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Cameras Quotes

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Cameras Quotes

“When you're the guy behind the camera, you're aware of the reasons for the compromises or the changes that get made. As an actor, you go and do your thing, and someone else down the line then does all the math and goes, "We can't include that thing where he's pretending to be dumb and needling those people, because it takes a minute and a half, and it ruins the next scene. It doesn't make sense." If you're directing, you're the one doing that.”

“I think people are wrong to do it, to compare him to your way of wanting to do it. If you're passionate about it, do it and do it your way. It's not always going to be in front of the cameras after a football game - that was the way I did it. Somebody else has a different way, and that's [James] LeBron, and I know who he is. And I can't get into specifics, but it did upset me that people were calling him out for that because they were just wrong.”

“Back in 2007, I met this white guy [director Peter Byck] with a lot of hair and a video camera, at a conference that I happened to be attending for the launch of an organization called Blacks in Green. I had never heard of him and Peter had never heard of me. We just started talking; he liked what I had to say, so he asked me if I'd be willing to be in this documentary he was doing about carbon pollution. I said, "Sure!" It was kind of a no-brainer.”

“There are photos of Kim Jong-un right up atop the volcano. I actually wrote a letter to him asking if I could speak on camera. I never got an answer. But what was interesting was the people who were responsible for us, our "guards," it took them two days to figure out how I should address him. "President? No, you can't because there's a president for eternity." And it was a time when his status was still in flux. Only a few months later there was this party congress which assigned an official title to him, but that was after we did our film.”

“About 10 minutes [into the dinner] my sister texted me and said, "Maria, I just wanted to let you know that you're on TV live. You're front and center." I thought, 'Oh God, I'm right behind Donald Trump and in the camera shot. After that I stopped moving. I just sat there. It was funny. I was delighted that people noticed my white gloves. It was a white tie dinner, for the dais you had to be in white tie. If I can't channel my best Sophia Loren glamour for a white tie affair, when can I? I thought it was an excellent opportunity to wear the white gloves.”

“Animators do amazing working translating and interpolating the characters [in the Planet of the apes], the facial performances. What we're creating on set - if you don't get it on the day, in the moment, on set, in front of the camera, with the director and the actors. The emotional content of the scene and the acting choices.”

“It's true that I don't think I'd be a good director. If I were a director, I'd try to hire the best people I could and then leave them alone. I don't know much about cameras or lighting, so I'd make sure that I had a really good cameraman who understood lenses and lighting, and I say to him, "This is the scene we have to shoot and this is what I think it should be, you go do it." Same with actors. But really, very good directors who know everything do basically the same thing. They hire you and then they leave you alone.”

“The script is a starting point, not a fixed highway. I must look through the camera to see if what I've written on the page is right or not. In the script, you describe imagined scenes, but it's all suspended in mid-air. Often, an actor viewed against a wall or a landscape, or seen through a window, is much more eloquent than the lines you've given him. So then you take out the lines. This happens often to me and I end up saying what I want with a movement or a gesture.”

“I've been working in Hollywood for a long time now in many different aspects in front of the camera, behind the camera, and I've worked with top executives, presidents of networks. I've worked all around. I see energy and what's around these studios and a lot of these offices. You don't get the high positions in these companies if you don't take advantage of other people in some way. I've seen that around. I've seen that around the studios, whether it's producers or whoever. Egos are there. Greed.”

“Everywhere we walked we got plenty of attention due to the camera and sound men. The locals love to get on camera. [...] I'd seen footage of Gandhi surrounded like this and always thought it was because he was very popular, but now I wonder if it was just because he had a camera crew with him.”

“The second death. To think that you died and no one would remember you. I wondered if this was why we tried so hard to make our mark in America. To be known. Think of how important celebrity has become. We sing to get famous; expose our worst secrets to get famous; lose weight, eat bugs, even commit murder to get famous. Our young people post their deepest thoughts on public web sites. They run cameras from their bedrooms. It’s as if we are screaming Notice Me! Remember Me! Yet the notoriety barely lasts. Names quickly blur and in time are forgotten.”

“The feeling I have reminds me of New Year’s Eve, when the countdown is coming and I’m not quite sure whether to grab my camera or just live in the moment. Usually I grab the camera and later regret it when the picture doesn’t turn out. Then I feel enormously let down and think to myself that the night would have been more fun if it didn’t mean quite so much, if I weren’t forced to analyze where I’ve been and where I’m going.”