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“I used to watch 'Coming to America' every day after school. I have full-on long-running inside jokes with friends and family about different scenes in that movie alone. Also, my brother and I loved 'The Golden Child,' so, yeah: I was a huge fan of Eddie Murphy growing up.”

“When I came back from Pakistan, I wanted to take computer classes nearby. I asked my brother. I was in my home, cooking for my family, and all our relatives and guests. But I said, "I want to live my life as a woman, but I want to study." But, he told me, "Just study at home, you don't need to go out." He said, "If you go to the courses, what will our relatives say? They will lose respect for us." They told me, "We know you're feeling different, but we cannot do anything about it."”

“I guess I'm what you call a slush-piler. I just sent my manuscripts to the slush pile of publishers and hoped for the best. Over seven years, I was rejected seven times on three different books. The fourth attempt was picked up by a small publisher, and I still have great memories of staying up all night, talking to my brother and sisters (my dad called me at 2:30 in the morning because I was overseas).”

“When I was ten years old, my dad and brother did JUDO so I went along because I felt like I was missing out. They eventually gave up and I continued, then moved into Tae Kwon Do, kickboxing and various other martial arts. I did lots of different things, but mostly things like Wushu, Jeet Kune Do, Krav Maga and stuff like that.”

“During my career as a standup and actor, I realized it was very frustrating for me to get hired because Hollywood was hiring a different kind of brother, you know, and I was doing political humor... In order for me to really have a long career, I'm going to have to learn how to write and produce for myself... I had no idea I was really going to like it and I'm very fortunate to be successful. But the idea was to always eventually create something for myself. That was the idea from the beginning when I went into writing and producing.”

“Men and women are brothers and sisters; they are not of different species; and what need be obtained to know both, but to allow for different modes of education, for situation and constitution, or perhaps I should rather say, for habits, whether good or bad.”

“I come from a visual background, and I grew up around a lot of hippies and artists. My mom and my brother and I moved around a lot. We basically moved every couple of years, and I went to a lot of different schools. But creativity, for us, was always a way of life. It was never a job. Being an artist was a passion and a way of life.”

“I was brought up with the sense that I was absolutely no different from my brothers. I went to college thinking I was absolutely no different from the men in college. But that's not true. I'm fundamentally different. The problem was not being able to understand difference and equality at the same time. It's something that we can't seem to comprehend. You can't state difference and also state equality. We have to state sameness to understand equality. It's a mistake.”

“The Scoutmaster guides the boy in the spirit of an older brother... He has simply to be a boy-man, that is: (1) He must have the boy spirit in him: and must be able to place himself in the right plane with his boys as a first step. (2) He must realise the needs, outlooks and desires of the different ages of boy life. (3) He must deal with the individual boy rather than with the mass. (4) He then needs to promote a corporate spirit among his individuals to gain the best results.”

“I know I'm going to have to get beyond being George H.W. Bush's son and Barbara's son -- for which I'm really proud. And I'm going to get beyond being George W.'s brother for which I am extraordinarily proud as well, there's a lot of interest in finding the ways that we are different and all this. Well, the simple fact is that we're all on our own life's journey -- my brothers and sister are different than me.”

“I still come from a very working-class family. My mother's still a cleaner. And my brother is the gas man. And my other brother runs a cab. I have become a stratified, different, exotic beast, even more so than I was when I was a young gay man. I just sort of built on that. Now that I've made several films, I don't even know how to placate them with money like so many people do with their families.”

“Being a military child, we moved a lot and we developed different vernaculars from moving from the south, to the Midwest, and seeing the world. Going from New York to California and from Jamaica Queens to the South, I was always the new kid, or had the army crew haircut. I expected people to pick up on me. My brother kinda stole all of my old jokes. He got his inspiration from me.”

“The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different.”

