because of this sea between us. The earth has never, up to now, separated us. But, ever since yesterday, there has been something in this nonetheless real, perfectly Atlantic, salty, slightly rough sea that has cast a spell on me. And every time I think about Promethea, I see her crossing this great expanse by boat and soon, alas, a storm comes up, my memory clouds over, in a flash there are shipwrecks, I cannot even cry out, my mouth is full of saltwater sobs. I am flooded with vague, deceptive recollections, I am drowning in my imagination in tears borrowed from the most familiar tragedies, I wish I had never read certain books whose poison is working in me. Has this Friday, perhaps, thrown a spell on me? But spells only work if you catch them. I have caught the Tragic illness. If only Promethea would make me some tea I know I would find some relief. But that is exactly what is impossible. And so, today, I am sinning. I am sinking beneath reality. I am weighted down with literature. That is my fate. Yet I had the presence of mind to start this parenthesis, the only healthy moment in these damp, feverish hours. All this to try to come back to the surface of our book... Phone me quickly, Promethea, get me out of this parenthesis fast!)”

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Book:The Book of Promethea
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“When I began to do a little public speaking, one of the questions I heard most often was, "What good is science fiction to Black people?" I was usually asked this by a Black person... What good is any form of literature to Black people? What good is science fiction's thinking about the present, the future, and the past? What good is its tendency to warn or to consider alternative ways of thinking and doing? What good is its examination of the possible effects of science and technology, or social organization and political direction? At its best, science fiction stimulates imagination and creativity. It gets reader and writer off the beaten track, off the narrow, narrow footpath of what "everyone" is saying, doing, thinking -- whoever "everyone" happens to be this year. And what good is all this to Black people?”

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Book:Bloodchild and Other Stories
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“Rows and rows of books lined the shelves and I let my eyes linger on the sturdy spines, thinking how human books were, so full of ideas and images, worlds imagined, worlds perceived; full of fingerprints and sudden laughter and the sighs of readers, too. It was humbling to consider all these authors, struggling with this word or that phrase, recording their thoughts for people they'd never meet. In that same way, the detritus of the boxes was humbling - receipts, jotted notes, photos with no inscriptions, all of it once held together by the fabric of lives now finished, gone.”

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Book:The Lake of Dreams
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“When you watch a TV show or a movie, what you see looks like what it physically represents. A man looks like a man, a man with a large bicep looks like a man with a large bicep, and a man with a large bicep bearing the tattoo "Mama" looks like a man with a large bicep bearing the tattoo "Mama." But when you read a book, what you see are black squiggles on pulped wood or, increasingly, dark pixels on a pale screen. To transform these icons into characters and events, you must imagine. And when you imagine, you create. It's in being read that a book becomes a book, and in each of a million different readings a book become one of a million different books, just as an egg becomes one of potentially a million different people when it's approached by a hard-swimming and frisky school of sperm.”

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Book:How to Get Filthy Rich in Rising Asia
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“Do you know where your breakthrough begins? Your breakthrough begins where your excuses ends.”

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Book:Why Does an Orderly God Allow Disorder
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“Even if Mina left a book sitting open on the table in the sunroom, Yoneda-san would never presume to move it or put away. Beyond the page lay an unknown world, and the open book was a portal to that world that should not be thoughtlessly disturbed, lest Mina be unable to find her way back. Or so Yoneda-san believed. In the house at Ashiya, books were considered more precious than any sculpture or piece of pottery.”

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Book:Mina's Matchbox
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“Better minds have said it before, but I don’t mind repeating it less well again and again: Reading, like the natural world, is good for people (though clearly at a very different level). Pace Levis-Strauss — books are good to think and books are good to be. Books have unique affordances — do things that other media cannot do as well, or at all. Reading books exercises our imaginations (which we will need to break the mind-shackles our overlords are fitting us for); reading books offers us opportunities to expand our ability to connect; reading books encourages the trickster force within, which is play. Right now there’s a whole museum-movement built around staring at a painting for ten minutes, excellent in and of itself, but books hear this and they're like, Ten minutes?! Hold my Pan Galactic Gargle Blaster! Books command our attention for hours, days, weeks, months, years — sometimes for whole lives. Reading books regenerates our ability to focus, to stay mindful. Screens do certain things very well, but collectively what they do best is naturalizing the hysterical reactive lizard logic of our capitalist vampire-squid hegemons. They convince us that to be alive is to capitalist vampire-squid all day, all night. Reading is the zafa for that particularly unbearable fukú. Reading leads us away from the Sunken Place of neoliberal capital, back to the Slow Zone of human thought and human feeling. The Slow Zone where all that truly matters for prospering — deliberation, moderation, imagination, compassion, resilience — is possible. Books are a Slow Zone oasis that can reawaken and sustain us through this age of digital decimation.”

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Author:Junot Díaz
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“Clare summarily called up her dear ones and relations out of books. They knew her. What did it matter if there had never been anyone about to talk to? These others knew the real world was not tables and chairs and meat and vegetables—or that, given food and shelter, you could surely agree to, had obligations to—venture out? With her head on her folded arms, she stood dreaming.”

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Book:The Watch Tower
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“Being a bookseller meant helping people find their moments of escape or enlightenment. Helping people fill a void in themselves to find a sense of wholeness and happiness. It could be through discovering new knowledge, being carried away by adventure, or having a good fright over a horror story. It could be something as simple as curing someone of mind-numbing boredom. There was a right book for everyone whenever they needed it. Lizzy wanted to be there for those readers to help them find their way, and as always, books would be her friend and teacher.”

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Book:Booked on a Feeling
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“Think of the satisfaction [...] of crawling into bed and knowing that your dreams are about to take place on top of nineteenth-century American literature. Imagine the pleasure of sitting down to a meal with the entire Renaissance lurking below your food. In point of fact, I had no idea which books were in which boxes, but I was a great one for making up stories back then, and I liked the sound of those sentences, even if they were false.”

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Book:Moon Palace
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“Characters of fiction are authors’ children and critics’ neighbors, even if we perceive them as inadequate, nevertheless, we should appreciate the fact that they are the products of someone’s imagination, however limited that might be. It’s not often that you come across a book from which you could quote much,”

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Book:Benign Flame: Saga of Love
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“Of all the inventions Addie has seen her ushered into the world — steam-powered trains, electric lights, photography, and phones, and airplanes, and computers — movies might just be her favorite one. Books are wonderful, portable, lasting, but sitting there, in the darkened theater, the wide screen filling her vision, the world falls away, and for a few short hours she is someone else, plunged into romance and intrigue and comedy and adventure.”

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Book:The Invisible Life of Addie LaRue
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