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“I stopped acting when I was about nineteen, twenty, when I got thrown out of college. I did act for about ten years. I don't know. I suspect I'm still a reasonably good actor, but I don't really know that I want to get on the stage again ... and having to say all those boring words by me over and over again ... I don't know if I want to do that. Also, I like a certain amount of freedom of movement, and if you're acting, you're stuck in one place for a long time. Having said that, I will probably be onstage next fall.”

“You become a serious programmer by going through a stage where you are fully aware of the degree to which you know the specification, meaning both the explicit and the tacit specification of your language and of your problem. "Hey, it works most of the time" is the very antithesis of a serious programmer, and certain languages can only support code like that.”

“I think when a man first discovers that two and two is four, there is 'beauty' in that; and we can see why. But if people stand and look at the moon and one says 'I think it's just beautiful tonight' and the other says 'The moon makes me feel awful' we are both 'clear'. A geometric shape - we know why we like it; and an unreasonable shape; it has a certain mystery that we recognize as real; but it is difficult to put these things in an objective way.”

“Most of what I do is science fiction. Some of the things I do are fantasy. I don't like the labels, they're marketing tools, and I certainly don't worry about them when I'm writing. They are also inhibiting factors; you wind up not getting read by certain people, or not getting sold to certain people because they think they know what you write. You say science fiction and everybody thinks Star Wars or Star Trek.”

“I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.”

“A man must first of all understand certain things. He has thousands of false ideas and false conceptions, chiefly about himself, and he must get rid of some of them before beginning to acquire anything new. Otherwise the new will be built on a wrong foundation and the result will be worse than before. To speak the truth is the most difficult thing in the world; one must study a great deal and for a long time in order to speak the truth. The wish alone is not enough. To speak the truth one must know what the truth is and what a lie is, and first of all in oneself. And this nobody wants to know.”

“My biggest concern is always the students who are working toward a certain career - when they limit themselves to just that one option. They need to know that the world is huge - it's an ocean, and there are so many options. It's not the end of the world if they don't get to pursue an apparent childhood dream.”

“As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.”

“I know, that since life is our most precious gift, and as far as we can be absolutely certain, it's given to us to live but once, let us so live we will not regret years of useless virtue, and inertia, and timidity, and ignorance, and in our last moments we can say: 'All my life, all my conscious energies, have been dedicated to the most noble cause in the world, the liberation of the human mind and spirit - beginning with my own'.”

“There are Arab countries providing arms I don't know who they are, nobody comes and tells you 'we are providing arms', but what I say is providing arms and ammunition started with certain countries, I'll name them: Russia and Iran to Syria, so it's normal the other side will seek help .... The last resolution adopted less than three weeks ago said all assistance [to the opposition fighters], all assistance including military, it was added.”

“When you meet anyone in the flesh you realize immediately that he is a human being and not a sort of caricature embodying certain ideas. It is partly for this reason that I don't mix much in literary circles, because I know from experience that once I have met and spoken to anyone I shall never again be able to feel any intellectual brutality towards him, even when I feel I ought to - like the Labour M.P.s who get patted on the back by dukes and are lost forever more.”

“We humans have had from time unknown the compulsion to name things and thus to be able to deal with them. The name we give to something shapes our attitude toward it. And in ancient thought the name itself has power, so that to know someone's name is to have a certain power over him. And in some societies, as you know, there was a public name and a real or secret name, which would not be revealed to others.”

“Most importantly, what you get from a greasy spoon is a certain kind of smell that has been almost legislated out of existence. It is cigaretty, certainly, and it also has the catch-throat quality of smoking fat. It is a warm, companionable fug that rises to meet you as you step through the door on a late autumn day and it is how public places used to smell in my childhood in the 1970s. It is real, it is human, and it beats anything I know.”

“Obviously, you want to teach your child between right and wrong, respect and being kind to others, whether it's their sisters or parents. You try to teach them by example, talk to them and explain certain situations. But there's also a time to put them in time out or let them know they've made a mistake and try to learn from it.”

“I feel like the personal me and the artistic me are separate, but connected. It's almost like a Jekyll and Hyde thing. As much as you try to keep them apart, they end up together. I'm very much aware that when I'm miserable on the creative side - if I can't make things work a certain way - it really detracts from being the father I want to be. So in order to ultimately be a good father and the man I want to be I know I need to keep my creative side in check, or at least a little bit happy. It's weird how it's intertwined that way.”

“... I don't think anybody should avoid mistakes. If it is within their nature to make certain mistakes, I think they should make them, make the mistakes and find out what the cost of the mistake is, rather than to constantly keep avoiding it, and never really knowing exactly what the experience of it is, what the cost of it is, you know, and all the other facets of the mistake. I don't think that mistakes are that bad. I think that they should try and not do destructive things, but I don't think that a mistake is that serious a thing that one should be told what to do to avoid it.”