“Well, at the end of our movie Fireproof, we released a book that my brother Stephen and I wrote called The Love Dare. It was for couples. That book had a much larger impact than we expected. As a matter of fact, if I could use the term "overwhelmed," we were. The book went on to become a New York Times bestseller and sold over five-million copies and is now in 28 different countries and languages. So, we were blessed and just surprised at how well that did.”

“Loneliness has little to do with what we do or where we do it, whether we're married or unmarried, optimists or pessimists, heterosexual or homosexual. Loneliness has to do with the sudden clefts we experience in every human relation, the gaps that open up with such stomach-turning unexpectedness. In a brief moment, I and my brother or sister have moved away into different worlds, and there is no language we can share.... It is in the middle of intimacy that the reality of loneliness most dramatically appears.”

“Blood doesn't make you family. Hell, an only child can bleed. It's the sharing of pain that makes you family. 'Cause, you can't really love a brother or sister until you know that they're as scarred and broken as you are. And, hey, if you grow up with a father like mine and you aren't at least a little scarred and broken, well then, that's not your father. You were spawned by an entirely different guy.”

“One of my brothers in my adopted family converted to Islam and I love him with all my heart. I have Muslim women who understand my pain and they give me lots of love and support. But what Black Americans never think about is that the African version of Islam is totally different from American Islam. They've never seen mothers doused in gasoline and set on fire for ’religious' reasons. So they don't know what I'm talking about.”

“We're not unique in our family. We're more ambitious but we're not special. I'm not funnier than anyone else in my family; it's just that we wanted more than Raleigh, North Carolina, had to offer. If my brother wanted more than Raleigh had to offer, you would know his name. My sister Lisa has a really unique and different voice, but she doesn't want that. She's a fine writer, but never said, "I want a book. I want that kind of attention."”

“My mom, my father, my little sisters, and my brother - I don't got that much family. I'm not really a family person. I just do my own thing. But I've just been spending time with my mom, especially since the [September motorcycle] accident happened. I drive all the way down there to Georgia just to check up on her. You just get tired of being that person that you thought you were. I don't feel no different. I see the music, because I made it. I don't really see the fame.”

“It's also one thing to see a celebrity or some kind of character on a TV show being gay. It's a totally different thing when you know your husband... not your husband, but your brother or your friend or the dude you hung out in high school was gay. I mean, that is what changes people's minds, what changes people's minds.”

“I have the good fortune of working with two brothers who are very accomplished, incredibly smart, and very capable. So thankfully there is not an issue in that regard where somebody isn't pulling their own weight. We collaborate all the time. We tend to take different paths, but we tend to reach very similar conclusions. It's actually great because it allows us to be much more creative in the process of getting things done.”

“That's always been like a fascination to me - watching my family, three sisters and a brother and all growing up basically in the same situation and each one being so totally different and going on to completely different areas and directions. But for me to go into psychoanalysis really steadily, would be putting too much energy into trying to figure out why I am the way I am... Basically this is how I am and it's alright and I don't want to know why I'm this way.”

“We [Cleveland Browns] are from the same segments of America that everyone else is from. We have the same diversity, the same mix, so we don't run away from issues amongst each other, because we're brothers and we have to build that bond because we're always on the quest to be world champions. That's always our quest, and if you don't have that bond, it's not going to happen. So I guess every locker room is different, but our locker room I think is more than fine.”

“I feel like I'm not living a life different than anyone else. You know, I live in a house with 5 kids and a wife, but I also travel on the road with a band of brothers, just doing life. I am a member of a church, but it's almost like it's a little church on our bus. It's about trying to pursue God and stay faithful to Him in this crazy world.”

“There are some filmmakers like the Coen brothers that are very precise. They make shooting boards, they do it shot by shot, and they follow every single line in their own script. They make amazing movies, and I admire them so much, but I can't do that. I have no idea how the movie will exactly be. While shooting, I just try to create an accident that I don't control very well - grabbing things from different sources and ideas, and then having a sensation somewhere that it will make sense.”