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Boxes Quotes

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Boxes Quotes

“I favour an interpretation of quantum mechanics (the 'Everett interpretation') according to which reality branches in any chancy quantum situation. On this view, Schrödinger's set-up will give rise to in two future branches of reality, one with a live cat, and one with a dead cat - and the talk of '50% chances' just indicates that the two branches are both equally real futures of the cat that originally entered the box.”

“With my solo music, I really try to step out of the box and do stuff I don't get to do with the boys. I wanted it to be fun, rock-infused and try some new things while going back to my roots. "All American" the song is one of my favorites from the album, which is why I chose to title the album after it. To me, it's the perfect song to represent the feel of the album.”

“I think it started with both the shows and the box set from finishing White Material. I think we were also pretty desperate to get it released. We felt pretty proud of it, and it just escalated from there. We were thinking about playing some live shows, doing the soundtracks live. It was just trying to shine a little light on this 15 years of work we've done.”

“I'm not trying to make any radio hits, or throw any curve ball or any bullshit. I've learned my lesson in life to just do what I love and if people accept it that's great. It's going to be, if you are a Madchild fan, it is going to be me at my purest rawest form. But I have come up with some things that I think are me thinking outside of the box and going to the next level.”

“Because I'm Parisian, I wanted to show a Paris that I don't see at the movies, so I spent a lot of time looking for places that have never been filmed, for streets that have never been filmed because there's a thing about Paris, where it's kind of like a charming music box, this luminous cocoon, like those things that have fake snow in them that you turn upside down.”

“There was actually a camera on your face. I don't know so much about the animation process but the camera was in our face so it could get expressions from our faces that would eventually arrive on the gnomes. It almost felt like you were cheating at times because it was a wee bit too much fun. You were in that box on your own. Kelly [Asbury] was in Toronto, I was in LA, so I was just on my own. I thought: "I can't be getting paid for this as well!"”

“It was a testament to the resilience of humanity. Give a man a tree and he will make it into a boat; give him a leaf and he will curve it into a cup and drink water from it; give him a rock and he will make a weapon to protect himself and his family. Give a man a small box and a limit of 140 characters to type into it, and he will adapt it to fight an oppressive dictatorship in the Middle East.”

“I was applying to the art school, but there was a checklist that said I had to do either production design or stage management or acting. I thought, "I don't want to be an actor, but I know production and stage management take acting classes" - this is literally my internal monologue. I was like, "Designers don't have to take acting classes. Cool. I'll check that box".”

“I wanted to get more serialized. I had this idea for an event that would click onto everybody's mortality. I said, "I want somebody to die." Fortunately for me, when I was toying with that idea, John Landgraf, who's the head of FX but also a very smart executive, came up with the idea of the ashes in the maracas. He called me up and said, "Listen, what about this, they get the ashes in a box and when they get them, they shake them and they sound like maracas." And I was like, "Okay, now I've got my throughline."”

“Many people theorize poverty, but so many elements of poverty, individually, for most people who theorize about poverty would be really difficult to even comprehend the individual things. Just take homelessness. If you are homeless, what does it mean not to have a post box where people can contact you; what does it mean not knowing where you're going to sleep at the end of the day; what does it mean not having a place where you can store what little you might possess. So dealing with homelessness in itself is a huge thing for most people who are commentators [on] or benefactors to poverty.”

“I will not sleep fine if Donald Trump wins and I will not sleep fine is Hillary Clinton wins. Whether you are looking at nuclear weapons, whether you are looking at expanding wars and their blowback, which will not stop as long as those wars continue to expand, or whether you're looking at the climate, in my view, we have no choice. This is an existential moment. We are deciding not only what kind of world we will have, but whether we will have a world or not. I think it's very important to get outside this box that tells us we are powerless, when in fact, we are powerful.”